"The acting career of Karol Wojtyla began in high school between 1934 and 1938 and continued during the war years. At the age of 19 years he wrote his first play, David, which was quickly followed in the spring and summer of 1940 with Job and Jeremiah. As a result of the war, the theater was forced to go underground. Wartime limitations gave rise to the Rhapsodic Theater (1941), which was characterized by a minimum of scenery and emphasis on the spoken word. Such a theater of the word suited well the inclinations of both his collaborator, Mieczyslaw Kotlarczyk, and Wojtyla, two of the five actors of the new Rhapsodic Theater. It was, above all, a theater of the inner self. Boleslaw Taborski, the translator of his plays, identifies some key characteristics of the dramatic works of the future Pope. ‘In his plays, as in his poems, he is concerned not so much with external events as with exploring man’s soul: it is there that the action unfolds.’ He finds a certain uniformity in themes and what he calls ‘moral import.’ Even as a nineteen-year-old, Wojtyla’s work was remarkably mature with an inner coherence. He presented a ‘vision of man’s place on earth and in the divine plan of creation.’ He also aimed at the ‘revaluation of words,’ which had become debased by various ideologies."
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Mary Shivinandan, “Crossing the Threshold of Love: A New Vision of Marriage in the Light of John Paul II’s Anthropology”, The Theater of the Word, p.5
https://en.wikiquote.org/wiki/Pope_John_Paul_II
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Pope John Paul II
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