"The character of the first movement is unique, the result of a curious combination of two radically different traits. On one hand, certain features make it sound neo-Baroque, in the vein of Prokofiev’s stylization of Baroque dances … On the other hand, the movement’s melodic and harmonic language, as well as its evocative usage of the piano’s registers, connects the first movement with the Russian tradition of musical fairy tales, especially with the dark, spooky variety. Here the influence of Nikolai Medtner’s piano works is particularly noticeable …"
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Original Language: English
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Sources
Boris Berman, Prokofiev’s Piano Sonatas : A Guide for the Listener and the Performer (2008), "Sonata No. 4 in C Minor, op. 29"
https://en.wikiquote.org/wiki/Piano_Sonata_No._4_(Prokofiev)
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Piano Sonata No. 4 (Prokofiev)
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