"When I went to Trocadéro it was disgusting. ...The smell. I was all alone. I wanted to get away. But... I stayed. ...I understood something very important... was happening to me... The masks... were magical things. ...The Negroes' sculptures were intercessors... Against everything; against unknown threatening spirits. I kept looking at the fetishes. I understood: I too am against everything. I too think everything is unknown, is the enemy! Everything! ...I understood ...the purpose ...all the fetishes were ...weapons. To help people stop being dominated by spirits, to become independent. Tools. If we give form to the spirits, we become independent of them. The spirits, the unconscious... emotion, it's the same thing. I understood why I was a painter. All alone in that awful museum, with the masks, the redskin dolls, the dusty mannequins. ' must have come to me that day, but not at all because of the forms: but because it was my first canvas of —yes, absolutely!"