"In the beginning, Mailer spins publicity for convict and murderer Jack Abbott, helps get Abbott's prison book published and Abbott paroled. The con with the prose style of a Doberman (all speed and teeth) obeys his muse again. Six weeks after parole, Abbott kills a man in New York City's East Village. … It was common to hear New Yorkers say that he should be tried as an accessory to murder. Mailer barged around giving interviews and suing a newspaper for libel, looking truculent and stricken. In one way it was unfair: Mailer had had the courage to sponsor a talented pariah, and then something in Abbott's transition from prison went disastrously wrong. Mailer was personally aggrieved and pained, not only for Abbott but for Abbott's victim. It is true that certain writers adopt convicts: criminals, sinister, romantic and stupid as sharks, become the executive arms of intellectuals' violent fantasies. For some reason, intellectuals rarely understand that they are being conned: convicts are geniuses of ingratiation. Still, Mailer after all was not promoting a killer but a prose stylist and what he judged to be a salvageable human being. He miscalculated: he overrated the writer in Abbott and underestimated the murderer."