"But I would not like to part from this ideal type of researcher, such as has seldom appeared in the history of mathematics, without evoking a figure from another sphere who, in spite of his totally different field, still seems related. Thus, although Abel shared with many mathematicians a complete lack of musical talent, I will not sound absurd if I compare his kind of productivity and his personality with Mozart's. Thus one might erect a monument to this divinely inspired mathematician like the one to Mozart in Vienna: simple and unassuming he stands there listening, while graceful angels float about, playfully bringing him inspiration from another world. Instead, I must mention the very different type of memorial that was in fact erected to Abel in Christiania and which must greatly disappoint anyone familiar with his nature. On a towering, steep block of granite a youthful athlete of the Byronic type steps over two greyish sacrificial victims, his direction toward the heavens. If needed be, one might take the hero to be a symbol of the human spirit, but one ponders the deeper significance of the two monsters in vain. Are they the conquered quintic equations or elliptic functions? Or the sorrows and cares of his everyday life? The pedestal of the monument bears, in immense letters, the inscription ABEL."