"Artists of the previous generation, such as Cézanne and van Gogh, had employed systematic "distortions" in their works, but... as part of a... direct way of communicating the "truth" of his own personal vision. Picasso's contemporaries, including Matisse, followed in that tradition. Matisse's varied styles between 1905 and 1918 had grown out of his direct visual responses... and were not calculated to be artificial or arbitrary. Picasso, by contrast, insisted that there were many possible ways of arriving at the truth, and that all of them were equally artificial. ...the artist could choose among many different visual languages ...Each of these modes or styles ...being inherently expressive of attitudes that were implicitly contained within the style itself."
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Matisse and Picasso
Matisse and Picasso: The Story of Their Rivalry and Their Friendship by Jack Flam, was published in 2003. "It deals with their rivalry and friendship as a continuous story."
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