"Maria had a way of even transforming her body for the exigencies of a role, which is a great triumph. In La traviata, everything would slope down; everything indicated sickness, fatigue, softness. Her arms would move as if they had no bones, like the great ballerinas. In Medea, everything was angular. She’d never make a soft gesture; even the walk she used was like a tiger’s walk."
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Women singersWomen from the United StatesSingers from New York CityWomen born in the 1920sOpera singers
Original Language: English
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Sources
Nicola Rescigno in Callas, A Documentary (1978), Extra Features, by John Ardoin, Bel Canto Society DVD, BCS-D0194
https://en.wikiquote.org/wiki/Maria_Callas
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