"As an Indian woman, I come from a long history of people who have listened to the language of this continent, people who have known that corn grows with the songs and prayers of the people, that it has a story to tell, that the world is alive...This intuitive and common language is what I seek for my writing, work in touch with the mystery and force of life, work that speaks a few of the many voices around us...It is also poetry, this science, and I note how often scientific theories lead to the world of poetry and vision, theories telling us how atoms that were stars have been transformed into our living, breathing bodies. And in these theories, or maybe they should be called stories, we begin to understand how we are each many people, including the stars we once were, and how we are in essence the earth and the universe, how what we do travels clear around the earth and returns. In a single moment of our living, there is our ancestral and personal history, our future, even our deaths planted in us and already growing toward their fulfillment. The corn plants are there, and like all the rest we are forever merging our borders with theirs in the world collective. Our very lives might depend on this listening. In the Chernobyl nuclear accident, the wind told the story that was being suppressed by the people. It gave away the truth. It carried the story of danger to other countries. It was a poet, a prophet, a scientist. Sometimes, like the wind, poetry has its own laws speaking for the life of the planet. It is a language that wants to bring back together what the other words have torn apart. It is the language of life speaking through us about the sacredness of life."