"The brilliant and worldly society, before whom the Provençal lyric was sung, lived under the domination of the ideals of chivalry, ideals which demanded that men should fight and that men should love. The poetry that would please this society must, therefore, bear the stamp of these same ideals and subject itself to the tyranny of the same narrow circle of thought. Religion could mostly be left to the close of life, except as it stirred warriors to battle for the Holy Sepulchre. The vast range of emotion open to a Burns, a Heine, a Hugo, lay in an untrodden, if not undreamed, region. The courtly singers, be their birth royal, noble or base, treat, with hardly an exception, of two subjects, and two subjects alone—of war and of love.The love, indeed, was of that peculiar sort termed lady-service. The object of affection was almost invariably a married woman of high rank, to whom the poet addressed his homage and his humble supplications. How much of real passion and how much of simulated adoration this relationship represented, it is impossible to discover. It is reasonable to believe, however, that, in general, the limits of propriety were strictly observed.Without doubt the burning phrases of the earliest troubadours expressed their true sentiments, and we can hardly believe that even the later poets were always confined to emotions purely Platonic. Yet, on the whole, the exaggerated anguish and the equally exaggerated joy, the unlimited praises, the assurances of absolute devotion and unchangeableness, the wishes, the hopes, the despairs of these lovers must be interpreted as we interpret the same sort of language addressed by needy suppliants to Queen Elizabeth of England.In Provence, rich heiresses married young, and after marriage they enjoyed much liberty. Becoming social queens, they patronized the poor singers, who in turn gratified their ladyships' vanity by prolonging and spreading the fame of their beauty. These singers, while professing love, professed also the deepest humility, a humility most strongly marked in those of much lower birth than the ladies they addressed. Every one of them proclaimed himself his lady's vassal, until this convention became so firmly established that even a king (Alfonso II) sang: "Her man, warranted and sworn, shall I now be, if it please her, before all other lords.""