"I never make visual references to Ford in my films, but I did remind my cameraman of Ford's very economical use of the close-up and careful handling of space. The first close-up of John Wayne in ' comes after 40 minutes! One of the top stars of the time! Still, he is incredibly powerful and present in the film. So I tried to do something similar here, partly in reaction to so many films shot today in the style of TV. I wanted to do an intimate story in wide shots, and it seemed appropriate, because the audacious use of space would emphasize the historical dimensions. That's also Ford, because my film is about values, and Ford's always are, too. Ford is one of the few classic American directors whose emphasis is on the collective rather than on the individual. I have read critics who believe he is reactionary, but they forget not only how nonjudgmental he is; he has a sense of the group's responsibility, of their mutual need. In ', John Wayne says, "This is work for a professional," but not in Yellow Ribbon, where they come and say, "How can we help?"."
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John Ford
John Martin Feeney (February 1, 1894 – August 31, 1973), known professionally as John Ford, was an American film director. He is remembered both for Westerns such as Stagecoach (1939), The Searchers (1956), and The Man Who Shot Liberty Valance (1962), as well films in other genres such as The Grapes of Wrath (1940).
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