"Because it was indeed a wager made by the creator of the 'Vues de Paris' [Views of Paris] and 'Mirobolus, Macadam & Cie'. A wager on the aesthetic scope of means of representation and materials held as unworthy, and which he would be the first to use in a no longer occasional, but rather systematic and exclusive way: soils and white lead, clinker, tar mixed with grit, tow, shavings, scratches, incisions and scrapings, imprints and reliefs, which one will find precisely named in the invaluable working notes of the painter. A wager, more adventurous still, on the effectiveness that the spectator would be able to recognize in these representations that are certainly barbaric, but also completely devoid of the picturesque."
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Quote by Hubert Damisch, in his text 'Dubuffet or the Reading of the World', in 'Art de France' 2 (1962), p. 337–346 (translated text by Kent Minturn and Priya Wadhera)
https://en.wikiquote.org/wiki/Jean_Dubuffet
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Jean Dubuffet
Jean Dubuffet (July 31, 1901 – May 12, 1985) was one of the French painters and sculptors of the second half of the 20th century. Dubuffet coined the term Art Brut for the art produced by non-professionals working outside aesthetic norms, such as art by children, mental patients, prisoners. The material in Art Brut is essential. Dubuffet's art is representational, in which he strives for the general and the popular meaning.
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