"In 1874 Cézanne participated in the exhibition of the Society of Painters, Sculptors, and Gravers at the Photographic Galleries... There were thirty... which included Pissaro, Guillaumin, Renoir, Monet, Berthe Morisot, Degas, Bracquemond, de Nittis, Brandon, Boudin, Cals, G. Colin, Latouche, Lépine, Rouart... all more or less "innovators." This exhibition enjoyed the same sort of success as had the . But the public found occasion to protest from another point of view... you had to dig into your pocket to see the "Impressionists"!—for that was the name the public bestowed with one accord... after seeing a Monet in the exhibition entitled Impression. [I]n 1877, Cézanne exhibited... with several members of the same group, in a vacant flat at 6 Rue Lepeletier. On this occasion the exhibitors, at the suggestion of Renoir, unhesitatingly adopted the name of Impressionists. They did not pretend to be offering a new type of painting; they simply confined themselves to telling the public honestly, "Here is our work. We know you don't like it. If you come in, so much the worse for you; no money refunded." But... the public came to believe that the new word signified a new school, a misapprehension which persists even to this day."