"Guruji did not teach me more than four Ragas. He often drew an analogy between swaras and money and said that one must spend only as much as is required of both. My practice would follow this method. I was given a certain palta and would have to keep repeating it for days on end. It seemed boring and monotonous then, but later I thanked him for this rigorous training. The entire relationship with a guru was different in those days. Our respect for him was so great that there was no question of us asking him to teach us something particular, not because of our blind devotion, but because of our innate belief that he knew what was best for us. I remember getting caught by him invariably, whenever I tried something new. For instance, on radio, I sang Raga Bhinbhas, working it out on my own, quite confident that guruji would not hear me, as there was no electricity in Kundgol. But as luck would have it, he happened to be in Belgaum that evening. I was subsequently taken to task for using a komal dhaivat in Bibhas. This was followed by comprehensive training of the Raga. There are so many Ragas with which I associate a strange incident with guruji--Suha, Marwa … the list is endless."
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In "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".
https://en.wikiquote.org/wiki/Gangubai_Hangal
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Gangubai Hangal
Gangubai Hangal (March 5, 1913 – July 21, 2009) was an Indian singer of the khyal genre of Hindustani classical music, who was known for her deep and powerful voice. She performed all over India and for All India Radio stations until 1945. Hangal had initially performed light classical genres, including bhajan and thumri, but concentrated on khyal. Later, however, she refused to sing light classical, saying she sang only ragas. Hangal served as honorary music professor of the Karnatak University
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