"Majorca,Spring 1960: As chance would have it-and chance always has something up its sleeve-I bumped into another academic renegade. He was about to leave for Majorca,where,he said,two stone houses were waiting for him and for me. So off we went. On the boat from Barcelona it was bitterly cold,and I arrived in Palma like a lump of ice on two sticks. My stone house was an aesthetic delight,especially as there was no furniture at all in it. We made straight for the local fishing village,where we soon met an Englishman suffering from a skin disease who lent us two matrasses. Later,other European artistic refugees arrived at the Café Marinero, including a Pole called Foot who had fought in the French army against what he called "very romantic barbarians". he painted too, alternately in monochrome and in abstract expressionist style. Abstract Expressionism was the only style practised by Joan Merritt,a brilliant woman from the United States. She transformed an artistic nature reserve into a jungle. In Franco´s empire you had to report to the Guardia Civil once a week. It was the same ritual every time. You knocked on the door and a voice answered "Un momentino!" You waited until eventually receiving a very loud command: "Entra!" A man with a big stomach,a moustache and a cigar would be leaning backwards in his chair at a desk with an oversize telephone. You stood in silence. The official would pick up the receiver and make an official call. A pin-up calendar hung on the wall,displaying a senorita in a skin-coloured bathing costume. Then the official leafed through your passport and bashed a stamp into it. A second ritual was Sunday mass, the Catholic way. It was conveyed by loudspeakers to the outside world, so it could be heard miles away. A third ritual was collecting your post.For obvious reasons,the Generalísimo would not allow post offices all over the place. In our village he left things to an itinerant clerk-cum-supervisor. she set up her office in one "cervecería"or another, as fancy took her. You entered the room and nodded silently to the other foreigners,all of us always somehow suspicious. A mother´s-milk monster with strictly arranged hair, a Generalísima, would be sitting behind a table on which she´d piled letters that had arrived. When she wasn´t disappearing into a backroom she´d occasionally call out a name. The whole business often lasted as long as the deep sleep of a dreaming donkey. Once you´d been given your post you had to go to the man with the moustache and cigar. The first ritual was then repeated, before the stamped postage stamp was stamped out of existence. Despite this, life in the fishing village was genuinely worth living. The sun shone every day,the fish were cheap,the wine even cheaper and mineral water free. The café proprietor reaked of tobacco and his customers smelled a fish. One fisherman had lost three fingers,and the lavatory´s aroma lay over the whole room. Once,when I was drunk,I called the Englishman with skin disease a "fucking bastard" and he scratched away at his scabs in fury. Red wine flowed from the barrels and murky blood trickled out of eyes. Smoke rushed through the room,the landlord fell over a barrel and,unbelievably,got up straightaway and refilled his own and customers´ glasses with what he had. this time,it was a bitter-tasting liqueur,spiced with filterless Peninsulares cigarettes. everyone smelled of ham and sweaty feet,and you´d sometimes tread on a rotten olive. One day a blonde Danish woman came to the Café Marinero,got to know me and invited me to her house,where she showed me her housekeeper,a local,who was pining for her unfaithful boyfriend. And there was an American woman who introduced me to My Fair Lady. Finally,I met an émigré Mongolian fisherman who couldn´t swim and drowned without a hope in the world. The fishing village had a soporiphic effect. Even when you were sitting at the bar and had to look for the owner to order another glass of red wine,it felt as though you were in a dream. And you were still dreaming when you crept along the dusty alleys with their weathered walls to visit the village barber. That man cropped my hair once. He sat down in a chair he´d probably got from a doctor. He begun practising his craft behind my right ear,worked his way up to the parting-and then vanished. I looked through some magazines he´d probably got from a dentist. Eventually,I decided to get down from the chair,which he´d wound up high,and went through several alleys looking for him. And Io and behold- there he was,waving down at me from a roof he was helping to tile. There I stood, like a half-finished Mohican, and carried on dreaming. Having grasped the way, fatalistic system worked, I returned to the barber´s shop,where you could also buy sweets,soap,toothpaste"
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Günter Brus
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