"When I was at Harvard, and it's the 80s, and I had sort-of come of age with 60s and 70s music, so Elvis wasn't a big interest of mine. And, then in 1983, I listened for the first time to The Sun Sessions, Elvis' earliest work that he did with Sam Phillips. It blew my mind. It was like a drug. I couldn't get enough. It made me go out and buy a guitar. It made me try and play that music. And, in a sense, I've never gotten past that music. I can't get past early Elvis. I appreciate other music, but I'm always drawn back. It's just this energy. What I've always noticed about Elvis is there's nobody more talented, or better looking. He's a rare example of the complete package and he is at the right time. He's got it all. I listen to Elvis nearly every night on Sirius. I love it. Yet, there's always part of me that's very sad that Elvis couldn't have lived to see how great his work was. He was someone who was revered. To see that whole generation come out and play with him and support. And let him know that his work meant something in the American tapestry, but he never got that chance."