"So I said "Why don't we turn out all the lights so we don't see this vast empty looking studio the size of a football field and make it as intimate as we can?" We could barely make Elvis out through the glass from the control room into the studio when we cued him the backing-track. And then, Elvis started to sing. It was magic,. Next thing I know he's curled on the floor in almost a fetal position singing with a microphone next to his mouth. The hair on my arms were standing up. And that's the take that we wound up using on the soundtrack album. I did not use it in the TV show because I'm a total believer that if you're doing television I don't want anyone lip-syncing. I want the real thing. And to be completely honest, as great as the sit-down shows are, had I been able to get cameras and tape him there, it would have been even greater. I never put anybody I worked with on a pedestal, yet the first time I saw him, I was awed, first of all, by the way he looked. If he was not famous, you would still stop and stare. As a director, you're looking to see which is the good side, the bad side. Elvis was perfect from every angle. It was like a god walking in towards me..."