"I am sending you 'Le Figaro' [daily Paris' newspaper], you will read M. Wolff's stupid piece on our poor friend Manet [who died a few days earlier]. I do not have to tell you how indignant I am at the manner in which this gentleman treats the pure-bred artist who shed such glory on this country in an epoch dominated by commercialism. The article in 'L'Intransigeant' is very fine, very just, and worthy of its subject, but the artist's works tell us more about him than anything the journalists can write."
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Albert Wolff was a famous art critic of 'Le Figaro' and completely hostile to the impressionists whom he referred to as 'madmen'. It may be noted, however that A. Wolff granted that Manet had left 'several superior works' and summed up Manet's importance as follows: 'Manet in the future will be valued more for what he attempted than for what he achieved', (note 1. p. 29, in book of John Rewald).
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Édouard Manet
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