"A number of very young people in Kenya have adopted the Marxist analysis of society. And I cannot quarrel with that. But I can't help feeling at the same time... that my own aesthetic definition, which I gave earlier on, would be a little uneasy about the narrowing of things to a point where we no longer accept the truth of the Ibo proverb that "Where something stands, something else will stand beside it," and that we become like the people we are talking about the single-mindedness which leads to totalitarianism of all kinds, to fanaticism of all kinds. And I can't help the feeling that somehow at the base, art and fanaticism are not loggerheads. And so I don't dismiss the Marxist interpretation. I think it is valid in its way. But when somebody says "I am the way, the truth, and the light.... "Now my own religion, the religion of my people says something else. It says, "You may worship one god to perfection and another god will kill you." Wherever something is, something else also is. And I think it is important that whatever the regimes are saying that the artist keeps himself ready to enter the other plea. Perhaps it's not tidy perhaps we are contradicting ourselves. But one of your poets has said, "Do I contradict myself? Very well.""