"An almost invisible building is... a bunker museum on the west coast of Denmark. It's... a giant nature reserve... The only exception is this old German bunker... from the Second World War, a , a gun was delivered from in Germany and was supposed to be installed on September 9, 1945... and next to it inside the dunes, we were asked to make a museum telling the story... {B]ecause it's an entirely listed landscape, our proposal became to make these... precise incisions and almost imagine the opposite of the bunker. If the bunker is a heavy artifact in the dunes, the museum this... light absence as you slice through the sand, the sand becomes concrete and you have this square, entirely transparent, bringing daylight deep into this... underground museum. You descend into this narrative of the Second World War, the occupation of Denmark, using only materials that are already found in the bunker, so the concrete, the raw iron, the raw wood solving all of the... technical installations for the museography in the tectonics of the concrete work so that all technique: all sprinkling, all lighting, all hanging is done within the tectonics of the formwork. Daylight being sucked in so that even though you are underground it feels... light and airy, almost the opposite of the bunker... [F]rom here an umbilical cord takes you deep into a bunker where you can... explore what's left as this... giant artifact from the Second World War. So you can say, almost like a disappearing act, and the discretion becomes... the most characteristic of what makes the building stand out and... also makes it disappear."