"In the Last Night of the Proms, [[w:Malcolm Sargent|[Sir Malcolm] Sargent]] had bequeathed to the BBC a Janus-faced legacy: in one guise, an iconic national 'tradition' with which the bureaucrats and administrators would tamper at their peril; in another, an embarrassing anachronism which was urgently in need of a makeover. Either way, the result has been that in the forty years since Sargent's death, the issue of what the BBC should 'do' with or to the Last Night has been impossible to avoid, yet also very difficult to deal with. To many, the arguments in favour of change have been and still are overwhelming. The flag-waving of Sargent's Last Night seems to many to be at best an uncomfortable and inappropriate display of deluded and escapist nostalgia, and at worst to pander to the xenophobia and racism of football hooligans and the far right. Meanwhile, and as planned and developed by successive BBC controllers of music, the Proms themselves have become more cosmopolitan and internationalist (with many orchestras and conductors from overseas), more innovative and experimental (with new works commissioned, late night concerts, and an unprecedented range of early and contemporary music), and use more varied locations (among them the Roundhouse, Covent Garden and Westminster Cathedral in addition to the Albert Hall). This in turn means that in recent decades the Last Night has become increasingly detached, both from the country's contemporary circumstances and from the Promenade Concerts as a whole; and when it is beamed and broadcast around the world, it conveys a deeply misleading impression and image of both."