"…Many of the stones used for casing the wall to give the illusion of a stone monument from distance are evidently Hindu. To quote Creighton, ‘The stone used in these mosques had formerly belonged to Hindu temples destroyed by the zealous Muhammadans,’ as will be evident from an inspection of Plates XLI and XLII, representing two slabs taken from this Building. Creighton’s painting XVI represents a stone with the image of the Hindu deity, Vishnu, in the Boar incarnation, with shallow diaper carving on the reverse side. The figure of Sivani, the consort of Siva, one of the Hindu triad, appears on another stone sketched by Creighton. The mother figure evidently drawn from sculptured stones used in the Small Golden Mosque is that of Brahmani... It is very interesting to point out in connection with the figure of Brahmani that it agrees in meticulous execution of details and perfection of style with that of the British Museum piece. Therefore, it is certain that Creighton drew his sketch from this black stone which curiously displays diaper work on the other side (Pl. XLIb) similar to that of Creighton’s Plate XVI. Arabesque design in shallow stone carving, resembling delicate tapestry, appears also in another superb black basalt piece, shown in Plate XLIb, now in the British Museum. It has the image of a seated Buddha on one side thereby again indicating the utilization of non-Muslim material (Pl. XLIIa). This fascinating piece may well be attributed to the Chhoto Sona Masjid on the grounds of the close similarity of its diaper work with that of the stone sketched by Creighton in his Plate XVI, and of the existence of gilding in the shallow carvings of the diaper work.”"