"When we had been in Ashenstovo [1873, located near the Prussian border]] a few days my mother took us children to see a famous Polish church, Kostjol, famous for its miraculous Madonna icon. This icon had three precious coats, one of gold, one of coral and one with pearls and diamonds.. .Many peasant men and women were were lying prostrate on the floor as if crucified, with their arms outstretched. It was very quiet. Suddenly a great blare of trumpets shattered the silence. Terribly frightened I saw the gold curtain open and the Madonna appear wearing a gold robe."
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from his 'Memories', in 'Catalogue Raisonné of the oil Paintings', ed. Maria Jawlensky, Angelica Jawlensky and Lucia Pieroni-Jawlensky; published resp. in 1991, 1992, 1993
https://en.wikiquote.org/wiki/Alexej_von_Jawlensky
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Alexej von Jawlensky
Alexej Georgewitsch von Jawlensky (March 13, 1864 – March 15, 1941) was a Russian Expressionist painter active in Germany, Munich in the 'Blaue Reiter / Blue Rider' and after 1914 in Switzerland, together with Marianne von Werefkin, many years his life-companion, till 1921.
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