guitarists-from-australia

"There are many emulators, but there is only one Tommy Emmanuel. Has he ever dropped a note? Or sounded anything less like God decided to inhabit an Australian dad and pick up the guitar? Lightning speed, skills for miles and miles, and fingers blessed with the tone of the gods, Tommy Emmanuel has it all. He could make wire stretched across a plank of wood sound good. What he does with a guitar tuned to standard, with nothing but a pick and his imagination, is a wonder to behold. Emmanuel is both showman and showstopper."

"Malcolm is, without a doubt, one of the best things that happened to rock music. Despite him not being in the spotlight, his contribution is more than just of a backing musician. A whole bunch of guitar noobs would say that playing AC/DC is easy, but none of them could reproduce what Malcolm did. Every true rock fan is aware that Malcolm was AC/DC's secret weapon. An essential component that kept things together and locked in with the drums. We could probably write a book worth of quotes with countless musicians praising Malcolm."

"I was writing my own songs and when I was younger, all I wanted to do was perform, so when I said ‘this is what I want to do’, mum and dad were very sceptical. But they were really supportive and I think I’m lucky to have grown up around people who are as passionate about music as I am. And they understand and support me, which is… well I’m really lucky."

"Around the time I was first getting into hardcore/metal/punk and going to shows, I had a lot of friends who were vegan and vegetarian and after having a few conversations with them regarding the subject I realised I'd never really thought about things the way they did. I was never pressured into anything and I found myself doing my own research on the subject matter and after finding some cold hard facts about the meat and dairy industry which disturbed me deeply, I made the decision to go veg and then a year later vegan and I've now been vegan for eleven years with no problems whatsoever."

"So many people don’t know about what happens behind closed doors in slaughterhouses and with animal testing. We’re a small minority of people up against large corporations with billions of dollars, but if we can sort of chip away and slowly spread awareness through whatever medium it is, whether it be music or television or anything, it’s going to help toward positive change. … According to PETA, some of the biggest animal-testing companies are Colgate and Gillette … and so whether it’s just having a shave in the morning or brushing their teeth with toothpaste, it’s not just women who are funding animal testing …. Changes in government legislation won’t come without social change. … [We activists] are trying to get information out to people so they know what they’re getting involved in on a daily basis."

"I found for me personally the easiest way to think about things [in the transition to veganism] was to not actually think about the products I was boycotting as food, but for what they actually were—for instance, the flesh of an animal or the embryo of a chicken."

"[Music] gives a lot of young people who can’t express themselves in any other way – which is probably why they’re in the youth justice system in the first place – it gives them a voice."

"You can reach the darkest point in our life and come back, and come good, even better."

"People need to understand that as well, that some of the families, maybe a lot of the families: what they did [was] out of the goodness of their hearts, and out of love."

"You realise everybody suffers…I’m able to have that hope, you know. I’m able to hold on and see the light in the darkness."

"The idea of going to some flash studio where there's some stranger telling you how to arrange your song is pretty absurd to us."

"I know that you think you've set sail when you call my name But I get it inside my head all day When I realize I'm just hopin' onto the hope that Maybe, your feelings don't show It feels like I only go backwards, baby, Every part of me says go ahead, I've got my hopes up again, oh no, not again It feels like we only go backwards, darlin' The seed of all this indecision isn't me, oh no 'Cause I decided long ago But that's the way it seems to go, When trying so hard to get to something real, it feels It feels like I only go backwards, darlin', Every part of me says go ahead, I've got my hopes up again, oh no, not again It feels like we only go backwards, darlin'"

"Everyone's got the same insecurities as you Everyone's got the same insecurities as you Believe me it is true You are not alone There's no need to feel blue Everyone's got the same insecurities as you Believe me it is true Do not be afraid To show people the real you."

"At one point we got some German sausages for dinner, and my girl Anna was working the communal tomato sauce pump and she whacked it and it all squirted over my pants, and suddenly there was silence, and I realised that Muse had stopped playing, and the entire 20 odd thousand punters were looking at me, and suddenly I just threw my hands up and said ‘anyone for sauce?’ and everyone just burst into laughter and suddenly Peaches was there and she said ‘you’re alright kid’ and we high fived and then I crowd surfed all the way onto stage and Muse let me play the guitar solo for one of their songs and even though I’d never heard it I just winged it and it was awesome."

"It's influenced a lot by Led Zeppelin and anything from that era really. Before the album, when I actually wrote it and showed Ben and Chris, Ben and Chris liked it and they wanted to continue working on it and write a bit more, and I didn't really like the song. And they were like, 'oh, come on, we'll just use it' and so I said, 'yeah all right,' just to see how it would turn out. And it ended up changed a little bit and now I'm really happy with it."

"That was on a TV show. There was this poor guy taking a rich guy through a hotel to experience the losses of the less fortunate than him. The rich guy is just complaining because he just wants to get out and the poor guy is saying you have to wait till tomorrow to get out. That's one of our least serious songs but it still has meaning to it."

"On "The Door", quoted in *"

"As soon as you have a man who has no problem with maybe even alluding to androgyny and who's known for having gay friends, the media jumps on it and says, 'He's gay,' or 'He's bisexual'. I'm embarrassed for them. It's 2015 and I have heaps of gay friends and I don't care about being flamboyant. If I was bisexual, I'd say I was bisexual. If I was gay, I'd say I was gay. I wouldn't be ashamed of it. I'd celebrate it. I'd headline Mardi Gras and milk that puppy!"

"Not being able to tour for Diorama was definitely a huge disappointment. I was (and still am) really proud of that record but i also feel like the response to it was better than expected given the circumstances. It inspired me to top it with Young Modern."

"I was about 14 when I realised I didn't have the same personality type as the people I grew up with. I wanted to be a really amazing artist – I wasn't like, humble, you know? I don't really have a logical comprehension of other people, I don't understand how other people are. I knew I was never going to be normal: white picket fence, get married, have three babies. I just wanted to nurture animals and have a miniature pig and miniature horse and a little cow and a couple of puppy dogs. That was way more interesting."

"The whole thing is about youth rebelling against people who are supposedly more important. It's about youth having total control over their own minds. They do not need overweight people in suits telling them what to do and how to act. It is all about just being yourself. The chorus is very sarcastic. It is not supposed to be taken seriously."

"Rip It Up: They also met Pearl Jam's Jeff Ament and Mike McCready at the Reading Festival in the U.K. and, much to Daniel's delight, ran into Soundgarden's Chris Cornell in the same area backstage."

"Leaving school had a big impact on me, because it was the only place I could go and maintain normality and feel a part of something and not be Daniel from silverchair. Once that safety blanket had gone I felt uncomfortable about only being Daniel from silverchair."

"I'm aware that if you keep shifting there are going to be people who really respect you for it and just as many who go: 'There's no stability with that dude. I'm going to buy Nickelback's new album.'"

"Being someone who has been the frontman and the songwriter for a band that has been together since I was 12 years old, you do get to that point where you think: 'If I keep doing this for too long it's going to be all I can do' … which is why in Silverchair I kept changing."

"I mean we're living in the world of iTunes; I really hate that. What's going on now is that a lot of people just release three or four singles and the rest of it is just filler and boring."

"There's a theory someone told me that the age you become famous is the age you're mostly going to stay forever. Which is kind of offensive! But there's a grain of truth to it. I'm always going to have that moment where I felt like, 'It's not going to be normal ever again.' Which is not a bad thing. There are heaps of good things that come with it. Now I can write whatever music I want, record wherever I want, pretty much work with whoever I want … I'd take that above being able to go to Bondi Beach any day."

"I would do the track and put guide vocals on it and Eddie really loved the version and said he wanted to keep my backing vocals in so my girlie harmonies are in the background. My 14-year-old self would have fucking died knowing that."

"That [song] was about an execution I saw on tele, that was an ad I saw on tele. I got this video of an execution, and I just saw it, and I was watching it one night, and I had a dream about it, and I woke up and thought, 'Oh yeah, that's pretty cool', and I wrote a song about it."

"With 'Abuse Me', I just wanted to get all the feelings off my chest, the feelings I'd had when I read all the negative commentary. The song is basically saying, 'Say what you like. We don't give a fuck what you think. We're just playing our music."

"This next song is about... fish... just one singular fish... he was a lonely fish, but he died happy."

"Please die Ana, for as long as you're here, we're not"

"She tastes the candy, sugerless, cancerous"

"It actually went like this: we were at school and Ben said he didn’t like Nirvana so much. Then one of our friends said: You should listen to Sliver. So he wanted to request Sliver for himself on the radio. And I wanted to request a song of an Australian group(You Am I), Berlin Chair. We told Chris to write Sliver Chair, but he wrote it as Silver Chair. Then we thought: That’s a good name. That’s how it went."

"Take the rope to my heart and fall"

"We are the youth! We'll take your fascism away"

"I don't want to be lonely, I just want to be alone"

"Frozen eyes are bound to melt"

"You'll come along for the sun if you come at all"

"Lost my soul, lost my confidence in me"

"Sex, drugs, and image is just enough to get you by in the real world"

"Liberate the people that you hate"

"Mistakes don't mean a thing if you don't regret them"

"This guy, he just taught me chords and stuff. And after a year, I thought, I can't be bothered having lessons. So I just decided to figure out my own stuff. I never wanted to play all those fast solos. I just thought, I'll be like Pete Townshend of The Who. I'll do what he does and play powerful chords and stuff."

"Thanks for coming tonight, on a Sunday night. Sixty-Minutes is on and there are probably some good stories you're missing. Thanks for choosing Silverchair over Sixty-Minutes."

"If I were a fisherman, i would catch fish. If i were an octagon, I'd have many sides and if I were a prostitute, I would fuck and fuck and fuck and fuck and fuck!"

"Rock Sound Magazine: Have you ever been attracted to anyone of the opposite sex?"

"I am very scared of being outside my home for long periods of time. I start sweating and shaking and having panic attacks if I am not at home. I get very anxious and am scared in crowds and things like that. Before I go onstage I just take medication and I'm alright."

"When we were first playing, even though it was derivative, playing music was the best, there was nothing better. And then by the second album (Freak Show) we were like, playing music makes me angry, and by the third album (Neon Ballroom) I was like, I need to play music cos life sucks. And now all of a sudden there's this really youthful enthusiasm in the band, everyone around us, there's this real positivity and everyone's vibing off the music."

"Bleach the green from the pastures"