chinese-americans

"The thing is, I love.... what I like to share about myself is like my story and my art — my creative process — and I guess messing up doesn’t take away from that. It’s still something, it’s still a story. A bad story is still a story, and I think that’s beautiful. There’s no way to lose."

"I’m so proud of her. The message that this is going to send to young athletes and parents alike that if you consider your mental health and treat it right, great things can happen."

"https://dailydot.com/alysa-liu-best-quotes"

"“I actually wouldn’t tell my younger self a thing, ’cause she’s gonna figure out herself. I don’t want to change anything.” -this was from an article summarizing her comments in recent interviews about her mindset and journey, where she was asked what advice she would give her younger self."

"I was so into skating that I really didn’t do much else. Skating takes up your while life, almost. I don’t know if other people kind of feel the same when they look back at certain parts of their life, but for me, it’s definitely a blur, because it kind of meshes together, you know — going to the rink, going home, competing. There were many, many times when I didn’t enjoy it."

"…the Chinese [Communist Party] government was aware of an Instagram post Alysa made about human rights violations against Uyghurs. For a regime sensitive to criticism, especially from high-profile figures, this was enough to put her on a list. Alysa Liu was not just a dissident’s daughter. She was a young American athlete who [had] publicly acknowledged the suffering of a persecuted minority. That combination made her a target. … It is rare for an Olympic gold medal to intertwine with a federal criminal case. It is even rarer for the athlete to be the daughter of a man who once fled China in a smuggler’s boat. But perhaps the most remarkable aspect of the story is Alysa’s reaction. When asked how she would portray this saga in a possible Hollywood movie, she said she would like to be a “super cool hero,” but the real focus should be on her father. His story, she said, is the one that matters. Alysa Liu’s saga is a reminder that the Chinese government’s campaign against dissidents extends far beyond its borders. It reaches into American cities, into immigrant communities, and even into the lives of children who have never set foot in China. It also reminds us that courage takes many forms. Sometimes it looks like a student leader refusing to betray his classmates in 1989. Sometimes it looks like a man gripping the side of a speeding boat in the dark, fleeing toward freedom. And sometimes it looks like a young woman stepping onto Olympic ice, knowing her family has been watched—and skating anyway."

"I’m here to announce that i am retiring from skating. I started skating when i was 5 so that’s about 11 years on the ice and it’s been an insane 11 years. a lot of good and a lot of bad. ... i feel so satisfied with how my skating career has gone. now that i’m finally done with my goals in skating i’m going to be moving on with my life."

"I did pottery well because of the disciplined work habits instilled by my parents. Pottery as it was taught to me at that time required a student to know clay compositions , glaze chemistry and proportions of mineral oxides, the ability to throw pottery on the wheel, then trim and decorate it, the ability to apply glazes, to stack and unstack a kiln, the ability to tend to firing it to maturity-all this by myself."

"Today's critics are using their yardstick of today to judge a past they did not know."

"But whether in the majority or the minority, young people will be growing up to find new values and activities different from their parents'. You may find that your meaning in life is so different because of your new experiences; you decide to break from your parents' demands. Each person must make his/her decision between his newly found values and his parents' established formula. Each must carefully strike a balance. Be considerate of your parents, for they nurtured you and think they know best. If you must break from them, do so as gently as you can."

"So I always tried my best, but I chose a path different from my parents' Chinese expectations. My parents wanted me to marry a rich and educated man from their ancestral village. Not one of my high school girl classmates went on to college. But marriage was not the satisfying fulfillment that I desired for life. Neither was being famous part of my plan. I just wanted to follow where my passion led me. As long as I was not breaking the law, I was willing to depart from cultural norms in my drive for self-determination."

"If I only thought in the traditional way Chinese expect young people to think, I would never have dared to write my story. Because American studies developed my individual critical thinking, I gained an objective point of view. But because of my love of Chinese culture, my point of view is always sensitive to my heritage. This heritage values males absolutely above their consideration of females. I was acutely aware of this injustice every day I was in my parents' home. Only after maturity did I recognize that my parents were observing values of Imperial China, which they left a hundred years ago. They knew no other standards."

"At Mills College, I felt favorable interest in me because I represented the Chinese culture to fellow students and my teachers. I also wrote about being informed upon graduation that there would be prejudice against employing me in the business world. And it was awareness of prejudice that motivated me to write my book. I feel that prejudice springs from ignorance. So I wrote Fifth Chinese Daughter as one personal effort to create understanding."

"My parents never complimented me; they never even said, "Thank you." If I reported any accomplishment to them, they would say disapprovingly, "If a flower is fragrant, people would naturally know it." Instead, I was constantly reminded to do my best to bring credit to my family and the name of "Wong". A disgraceful deed would downgrade my family, not just myself."

"For my whole life I had been bound by the tenets of Chinese culture. To be an artist was the option which would enable me ... to be free of Chinese culture’s relentless subjugation of women."

"I believe that freedom must be accompanied by a sense of responsibility. If I can he considered famous because I have succeeded in my life goals, which were different from most other Chinese Americans, I achieved because of my unique combination : American freedom of choice, Chinese discipline in responsibility, my integrity, and willingness to work."

"I’ve always been pretty fixated on water. Maybe it’s because it exists in multiple states, and you can never understand it in nature as a fixed moment in time."

"I think I’ve always had an activist stance, yet at the same time, the other side of me—and this is where some people just don’t get it, or they’d prefer it if the work was a lot uglier, a lot louder—I have this personality where I just want to put something out that’s a fact and then let you interpret it. It’s almost as if you might barely notice it, you might walk right by it, but you have to pay attention."

"In art, I get to walk into my head and do whatever I want to do, to free up completely. That goes back to my roots in Athens, Ohio, my roots in nature and my feelings of connections to the environment, that everything is coalesced around being inspired by the natural world and reflecting that beauty out to others."

"I try to understand the "why" of a project before it's a "what." And this might be more pertinent to some of my memorial projects. Memorials are a hybrid between art and architecture because they have a function."

"By second or third grade, I was doing my own thing. I still resent being told what to do in any way, shape, or form. I’m sure it’s clinical."

"It took a lot to understand and to thread a path that would allow me to develop in architecture, and develop my voice there, develop my voice in art. I wasn’t abandoning what I would call my interest in history and memory."

"It’s a bit unusual, as you said, to be working between the architecture, the art, and what I would say is a synthesis, the memorials—they’re problem solving, but it’s very symbolic. You get this triangle; I need to be balanced with those three. They’re all equally a part of who I am. I love how different they are, and yet they’re coming out the same thing, whatever it is."

"The Vietnam War was much more in the main news. I think the rioting was. But I think a lot of the facts hadn't been written into the textbooks because it was current news. From a child's point of view, you're not focusing on the daily news the same way. Anyway, I was stunned at how there was this part of American history. I know now it's absolutely covered in textbooks. But could I offer something out as an information table that would give people a brief glimpse of that era the way I had been, after having looked at this material, been given a glimpse? And of course, the idea is, you look at this. You'll want to study it more. Because the one thing about sculptures, the one thing about memorials is: I can draw you in. I can make you think for 15 minutes, whatever, then it's really about where you go after that."

"I think art is personal to each artist, and so to me it is what my art always has been about. But that’s my choice as an artist. I don’t believe art necessarily has to be any one thing. In fact, if we all felt inclined to have to do that, I think it would be a disaster for art."

"I have fought very, very hard to get past being known as the Monument Maker."

"I had a simple impulse to cut into the earth. I imagine taking a knife and cutting into the earth, opening it up and the initial violence and pain that in time would heal. The grass would grow back, but the initial cut would remain a pure, flat surface in the earth with a polished mirrored surfaced, much like the surface on a geode when you cut it and polish the edge. The need for the names to be on the memorial would become the memorial. There was no need to embellish the design further. The people and their names would allow everyone to respond and remember. It would be an interface between our world and the quieter, darker, more peaceful world beyond."

"I value writing. I respect it. I find it the most difficult thing for me to do, but when I'm done I am unbelievably just at peace. If you think about art as being able to share your thoughts with another, writing is totally pure."

"I had been blessed that racism had never really entered into my realm. I get to Denmark and ironically I think they thought I was a Greenlander at times. An eskimo. Because if I get a suntan, I change through different races. Some people think I'm American Indian. When I'm in Mexico, I blend."

"If you ever tried to analyze its shape, it's one of the most complex forms. Think about it, it's every compound curve. There's nothing symmetrical about it. It's about looking at something again and then appreciating it. I mean, nature, is so complex."

"She’s just amazing, when you think about what she has done, the work she quietly does in her way. She doesn’t seek attention, but at the same time, people come to her because they know that she will take that opportunity and the gifts, the talent she has and from what I’ve seen, and we all see, that it’ll be remarkable."

"I leave it up to the viewers. If it’s in a museum, if it’s in a gallery, usually I am going to point out something about a river right below your feet or right outside your window. I’m not going to scream it out. If you get a little curious, you can find a little bit more. At times my works are maybe to a fault subtle. For public works, maybe you won’t even notice I was here. I’m not trying to defeat or conquer nature."

"I think art is different. I think you have to be who you are. My art happens to be very integrally linked with my environmental concerns. But to be an artist, you have to be true to who you are."

"The response is where Lin starts her work as a designer. She creates, essentially, backward. There is no image in her head, only an imagined feeling. Often, she writes an essay explaining what the piece is supposed to do to the people who encounter it. She says that the form just comes to her, sometimes months later, fully developed, an egg that shows up on the doorstep one day. She rarely tinkers with it. She is, in other words, an artist of a rather pure and intuitive type."

"I would hope that artists can offer a different viewpoint, a different way of seeing the exact same data points, but maybe, because we can think a little bit outside of the norm, we can offer a new way of looking at it."

"Now, your great fear in art is that it's never guaranteed you're going to get that next idea. And there's always the fear that the idea you just made that you really, really love, you'll never be able to do it again."

"Every bowl we ate off was something he made by hand: stonewares connected to nature and natural colors and materials. And so I think our everyday lives was imbued with this very clean, modern, but very warm aesthetic, and that very much influenced me."

"There are a couple of things out there that I really want to do. I’ll tell you one. I want to work in a landfill. I love things that involve adaptive reuse of really degraded places. The sad thing about our current landfills are, you can’t dig a hole into them, because heaven forbid, there’s all this toxic stuff in there. It’s not just that I want to work in a landfill. I would like to help rethink what a landfill could be. What if we didn’t put anything toxic in? What if we composted all our organic matter? So then it wouldn’t be dangerous to plant a tree in it, you wouldn’t have to cap it because you think there’s so much poison in there. What if we could recycle all our rare-earth metals and minerals? It’s a big ask. That’s something I want to do in my lifetime."

"Another adage in art is: you're a child and then you become an adult. You're always trying to regain that pure, almost empathetic response that you have when you're a child. It doesn't come with a lot of baggage. You're not worried about, "Oh, what are you thinking here, here, here?" You just respond in certain ways. I think sometimes: Can you think like a child? We're always trying to regain that. I almost make things imagining a child will experience them."

"I tend to make models of a lot of my pieces. I end up making models, and the models get bigger, and bigger, and bigger. I call it the Christmas tree syndrome. You buy a Christmas tree outdoors, you think it’s too small, then you bring it inside and you have to lop two feet off because it’s way too big. If you’re working out of doors, you have to test actual scale, with a paper cutout, with a maquette at full scale, because you need it to feel intimate like a dining table. You have to scale it up just enough so that it will still feel intimate — so it won’t jump to monumental in scale. It has to be bigger than it would be inside because then it would get dwarfed. You can only do that by actually mocking it up."

"Everything you make is being made by every single experience you've ever had in your whole life, and on top of that, things you were born with. I think your personality comes out. There's no way of really saying: "If A, then B, or A plus B equals C in creativity." The true strength of the creative arts is that you allow yourself to think about something. Then how it finds its way in your mind to the surface through your hands to-- whether it's paint or sculpture-- is intuited. I think there's reason to it. But could you extrapolate? Could you actually formulate a mathematical theorem? Absolutely not."

"Since I was little, I've always said when I'm in the U.S., I'm American, but when I'm in China, I'm Chinese, I preserve it by having friends and being able to communicate with people because that's the best way to transmit culture."

"I always indicated my pride in my heritage and the contributions of Chinese civilization over thousands of years, and I would also highlight what I thought were some of the greatest attributes of America and its contributions to the world. And then I would indicate that I was the representative of the United States and its people."

"My family and I traveled throughout China. Everywhere we went the Chinese people received us with warmth and friendliness. When we visited my ancestral home, we were mobbed by the local villagers waiting to take pictures with us. It was a deeply moving experience for my children to see where their grandfather and great grandfather were born."

"You have to remain calm. You can’t make precipitous decisions. You just have to sit down and be very thoughtful and deliberative in everything you say and do."

"I joke that it took our family 100 years to travel one mile. But what a journey it has been. Our family story is the story of millions of families whose ancestors came to these shores from all around the world in search of freedom, opportunity, and equality."

"With the military becoming increasingly dependent on commercial-off-the-shelf dual-use technology, it is important to ensure that our licensing criteria are based on objective technical parameters that take into account the strategic nature of an item and whether or not the item is available from non-U.S. suppliers."

"Our nation's economic success is tied directly to America continuing to lead in technology and innovation, and in exporting those products, services and ideas to nations around the globe. The Department of Commerce plays a critical role in nurturing innovation, expanding global markets, protecting and managing our ocean fisheries, and fostering economic growth. The Department of Commerce can and will help create the jobs and the economic vitality our nation needs."

"Commentators have suggested that increasing economic and military competition from China is the beginning of a new Cold War. Others have suggested that high levels of trade and integration with China and today’s global economy means a more cooperative dynamic exists. The current conflict in Ukraine though has added new complexities to ours, foreign relations as Western nations implement unprecedented sanctions against Russia and provide support to Ukraine while avoiding a direct role in the conflict."

"I like to encourage students to reach for the stars and go for their dreams. I tell them not to be afraid to pursue something different. I also tell them that it's very important to read as much and as often as they can and to work hard in school."