actors-from-detroit

"I would say, “Be yourself above all else.” Don’t try to be what Hollywood, your managers, your agents, friends, photographers or teachers want you to be. Be who you are. With that in mind, you will find that you will have a lot of hits and misses but you can always go home knowing who you are at the end of the day. That’s a rare thing in Hollywood. This town, though it appears it’s a dream factory and to some extent it is, produces a lot more bruised bananas than peaches, if you get my meaning."

"I never think about what another actor would do with the part. I only think about what I would like to do. In other words, I start very unconventionally. The actors that I typically don’t care for are the ones who are trying to be like other actors. I just try to be like myself. I start big and I let the director bring me down from there. I start with way too much usually. That way, the director can pair it down to the size he wants. Some actors prefer to start very, very small and let the director sort of mold them but, for me, it’s the other way around."

"I would say it comes down to having your own life outside of Hollywood. It’s really just that simple. If you only live in the Hollywood world, you will be consumed by it. It will eat you alive. When you are finally spat out you will be someone who is wrecked emotionally, personally and financially. You have to have your own life outside this business. You have to have your own things that you dig, so that when you are told, “No,” and you will be told, “No” a million times, you will be OK and come out on your feet."

"I came back sophomore year and decided to do some shows because I did one small play senior year of high school and I had a lot of fun. I had one line, I think. I did an audition for a show; it was experimental theater and we had a great time. For my second show, I had a great role and a great time and my aunt came to see the show. I’m doing shows just to meet folks at this point, so that I could figure out what I want to do. When she saw the show, she said, “You know what? You may want to think about this as a career! You’re really good!”"

"I don’t think there is a secret. We definitely didn’t find it. We discovered that it’s work. But we already knew that. It was very fun to actually walk through our time together and see the timeline presented. When we started the process, we didn’t really think we had a book. But in that sense, it was fun to actually have someone to walk us through so that we didn’t have to try to put a framework to it since we didn’t know what the framework was. But from talking to [co-author Hilary Beard] together and individually, she was able to say, “This is actually a book.” We didn’t start out to write a 300-page book. We started out with something much simpler and it morphed into that. It was fun to be able to talk about our journey together, because that’s what it is, it is a journey."

"My family was all about education, and me being there was a combination of my parents instilling in my sister and I that this was the ticket to wherever you want to go in life—education. And that’s what I tell my children: You’ve got to work now, play later. You’ve got to get to the place where when you’re a senior in high school, you’ve got choices; you’ve got to put in the work."

"I don't know if I would say I'm an artist. [...] I would say that I'm a craftsman. I attempt to ply my trade in the best possible way. If occasionally something transcends the craft, then that's wonderful. [...] It doesn't happen very often."

"We were shooting a Ku Klux Klan parade led by Bill [William Shatner], and he went through the black part of town in a parade of cars carrying crosses with the hoods, and then they burned the flaming cross. We shot late at night; I said, "Cut, print!" and everybody went, "Yeah, we're out of here!" Guys raced to their cars, the grips threw the last couple of things in the trucks and we just drove straight north."

"I come across as a very straightforward guy and that tends to surprise people [...] Clearly my subconscious mind must be some kind of boiling inferno."

"[Asked why he never made a film like the art house titles his company distributed: I]t's an economic situation. All of those films were made in Europe with government subsidies. Fellini, Bergman, Truffaut did not have the necessity of having to earn their money back and so they were free to do what they liked. In the US it's different. It's a money-making industry, so that's what you have to do"

"My father was an engineer and I intended to follow in his footsteps, but movies became my real passion. Careful planning is important in engineering, so I used that experience to focus on film preproduction. With the low budgets I had, I couldn't afford to have the cast and crew waiting around for days on a 10-day picture while I figured out how and what to shoot."

"It's not so much watching them but understanding how they were made – the preparation and willingness to deviate when necessary especially if you're on a low budget, I also took every film I made seriously and did my best on every one."

"I didn't at first because horror movies scared me too much, but I really do love the genre and it’'s a playground where you can really be artistic and create ideas in the minds of the audience and portray the unreal. It'’s very cool experimentation ground for a filmmaker."

"Why westerns get segregated into a genre in Hollywood, I don't know... It's just good entertainment."

"You know, I understand how you feel. This is a really contentious issue. Probably as contentious, and potentially as troubling as the abortion issue in this country. All I can tell you is, rushes to pass legislation at a time of national crisis or mourning, I don't really think are proper. And more importantly, nothing in any of this legislation would have done anything to prevent that awful tragedy in Littleton.What I see in the work I've done with kids is, is troubling direction in our culture. And where I see consensus, which is I think we ought to concentrate on in our culture is... look... nobody argues anymore whether they're Conservatives or Liberal whether our society is going in the wrong direction. They may argue trying to quantify how far it's gone wrong or why it's gone that far wrong, whether it's guns, or television, or the Internet, or whatever. But there's consensus saying that something's happened. Guns were much more accessible 40 years ago. A kid could walk into a pawn shop or a hardware store and buy a high-capacity magazine weapon that could kill a lot of people and they didn't do it.The question we should be asking is... look... suicide is a tragedy. And it's a horrible thing. But 30 or 40 years ago, particularly men, and even young men, when they were suicidal, they went, and unfortunately, blew their brains out. In today's world, someone who is suicidal sits home, nurses their grievance, develops a rage, and is just a suicidal but they take 20 people with them. There's something changed in our culture."

"All I see is people out there who are hungry for more."

"I was planning to go into architecture. But when I arrived [to sign up for courses], architecture was filled up. Acting was right next to it. So I signed up for acting instead."

"Blow me a raspberry."

"In the early days when I was drinking ... I had a very blurry line about where those two were... but I mean, that happens when you drink twenty-two hours a day. I would just sit and drink. I didn’t know whether or not I was supposed to be Alice when I went out for dinner and was a little lit. Then there was the question about whether or not I should wear the make up because I didn’t really want to disappoint anyone. Was I supposed to get into trouble? Was I supposed to get arrested that night? All of those questions went through my mind. You have to remember though who my older brothers and sisters were though--guys like Jim Morrison and Keith Moon and all the people who were living that life. After they all died, I just sat there and went, “if one generation is going to learn from the next the truth is going to have to be that you don’t have to die to be your character.” I figured then that I had better be able to separate the two. When I go onstage as Alice to this day, I play Alice to the hilt — I play him for everything he is worth, but when I’m offstage, I never think about Alice Cooper. He never occurs to me. .. I walk off stage though and I turn away from the audience, I go back to being me again. Whenever I see an audience, that’s when I turn into Alice. If there was no audience there, there would be no reason to be Alice. … If I tried to be Alice Cooper all the time — I’d either be in an insane asylum or in jail or dead. Alice is just too intense, and you just can’t be Alice all the time. Jim Morrison couldn’t be Jim Morrison, so he died. Jimi Hendrix couldn’t be Jimi Hendrix, so he died. That’s really what killed Janis Joplin, Keith Moon and all the way down the line. They were all animated characters who couldn’t live up to their lifestyle, so I said that I needed to be able to separate the two — that’s why I’m still here."

"Well, before you are always self—you’re always self-centered. Everything is for you. Your self is God. And we make lousy gods. Humans make lousy gods, I think. We need to let God be God and us be what we are. I think that’s what changes: the focus on who you’re serving. You’re not serving you. You’re serving Christ."

"If you're listening to a rock star in order to get your information on who to vote for, you're a bigger moron than they are. Why are we rock stars? Because we're morons. We sleep all day, we play music at night and very rarely do we sit around reading the Washington Journal."

"People that haven't seen us yet are shocked because they think that Alice Cooper must be a female folksinger. They don't expect the whole thing. And the whole thing is a direct product of television and movies and America, 'cause that's where America's based. That's where their heart is from the sex and violence of TV and the movies, and that was our influence."

"I’m telling you, the Devil is very smart. He’s not going to come out with the horns and the tail. He’s going to come in as the slickest car salesman you ever saw – and I’ve seen some pretty slick pastors on TV. Now that’s not to say they’re all like that. … But every time I hear something that goes a little left of center, I go, ‘What? What was that?’ You know, too much healing on TV, I don’t know about that. That’s showbiz I think."

"I’m understanding that there are cases of transgender, but I’m afraid that it’s also a fad, and I’m afraid there’s a lot of people claiming to be this just because they want to be that,” he said. “I find it wrong when you’ve got a six-year-old kid who has no idea. He just wants to play, and you’re confusing him telling him, ‘Yeah, you’re a boy, but you could be a girl if you want to be.’"

"Sometimes I think that TV evangelism is one of Satan’s greatest weapons. They put these guys on a pedestal and all of a sudden they get caught with a prostitute, and every Christian I know then is under the gun. So you don’t think that’s kind of set up?"

"If you confine it, you're confining a whole thing. If you make it spontaneous, so that anything can happen, like we don't want to confine or restrict anything. What we can do, whatever we can let happen, you just let it happen. ... we're taking sex, which is probably another half of American entertainment, sex and violence, and we're projecting it, and we're saying this is the way everything is right now. Biologically, everyone is male and female, so many male genes and so many female. And so what it is is we're saying "OK, what's the big deal. Why is everybody so up tight about sex?" About faggots, queers, things like that. That's the way they are. ... People don't accept that they are both male and female, and people are afraid to break out of their sex thing because that's a big insecurity that's doing that. Consequently, people will make fun of us. We don't mind that, that's making them accept more, making fun that we accept that. The thing is this is the way we are. We think it's a gas. ... We like reactions — a reaction is walking out on us, a reaction is throwing tomatoes at the stage, that's a healthy psychological reaction. Reaction's applauding, passing out or throwing up, and all of that is a reaction, and as much of that we can get, the better. I don't care how they react, as long as they react."

"We can only take it so far, because man can only take it so far, lower self can only take it so far, and you have to realize that the public is only at a certain place. We won't see the day when the public accepts what we wanna project, even though they are accepting a lot now. By the time they're accepting it, maybe they'll be too old. ... If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play. A total silence trip is the ultimate. ... We do antagonize them psychologically. People look at us and react. They either go "Wow! Hey-hey-hey, baby!" and we say that's great. They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react — do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it."

"How old are you? Sixteen? S-seventeen? [asks security guard] Is seventeen legal?"

"Well we can't salute ya Can't find a flag If that don't suit ya That's a dragSchool's out for summer School's out forever School's been blown to pieces."

"I used to be such a sweet, sweet thing 'Til they got a hold of me. I opened doors for little old ladies, I helped the blind to see. I got no friends 'cause they read the papers. They can't be seen with me and I'm gettin' real shot down And I'm feeling mean. No more Mister Nice Guy, No more Mister Clean, No more Mister Nice Guy, They say he's sick, he's obscene."

"Man's got his woman to take his seed He's got the power — oh She's got the need She spends her life through pleasing up her man She feeds him dinner or anything she can. She cries alone at night too often He smokes and drinks and don't come home at all. Only women bleed..."

"Mistakes are part of the game. It's how well you recover from them, that's the mark of a great player."

"Nobody and nothing beats The Simpsons. Even after all this time, it's still the best satire since Monty Python. I haven't had an alcoholic drink in 22 years, but when I did drink I'd go for either Canadian whisky or Budweiser. Sometimes both. For a long time I used to think "Hey you, get off the floor!" was my name."

"I call it treason against rock 'n' roll because rock is the antithesis of politics. Rock should never be in bed with politics. ... When I was a kid and my parents started talking about politics, I'd run to my room and put on the Rolling Stones as loud as I could. So when I see all these rock stars up there talking politics, it makes me sick. .... If you're listening to a rock star in order to get your information on who to vote for, you're a bigger moron than they are. Why are we rock stars? Because we're morons. We sleep all day, we play music at night and very rarely do we sit around reading the Washington Journal."

"I'm very romantic, I'm extremely romantic. I date my wife. ... That's one thing guys don't understand. This is something that you would be very surprised that I understand, is that men are microwaves and women are pressure cookers. Men want sex, bang; women like romance. Guys, learn how to romance."

"He has a woman's name and wears makeup. How original."

"The minute you step onstage, you get eight feet taller"

"From the moment I leave my house or my hotel room, the public owns me. The public made Alice Cooper and I can't imagine ever turning my back on my fans."

"When you believe in God, you've got to believe in the all-powerful God. He's not just God, He's the all-powerful God and He has total control over everyone's life. The Devil, on the other hand, is a real character that's trying his hardest to tear your life apart. If you believe that this is just mythology, you're a prime target because you know that's exactly what Satan wants: To be a myth. But he's not a myth, of this I'm totally convinced. More than anything in the world, I'm convinced of that."

"It's so funny that people think I actually ran for President. I am maybe the most un-political person you're ever going to meet. When I put "Elected" out, it was definitely a satire ... "Alice Cooper for President" ... when everybody realized I was running against Nixon, you known, even on a joke level, I think I got a lot of write-in votes."

"To me, if you are in the same building with Peter Sellers or John Cleese, or any of those guys and holding your own making other people laugh, that’s a compliment."

"I get onstage now with more attitude at fifty-seven than I had when I was twenty. When I was twenty, my attitude was kind of like, "Yeah, yeah…I'm a big rock star." Now, when I get onstage, I go up there, and I am the Moriarty of rock. I am the consummate villain. I am the Hannibal Lector of rock, and I play it like that. Alice just seems like an arrogant bastard or villain who is making the audience feel as though they are lucky to be there when in reality that is exactly the opposite of my personality. With Alice though…it is great to play him or portray him as an Alan Rickman type character who is very condescending. That’s what makes him fun to watch — he's Captain Hook."