The War of the Worlds (radio drama)

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April 10, 2026

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April 10, 2026

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"Ladies and gentlemen—am I on? Ladies and gentlemen... Ladies and gentlemen, here I am, back of a stone wall that adjoins Mr. Wilmuth's garden. From here I get a sweep of the whole scene. I'll give you every detail as long as I can talk. As long as I can see. More state police have arrived. They're drawing up a cordon in front of the pit, about 30 of them. No need to push the crowd back now. They're willing to keep their distance. The captain is conferring with someone. I can't quite see who. Oh yes, I believe it's Professor Pierson. Yes, it is. Now they've parted. The Professor moves around one side, studying the object, while the captain and two policemen advance with something in their hands. I can see it now. It's a white handkerchief tied to a pole...a flag of truce. If those creatures know what that means, what anything means... [hissing sound followed by a humming that increases in intensity] Wait a minute! Something's happening! A humped shape is rising out of the pit. I can make out a small beam of light against a mirror. What's that? There's a jet of flame springing from the mirror, and it leaps right at the advancing men. It strikes them head on! Good lord, they're turning into flame! [screams and unearthly shrieks] Now the whole field's caught fire! [explosion] The woods, the barns, the gas tanks of automobiles! It's spreading everywhere! It's coming this way now! About 20 yards to my right— [crash of microphone, then dead silence]"

- The War of the Worlds (radio drama)

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"As I set down these notes on paper, I'm obsessed by the thought that I may be the last living man on Earth. I've been hiding in this empty house near Grovers Mill, a small island of daylight cut off by the black smoke from the rest of the world. All that happened before the arrival of these monstrous creatures in the world now seems part of another life...a life that has no continuity with the present, furtive existence of the lonely derelict who pencils these words on the back of some astronomical notes bearing the signature of Richard Pierson. I look down at my blackened hands, my torn shoes, my tattered clothes, and I try to connect them with a professor who lives at Princeton, and who on the night of October 20th, glimpsed through his telescope an orange splash of light on a distant planet. My wife, my colleagues, my students, my books, my observatory, my...my world. Where are they? Did they ever exist? Am I Richard Pierson? What day is it? Do days exist without calendars? Does time pass when there are no human hands left to wind the clocks? In writing down my daily life I tell myself I shall preserve human history between the dark covers of this little book that was meant to record the movements of the stars, but...to write, I must live, and to live, I must eat. I find moldy bread in the kitchen, and an orange not too spoiled to swallow. I keep watch at the window. From time to time I catch sight of a Martian above the black smoke. The smoke still holds the house in its black coil, but at length there's a hissing sound and suddenly I see a Martian mounted on his machine, spraying the air with a jet of steam, as if to dissipate the smoke. I watch in a corner as his huge metal legs nearly brush against the house. Exhausted by terror, I fall asleep. It's morning. Morning! Sun streams in the window. The black cloud of gas has lifted, and the scorched meadows to the north look as though a black snowstorm has passed over them. I venture from the house. I make my way to a road. No traffic. Here and there a wrecked car, baggage overturned, a blackened skeleton. I push on north. For some reason I feel safer trailing these monsters than running away from them. And I keep a careful watch. I have seen the Martians...feed. Should one of their machines appear over the top of trees, I'm ready to fling myself flat on the Earth. I come to a chestnut tree. October. Chestnuts are ripe. I fill my pockets. I must keep alive. For two days I wander in a vague northerly direction through a desolate world. Finally I notice a living creature: a small red squirrel in a beech tree. I stare at him, and wonder. He stares back at me. I believe at that moment the animal and I share the same emotion...the joy of finding another living being. I push on north. I find dead cows in a brackish field. Beyond, the charred ruins of a dairy. The silo remains standing guard over the wasteland like a lighthouse deserted by the sea. Astride the silo perches a weathercock. The arrow points north. North. The next day I came to a city, a city vaguely familiar in its contours, yet its buildings strangely dwarfed and leveled off, as if a giant had sliced off its highest towers with a capricious sweep of his hand. I reached the outskirts. I found Newark. Newark, undemolished, but humbled by some whim of the advancing Martians. Presently, with an odd feeling of being watched, I caught sight of something crouching in a doorway. I made a step towards it, and it...rose up and became a man – a man, armed with a large knife."

- The War of the Worlds (radio drama)

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"After parting with the artilleryman, I came at last to the Holland tunnel. I entered that silent tube, anxious to know the fate of the great city on the other side of the Hudson. Cautiously, I came out of the tunnel and made my way up Canal Street. I reached 14th Street, and there again were black powder and several bodies, and an evil ominous smell from the gratings of the cellars of some of the houses. I wandered up through the 30s and 40s; I stood alone on Times Square. I caught sight of a lean dog running down 7th Avenue with a piece of dark brown meat in his jaws, and a pack of starving mongrels at his heels. He made a wide circle around me, as though he feared I might prove a fresh competitor. I walked up Broadway in the direction of that...that strange powder – past silent shop windows, displaying their mute wares to empty sidewalks – past the Capitol Theatre, silent, dark – past a shooting gallery, where a row of empty guns faced an arrested line of wooden ducks. Near Columbus Circle, I noticed models of 1939 motorcars in the showrooms facing empty streets. From over the top of the General Motors Building, I watched a flock of black birds circling in the sky. I hurried on. Suddenly I caught sight of the hood of a Martian machine, standing somewhere in Central Park, gleaming in the late afternoon sun. An insane idea! I...I rushed recklessly across Columbus Circle and into the park. I...I climbed a small hill above the pond at 60th Street. From there I could see, standing in a silent row along the mall, 19 of those great metal titans, their cowls empty, their steel arms hanging listlessly by their sides. I looked in vain for the monsters that inhabit those machines. Suddenly, my eyes were attracted to the immense flock of black birds that hovered directly below me. They circled to the ground, and there before my eyes, stark and silent, lay the Martians, with the hungry birds pecking and tearing brown shreds of flesh from their dead bodies. Later, when their bodies were examined in the laboratories, it was found that they were killed by the putrefactive and disease bacteria against which their immune systems were unprepared. Slain, after all man's defenses had failed, by the humblest things that God in His wisdom has put upon this Earth. Before the cylinder fell, there was a general persuasion that through all the deep of space, no life existed beyond the petty surface of our minute sphere. Now we see further. Dim and wonderful is the vision I have conjured up in my mind of life spreading slowly from this little seedbed of the solar system throughout the inanimate vastness of sidereal space. But that is a remote dream. Maybe...maybe that the destruction of the Martians is only a reprieve. To them, and not to us, is the future ordained, perhaps. Strange, it now seems, to sit in my peaceful study at Princeton...writing down this last chapter of the record begun at a deserted farm in Grover's Mill. Strange to see from my window the University spires dim and blue through an April haze. Strange to watch children playing in the streets. Strange to see young people strolling on the green, where the new spring grass heals the last black scars of a bruised Earth. Strange to watch the sightseers enter the museum where the disassembled parts of a Martian machine are kept on public view. Strange when I recall the time when I first saw it, bright and clean cut, hard, and silent, under the dawn of that last great day."

- The War of the Worlds (radio drama)

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"This is Captain Lansing of the signal corps, attached to the state militia now engaged in military operations in the vicinity of Grovers Mill. Situation arising from the reported presence of certain individuals of unidentified nature is now under complete control. The cylindrical object which lies in a pit directly below our position is surrounded on all sides by eight battalions of infantry. Without heavy field pieces, but adequately armed with rifles and machine guns. All cause for alarm, if such cause ever existed, is now entirely unjustified. The things, whatever they are, do not even venture to poke their heads above the pit. I can see their hiding place plainly in the glare of the searchlights here. With all their reported resources, these creatures can scarcely stand up against heavy machine gun fire. Anyway, it's an interesting outing for the troops. I can make out their khaki uniforms, crossing back and forth in front of the lights. It looks almost like a real war. There appears to be some slight smoke in the woods bordering the Millstone River. Probably fire started by campers. Well, we ought to see some action soon. One of the companies is deploying on the left flank. A quick thrust and it will all be over. Now wait a minute! I see something on top of the cylinder. No, it's nothing but a shadow. Now the troops are on the edge of the Wilmuth farm. Seven thousand armed men closing in on an old metal tube. Wait, that wasn't a shadow! It's something moving. Solid metal, kind of a shield-like affair rising up out of the cylinder. It's going higher and higher. Why, it's, it's standing on legs... actually rearing up on a sort of metal framework. Now it's reaching above the trees and the searchlights are on it. Hold on!"

- The War of the Worlds (radio drama)

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