Robin Saikia

"(Said in the context of semi-abstract art) Every time I look at a work of art, however good or bad, I always begin with the principle of "graceful acceptance." You always get so much more that way."

"(In referring to Venice) It took a Frenchman and a Russian to give us clearer verbal snapshots of what the city-as-organism really is: Proust, “a chain of marble cliffs…”; Brodsky, “innumerable strands of coral reefs…” I think if one can successfully invite people to make a comparison between the cliffs/reefs, and the organic development of the Gothic city, then one has done a reasonably good job."

"(In reply to his most magical experience in Venice) ...a fish flew out of the Adriatic and went hurtling over our heads. It was startlingly romantic. I can still see it: the streak of gold and silver; the glistening, feral texture of the scales; the fish’s eye like a jewel; the mad, mock-Byzantine riot of the Excelsior’s turrets and minarets against the azure sky; beyond that, in the mind’s eye, the dark labyrinths of San Marco – and, beyond them, the Euganian Hills."

"(Referring to Hodge the cat) His rumbles of content, and warm black fur, thawed the frost of my soul, and dispelled the torpor of despondency."

"(In referring to simple pleasures) These are arts that those who ridicule should not so readily despise, since they lighten melancholy and foster friendship."

"Every man that has felt pain, knows how few the comforts are that can gladden him to whom health is denied. I fed Hodge valerian to ease his agonies. I bought oysters for his delight, these being soft, and the best meat for his toothless jaws. I went for them myself."