Nouvelle École

"In the 1970s, the Mankind Quarterly, which alternates articles about race and genetics with articles about the Indo-Europeans and prehistoric cultures, became a model when one of Europe’s leading neo-Fascists, Alain de Benoist, founded his own journal called Nouvelle École. In the journals so-called Comité de patronage were, among others, Roger Pearson, Mircea Eliade, the German classicist Franz Altheim (formerly of SS-Ahnenerbe), Marija Gimbutas, Stig Wikander, and the Swedish racial anthropologist Bertil J. Lundman. There was also the Benoist sympathizer Jean Haudry, who publishes Frances foremost journal for Indo-European studies, Études indo-européennes . Some people were probably on the Comité de patronage because they were unaware of its political sympathies, or because they wanted to sun themselves in the glow of great scholarly names; others were there because they supported the neo-Fascist views of the journal. Georges Dumézil was also on the journals Comité de patronage. But when Benoist in 1972-73 (no. 22-23) published an honorary issue for Dumézil, which made the French press speculate whether Dumézil sympathized with Benoist’s neo-Fascism, Dumézil withdrew his support from the journal. In newspaper interviews, he later made it clear that he did not support Benoist s neo-Fascism, at least not without reservations. However, this event triggered the ideologically critical examination of his work..."

"A closer reading of the issues of Nouvelle École and Éléments both reinforces and refines this impression. For example, in each issue, the section headed “Éphémérides” singles out important historical dates and rarely misses an occasion to evoke the atrocities committed by the Allied forces during the Second World War. The iconography employed highlights the work of artists affiliated with the Nazi regime, such as the sculptor Arno Breker, the painter Wilhelm Petersen, and the illustrator and lithographer Georg Sluyterman van Langeweyde.19 One of the illustrations used in Vue de droite is particularly telling in this regard: from the pen of Georg Sluyterman van Langeweyde, it represents a proud medieval knight armed with a lance and originally graced the cover of the August 1940 edition of Germanien, the journal of the SS Ahnenerbe’s “cultural” institute; Alain de Benoist is happy to simply invert the image from left to right and—a tiny detail—replace the swastika on the knight’s shield with a two-headed eagle. Other illustrations are lifted directly from Germanien to embellish the pages of Nouvelle École and the official magazine of the GRECE."

"One can perceive a hierarchy of prestige and a legitimation strategy in the citation practices of those who write on Indo-European myth, religion, and civilization. Those who publish in the most scurrilous sources fail to provide footnotes at all, or do so in quite haphazard fashion . Those whose writings appear in Nouvelle Ecole and Mankind Quarterly, however, regularly invoke articles from the more reputable Etudes indo-europeennes and JIES to establish their scholarly bona fides. In the latter publications and the very best books, authors tend to base themselves on the writings of Georges Dumezil as the firm rock on which all can rest, secure against challenge."