Mario Vargas Llosa

"Antes de la elección de ayer en Brasil, hace como 15 días se reunieron en España, no sólo Zedillo y Calderón, sino Aznar y el juez que injustamente encarceló a Lula y convocó Mario Vargas Llosa, y ¿de qué sirvió? Es hablar de populismo en general, pero llevaba un mensaje, se hace el encuentro en vísperas de las elecciones en Brasil, y ¿qué pasó ayer en Brasil? Ganó Lula. ¿En cuánto ayudan ellos? Nada. Al contrario, Vargas Llosa parece que todo lo que toca lo sala."

"Literature creates a fraternity within human diversity and eclipses the frontiers erected among men and women by ignorance, ideologies, religions, languages, and stupidity."

"[I]t is normal for outsiders to have a better understanding of what is happening inside dictatorial regimes, because censorship prevents those suffering under dictatorship from being fully aware of the situation in which they are living."

"[L]iberalism is above all an attitude toward life and society based on tolerance and respect, a love for culture, a desire to coexist with others and a firm defense of freedom as a supreme value. A freedom that is, at the same time, the driving force of material progress, of science, arts, and letters, and of a civilization that has produced sovereign individuals, with their independence, their rights, and their responsibilities that are always held in balance with those of other individuals, protected by a legal system that guarantees coexistence within diversity. Economic freedom is a key element of liberal doctrine but certainly not the only one."

"The only way to progress is by stumbling, falling, and getting up, time and again. Error will always be there because the best decisions are always, to some extent, bound up in error. In the great challenge of separating truth from lies—a goal, perhaps the most human of all goals, that is perfectly possible to achieve—it is essential to bear in mind that in this task there can never be definitive achievements that cannot be challenged later, and no knowledge that cannot be revised. In the great forest of misperceptions and deceptions, mistakes and mirages, through which we roam, the only way that truth can clear a path is by rational and systematic criticism of what is—or passes for—knowledge. Without this privileged expression of freedom, the right to criticize, we are condemned to oppression, brutality, and also obscurantism."

"At the dawn of human society there were no individuals, only the tribe, the closed society. The sovereign individual freed from this collective body that jealously closed in on itself in order to defend itself from wild animals, lightning bolts, evil spirits, and innumerable other fears of the primitive world, is a late creation of humanity. It takes shape with the appearance of the critical spirit—with the discovery that the world and life are problems that can and must be solved—that is, with the development of rationalism and the right to exercise this rationalism independent of religious and political authorities."

"In May 1968 in France there was student unrest at the University of Nanterre, which then spread to the Sorbonne, to the remaining universities in the country, and to colleges and schools. This is how the "student revolution" began, and it sparked similar movements in different parts, which is why it became so important the world over. Nearly sixty years on, such a reaction seems excessive when one considers its real significance: it led to a certain freedom in behavior, especially sexual freedom, the disappearance of standards of polite behavior, the multiplication of swear words in communication, and not much more."

"We live in the civilization of the spectacle and the intellectuals and writers who are the most popular are almost never popular because of the originality of their ideas or the beauty of their creations, or, in any event, not just for intellectual, artistic, or literary reasons. They are popular above all else for their histrionic ability, the way in which they project their public image, their exhibitionism, their rudeness, their insolence, all that farcical and noisy dimension of public life that passes itself off as rebellion (but which, in fact, masks a complete conformism)."

"[C]ommon sense is the most valuable of political virtues."

"True progress, which has forced back or overthrown barbarous practices and institutions that were the source of infinite suffering for men and women, and has established more civilized relations and styles of life, has always been achieved through a partial, heterodox, distorted application of social theories. Social theories, in the plural, which means that different and even irreconcilable ideological systems have brought about identical or similar forms of progress. The prerequisite was always that these systems should be flexible and could be amended or reformed when they moved from the abstract to the concrete and came up against the daily experience of human beings. The filter at work that separates what is desirable from what is not desirable in these systems is the criterion of practical reason."

"[T]here is literally no bastion of knowledge, not even in the exact sciences, that ideology, with its powers of distortion, cannot breach and into which lies useful to the cause cannot be implanted."

"There are certain disciplines—linguistics, philosophy, and literary and art criticism, for example—that seem particularly suited to performing the con of converting the pretentious verbiage of certain modish arrivistes into fashionable human science. To confront this type of deception requires not only the courage to swim against the tide but also having a solid cultural background in many areas of knowledge. The genuine humanist tradition […] is the only thing that can stop, or at least temper, the harmful effects on the cultural life of a country of these deformations—lack of science, pseudo-knowledge, artifice that passes itself off as creative thought—that are the unequivocal signs of its decline."

"I belong to the first generation of Latin American writers brought up reading other Latin American writers. Before my time the work of Latin American writers was not well distributed, even on our continent. In Chile it was very hard to read other writers from Latin America. My greatest influences have been all the great writers of the Latin American Boom in literature: García Márquez, Vargas Llosa, Cortázar, Borges, Paz, Rulfo, Amado, etc."

"Vargas Llosa, buen escritor y mal político"

"Like writing, reading is a protest against the insufficiencies of life. When we look in fiction for what is missing in life, we are saying, with no need to say it or even to know it, that life as it is does not satisfy our thirst for the absolute – the foundation of the human condition – and should be better. We invent fictions in order to live somehow the many lives we would like to lead when we barely have one at our disposal."

"Good literature erects bridges between different peoples, and by having us enjoy, suffer, or feel surprise, unites us beneath the languages, beliefs, habits, customs, and prejudices that separate us."

"Political correctness is the enemy of freedom because it rejects honesty and authenticity. We have to tackle it as the distortion of the truth."

"It is easy to know what you want to say, but not to say it."

"Lima frightened him, it was too big, you could lose yourself in it and never find your way home; the people on the street were total strangers."

"He is always furious, on account of what he finds out or what he doesn't find out."

"Every thing is done halfway in Peru, and that is why everything goes wrong."

"When you start having bad luck, there isn't an end to it."

"We all believe in the regulations, but you have to know how to interpret them."

"You can't make facts fit the rules, it is the other way round. The rules have to be adopted to fit the facts."

"A clean conscience might help you to get into heaven. but it won't help your career."

"¿Tienen algo que ver con los intereses de los humildes las querellas retóricas de los partidos burgueses?"

"Reading changed dreams into life and life into dreams."

"Writing stories was not easy. When they were turned into words, projects withered on the paper and ideas and images failed. How to reanimate them? Fortunately, the masters were there, teachers to learn from and examples to follow. Flaubert taught me that talent is unyielding discipline and long patience. Faulkner, that form – writing and structure – elevates or impoverishes subjects. Martorell, Cervantes, Dickens, Balzac, Tolstoy, Conrad, Thomas Mann, that scope and ambition are as important in a novel as stylistic dexterity and narrative strategy. Sartre, that words are acts, that a novel, a play, or an essay, engaged with the present moment and better options, can change the course of history. Camus and Orwell, that a literature stripped of morality is inhuman, and Malraux that heroism and the epic are as possible in the present as is the time of the Argonauts, the Odyssey, and the Iliad."

"Ahora tenemos un peronismo que es todo: es la extrema derecha, es el centro, es el centro izquierda, es la extrema izquierda, es la democracia y es el terrorismo, es la demagogia y es la insensatez... Todo es el peronismo..."