Kanhadade Prabandha

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"Padmanabha, in his Kanhadade Prabandha, presented a noticeably different account of the attack on Somnath. He composed his work in 1455 ck, at the behest of the fifth in descent of Raval Kanhadade Chauhan of Jalor, who had fought the Khalji forces. "he work recounted the heroic tale of Kanhadade and the people of Jalor, who resisted the Delhi armies till the very end (Padmanabha 1991: vii-xxii). The text stated, Profound calamity had fallen upon Lord Somanatha’s temple. The locks (of the doors) were broken open and the enemy rushed through the doors tumultuously, and took possession of the temple drum and Kansala. The Mlechchha (asura) stone-breakers climbed up the sikhara of the temple (to take off the golden kalasa) and began to rain blows on the stone idols on all the three sides (pasa) by their hammers, the stone pieces falling all around. They loosened every joint of the temple building, and then began to break the different layers (thara), and the sculptured elephants and horses on them by incessant blows of their hammers. Then, amidst loud and vulgar clamour, they began to apply force from both the sides to uproot the massive idol by means of wooden beams and iron crowbars. Such strange and improper happenings were taking place: the kaliyuga was, no doubt, showing its true temper: Lord Siva, leaving the earthly abode, went away to Kailasa. Ulug Khan now ordered: ‘The temple will remain without its God idol! Despatch the idol (bhuta) to Delhi where I will have it crushed and made into lime.’ Half cart (Faraka i.e. Firg) and rekhala, with wheels fitted with iron rims, were brought to place the idol with the help of strong wooden beams. Dark coarse Bhoias loaded the linga on the huge cart to which were yoked three pairs of bullocks, and the idol was sent off towards Delhi (Padmanabha 1991: 10). The next day, the Rauts surveyed the battlefield. The palhans of the horses, turrets (panjari) carried by the elephants, and slaughtered horses were lying scattered all over the ground... Also could be seen severed heads and torsos lying here and there. The ground had become wet and miry with flesh and gore of the slain. The Raval secured back Lord Somanatha’s idol and then washed his weapons... No sooner the people of Jalor came to know of Kanhadade’s victory, they came to greet him and offer felicitations... (Padmanabha 1991: 25-27). At Jalor, Kanhadade now worshipped Lord Somanatha, daily bathing the idol with panchamrita, performing all the sixteen rituals, and adorning the idol with sandal paste, flowers, tilaka, etc... Of the Ekalinga, which saves one from falling into the hell and dire troubles and afflictions, five idols were carved out; there is no sixth one like them. One of these was ceremoniously installed at Soratha and another at Lohasing in Vagada. One was sent to a pleasant spot on the Abu hill for consecration, while one was installed at Jalor where the Rai built a temple and one was sent to Saivadi (Jalor district). At all these five places, worship of Lord Siva is performed"

- Kanhadade Prabandha

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"[It was composed in mid-fifteenth century and records the exploits of King Kanhardeva of Jalor against Alauddin’s General Ulugh Khan who had attacked Gujarat in 1299 and taken a number of prisoners. In the Sorath (Saurashtra) region] “they made people captive - Brahmanas and children, and women, in fact, people of all (description)… huddled them and tied them by straps of raw hide. The number of prisoners made by them was beyond counting. The prisoners’ quarters (bandikhana) were entrusted to the care of the Turks.” ... “During the day they bore the heat of the scorching sun, without shade or shelter as they were [in the sandy desert region of Rajasthan], and the shivering cold during the night under the open sky. Children, tom away from their mother’s breasts and homes, were crying. Each one of the captives seemed as miserable as the other. Already writhing in agony due to thirst, the pangs of hunger… added to their distress. Some of the captives were sick, some unable to sit up. Some had no shoes to put on and no clothes to wear. …Some had iron shackles on their feet. Separated from each other, they were huddled together and tied with straps of hide. Children were separated from their parents, the wives from their husbands, thrown apart by this cruel raid. Young and old were seen writhing in agony, as loud wailings arose from that part of the camp where they were all huddled up… Weeping and wailing, they were hoping that some miracle might save them even now.”"

- Kanhadade Prabandha

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"Sandalwood, Agar, Tulsi, Bili, Amli—all sacred wood, were brought for the pyre. After bath, the queens made offering to the Sun God2” As the queens entered the Jauhar fire, loud lamentations arose. All were reciting Hari's name from the innermost depths of their hearts. Such was the Jauhar scene,“° of immeasurable pathos! "Truly, kith and kin, son, wife, wealth, and youth, all are nothing but illusion. The day the fate becomes adverse, they all are of no purpose.”*! Oh God! whom to blame : what a day to witness! Tears of blood are not running down from our eyes! Our hearts have tumed of stone no doubt." Such were the feelings of the multitude there, Fifteen hundred and eighty-four Jauhar fires were lit that day in the Jalor fort! After the queens, the women-folks (of all the castes) entered the Jauhar fires.%° "Who can check the cruel march of fate dictated by the karmas? So, do not be assailed by anguish. One does achieve salvation by following the path of bhakti and realises God by giving charities. Hence remember God Sarangapani,"** so people said as they saw their women-folk enter the fire. And whata spectacle it was! Worthy to be witnessed by the Gods! The cliffs of the mountains began to shake and tremble as bright- ness filled the firmament, up to the seas, and the smoke of the Jauhar fires curled up reaching the heaven, witnessed by all the eight Dikpalas, the Regents of the eight directions.“5 The moment the Gods came to know of it, they thronged to see the sight-Indra mounted on his elephant Eravata, and Sun and Moon beholding the parting scene at Jalor from the distant heavens. Varuna, the God of water and the Regent of the West, accompanied by other gods, came to behold the sight, and so did Naravahana (Kuber), the sixty- four Yoginis, besides Goddess Bharati (Sarasvati) seated on her Swan.’ Hari (Lord Vishnu) himself came seated on his vahana Garuda to behold the sight and also came MahaSakti Sirhhavahini (Durga) astride her Lion. The Saptarshis, who ever spoke nothing but truth, and Brahma and other Gods also came from the infinite heavens to see the Jauhar sight at Jalor.* Rudra (Lord Siva) was seated on his decorated White Bull. Even Mahishasura came to witness the courageous act. Lest those who were left behind might notincur blame, thirty-three crore gods (Sura) also thronged to see the sight.”? From the heaven came all the angels seated in vimanas. All these Gods and Goddesses remained in the heaven, invisible to all since without the divine sight (divya chakshu) none could see them?”"

- Kanhadade Prabandha

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