Women Singers From The United States

"So you treat your love like a firefly, like it only gets to shine, for a little while Catch it in a mason jar with holes in the top and run like hell to show it off Oh, promises were made when we'd go walking That's just me and Charlie talking."

"I knew [these songs] would benefit from making the recording process a very communal experience; it definitely opened them up into something bigger and less about me and my little world."

"It feels like a permanent topic, I’ll probably never stop writing about religion—but the way I write about it now is very different than I wrote about it five years ago."

"I write to get to the bottom of whatever I’m feeling. And I hope that my music will comfort the people who hear it, and maybe help them process whatever they need to."

"Being that vulnerable is so necessary; putting words to those feelings is difficult, and it take a while to write the songs because I want to get them right. It can be excruciating, but it’s worth it, it feels like you actually got to the bottom of something, and the hope is that people can easily relate to it."

"Work hard, be generous, publish your art and move on. You are the only one who can make shit happen."

"I don’t write to dwell on sorrow, I’m trying to process something to help other people."

"If you don’t have a drummer, you can still make a beat. The good news is, it won’t sound like anyone else’s beat, and most people won’t be able to tell if it’s Matt Chamberlain or just you frantically tapping a launchpad."

"Sometimes you just need to have a good cry and write something that gets to the core of your most miserable and beautiful humanity."

"We teach best what we most need to learn."

"First when there's nothing But a slow glowing dream That your fear seems to hide Deep inside your mindAll alone I have cried Silent tears full of pride In a world made of steel Made of stoneWell, I hear the music Close my eyes, feel the rhythm Wrap around Take a hold of my heartWhat a feeling Bein's believin' I can have it all Now I'm dancing for my lifeTake your passion And make it happen Pictures come alive You can dance right through your life"

"I was sitting on the couch and I was just like, “I’m tired of this.” And by “this” I mean: Being quiet when there’s something I want to say. So I just said it, I wanted my music off. I honestly thought I would say it and then have to go into a legal situation that was more quiet. But when people started responding, that’s when I wanted them to understand what I was really saying. Social media is certainly not a place for nuance, so I did my best to explain everything, how it all interacts and how it all feels. For me it wasn’t even about exposing Joe Rogan. It was about exposing what it’s like to be an artist of color in the business. Our biggest streaming platform is allowing this. Now it’s become a conversation of me against him — that was never my intention, and that’s not how I feel. We’ll see how many more times I can say Joe Rogan’s name; I’m getting a little tired of it. This is about the way Spotify treats artists. I’ve been saying that on my Instagram for a while. People listened to it this time because [Rogan] is involved, which has its own element of race, too."

"It’s really unfortunate. I feel like artists don’t realize that if we all really truly actually stood together, something could change. But we’re also all living day to day. People are just trying to make sure they’re ok. I get it. But it is a shame how much courage you have to muster to just tell the truth."

"In this quiet little Indiana town I will aim to bring together the song composers of the land so the young and ambitious may meet the veterans and successful members of the profession."

"There's not a city, or even a small town, that couldn't make its grandmothers happier, and make itself happier, by doing something for the old folks."

"What I experienced at drama school was the fun and the excitement of being given a part. And when you're a student and you are given a role, something is assigned to you. And you're going to do a little scene at the end of the term. That's absolutely the most thrilling thing in the world. So you're doing it, in other words."

"My first role was to play Audrey in As You Like It, which is a very comic part. And Touchstone and Audrey have a very funny scene together. And during that scene, I suddenly got this - the feel and the smell of being able to make an effect by the way I played the role, the way I comported myself. All of the physical aspects of acting suddenly came to me. And I got a laugh, you know, the first time I did it. Well, this was a tremendous kind of boost to my self-esteem."

"I was a wife and a mother, and I was completely fulfilled. But my husband recognised the signals in me which said "I've been doing enough gardening, I've cooked enough good dinners, I've sat around the house and mooned about what more interior decoration I can get my fingers into." It's a curious thing with actors and actresses, but suddenly the alarm goes off. My husband is a very sensitive person to my moods and he recognised the fact that I had to get on with something. Mame came along out of the blue just at this time. Now isn't that a miracle?"

"I went very fast in drama school and ended up working in one of the senior plays. Even just in my first year, I was assigned a role of a lady in waiting in Mary Of Scotland. So they obviously knew that this young person had something. She had a talent. And I sort of felt that, although I didn't get big-headed about it, but I felt it — gave me tremendous confidence."

"I'd like to be remembered as somebody who entertained — who took one out of oneself — for a few minutes, a few hours — transported you into a different venue — gave you relief, gave you entertainment, and gave you joy and laughter, and tears — all those things. I would like to be remembered as somebody who was — capable of doing that."

"I'm eternally grateful for the Irish side of me. That's where I got my sense of comedy and whimsy. As for the English half — that's my reserved side ... But put me onstage, and the Irish comes out. The combination makes a good mix for acting."

"The only, let's say, the comfort I took was — and even then, I kind of leant on it — was the fact that I knew that I was an actress and that I could play different roles because I was continuously being offered extraordinary stretches, shall we say, as an actress, to play parts which were way out of my range. However, I would do it. And I managed to just skin by by the skin of my teeth, you know, playing roles where I was much older than I actually was, playing Walter Pidgeon's wife in "If Winter Comes," you know?"

"I was never going to get to play the girl next door. And I was never going to be groomed to be a glamorous movie star. And I sort of realized that. So I had to make my — make peace with myself on that score."

"When I first started Murder, She Wrote, I thought it would last maybe two, three years, you know, or maybe a year if we were lucky. But when it extended and I realized the deep inroads it had made into family life in America, I couldn't stop. So I was sort of trapped — happily trapped — for 12 years with it. And I'm still playing Jessica from time to time and loving it. I wouldn't want to let go of that lady. … She was the sort of woman I like, and therefore, I enjoyed playing her. And being Jessica was second nature to me because she embodied all of the qualities that I like about women. She was valiant and liberal and athletic and exciting and sexy and all kinds of good stuff that women are of a certain age and are not given credit for. So to be able to play that gave me tremendous sort of pleasure, and I'm so glad I've done it."

"Any actress will tell you that evil roles to play are the best. You can go to town, you know? And in that instance, I think that woman had so many layers and so many personas in a sense, she was riveting and so interesting to play. I relish the — having had that opportunity to play that role because I don't think there are many written like that. I consider that she was the Lear among, you know, movie women."

"Instead of traveling, I tend to think about a variety of things while filming or working abroad. When I play a different role, my perspectives and ideas change each time."

"I would say focus is really the number one. Each day I allowed myself to forget who I am for the moment. You have to kind of lose yourself and not think about just how brave Mulan is. Yes, I am playing a hero, so we need to bring out that side, but I think every human being is complex, and complex is so beautiful. And that’s where the energy of the character is."

"I think it’s important in every culture that we treat family respectfully. We’re being thankful and we’re showing love. I think if you ask me what family means, I would say it is unconditional love. So at this point in time, I think it’s still another universal language."

"I’m very lucky but I don’t want to put on too much pressure, because pressure means doubt. For me, the spirit of Mulan is the simpleness and the unspeakable belief and strength. This power inspires me."

"But at its core, Mulan is really about the character, the spirit. She is such a famous character, but I also wanted to be myself. It was all about balance and choice. It’s always brave to be yourself."

"I think there are various sides to my personality. However, to simply summarize into one, I am a flexible person. I’m not bound by rules. I enjoy talking to people while standing, and even comfortably sitting down on the ground. I seek comfort wherever and whenever. I have a pretty lenient personality, but sometimes can be aggressive as well. But this is only seen when I am acting on stage."

"Like most female actresses, I am always aspiring to succeed and become a popular star, and my positive energy never dies out. And it wasn’t until entering my twenties that I began to identify my real dream as an actress. I realized that acting is not all about receiving people’s applause or cheer. It is about delivering the right character to the audience and feeling satisfied in who you become on stage. Therefore, I try to focus more on the abstract qualities of acting, and I hope to become a better actress throughout time."

"As an actress, it’s not only about looking good on camera, but being able to deliver the right emotions for the characters you play. This makes you more attractive on the screen. That’s why I focus more on acting rather than my appearance. Sometimes, I don’t even bother taking out the mirror to fix my makeup before filming."

"I'm honored that creators trust me to collaborate on their babies. It touches me deeply. Plus I get to start from a blank slate and play. Of all the characters I’ve ever played, Anne is the closest to who I am in the world. It makes me feel very vulnerable but I love it. I’m wide open to this experience."

"What it’s helped me remember is that it’s all a crapshoot — theater. All of the variables that have to be in place for it to be a success, it’s like an alchemy that has to happen. It’s rare that it does, and it’s a reminder to be grateful for each and every moment. So now, every rehearsal, every time I walk into my stage door, I say thank you three times. Because I know that it’s just for now. It’s fleeting."

"You will fall in love with Kiki, a little four-year-old...played marvelously by an adult, Jenna Colella, steals every scene she romps through in Kiki Baby...Ms. Colella is wonderful, a sensation. She is dressed like a little child, and acts like one, with a deep frown or effervescent glee on her face. She is so good at the impersonation that you really think she’s young, although she is about 5’7”."

"Colella has carried several short-lived Broadway shows on her back. It's fitting, then, that she earned her first Tony nomination for "Come From Away," in which she plays Beverley Bass, the real-life pilot who on Sept. 11, 2001, carried dozens to refuge."

"It's not just that Jenn Colella puts on a great show, that she is talented, that she is a hard worker, it's the commitment to bringing all the parts of herself to her storytelling, the willingness to lay bare her soul and humanity...It is, apparently, not part of Jenn Colella's genetic makeup to hide herself from the people, and that is where her success as a concert performer resoundingly resonates."

"It isn't just that Jenn Colella's show deserves praise, it isn't just that Jenn Colella belongs on a list of the best, it's that she belongs on a list all her own. I don't believe I have ever seen an artist work a room the way that this singing actress does, and that's what had me gobsmacked."

"And you know. Jenn Colella. that we all think you are hella fine. You know I'm not alone in this belief."

"Her off-the-cuff commentary was so incredibly relaxed and natural (and sometimes intimately personal) that one would think that Jenn Colella was performing to a room full of friends at her very own birthday party, as opposed to a room full of paying guests in a supper club."

"A captivating adult actor, Colella is utterly believable in the role of a four-year-old celebrity singer. Rather than bounding about with child-like abandon or producing high-pitched "little girl" speech, she talks very quietly, yet firmly, pauses a lot, stands still and tenses her fingers—this is a kid trying to be taken seriously...Colella is side-splittingly funny, never cloying, and incredibly lovable—even when Kiki turns into a monstrously spoiled brat."

"It was challenging. If you fail in standup you can’t blame anyone but yourself. But it definitely increased my confidence and now there’s really nothing that scares, frightens me in terms of performance."

"Doing stand-up, for me, created a deep sense of courageousness. There’s no one else to blame if your screw up. The moments you’re failing are quite devastating. But you realize you can win the audience back with the next joke if you hold on and keep working."

"The sight of Colella's onstage relationship with the band was something slightly resembling a dodo video of a houseful of puppies at play ... and speaking of puppies, the personal highlight for this dog-obsessed hooman was watching Ms. Colella's eyes tear up while singing about the importance of dogs in our lives."

"I actually went to visit her in her home in Florida, in her vacation home. I got to spend some time with her away from Come From Away, away from the theater, away from interviews, and it was very, very dear. We had long deep talks about our feelings, about our families, about how we move through the world. It really helped me come back into the role this time."

"Stand-up created a platform to weave a story together and trust my own ideas… it gave me a deep sense of bravery as a performer. To be on stage and have a joke fail miserably, and realizing that the world continues to spin. I can get them back in the next breath."

"For audiences to discover that kindness is accessible at all times, not just in the wake of tragedy. That we all have the capacity to be kind, that it is a practice. That it is there just waiting for us whenever we choose to grab it."

"To play a living person is one thing, but then to have that person present so often, and I can see her, it's trickier than anything I've ever done…Her hands were over her face, and she was sobbing openly, she said. I'm not a robot -- I could feel something inside of me start to break. And yet, I have a job -- she remained stoic through those five days, and I'm in those five days."

"There's a lyric in our opening number where we sing, "I'm an islander." And they heard this and leapt to their feet and started clapping and crying. And the cast just started bawling. We didn't know what to do. It was so beautiful. They really - they gave us the OK to come to Broadway. They really kind of blessed the show."