Women Singers From The United States

"I’ve never been a diarist… I wish I had done that. Selfishly, I wanted to have all these moments in my life shape me, but I didn’t necessarily want to share them. And I guess that makes me a nasty bitch."

"I did in the beginning. It helped me to cultivate some kind of female persona. I took a lot of different aspects of my character from my childhood or young-womanhood and elaborated on them. The guys were also writing songs, and I felt like I had to portray what they were writing and appreciate the male point of view as well as the female point of view."

"I don’t actually regret taking it, but I do regret the amount of time … it’s a time-consumer. But I think at that point it was a necessary evil. To some degree, it was self-medicating. It was a rough, depressing time of life and it seemed to suit the purpose, but then it outlived its benefits."

"I mean, I was angry and I felt victimised. I wasn’t beaten or harmed physically, it was all emotional or mental. Being raped – or fucked – by some stranger against my will at knifepoint, you know…It wasn’t a happy moment in my life, but I really, seriously, empathise with women who are beaten. That would be something that [would lead to] emotional ramifications for the rest of my life. But this doesn’t."

"I sort of thought: ‘Gee, maybe it wouldn’t have been so bad to have kids.’ But I don’t know if I could have done it while I was working so much…My natural inclination is to really throw myself into things. It wouldn’t be like I could hand over the baby. I would really want to be involved."

"In order to survive, I could never put myself in the position of whining about being a woman. I just got on with it. As much as it was possible, I found a way to do what I wanted to do."

"Yes, but, you know, in a way it was good because I can sneak up on them unawares. I think times have changed in that respect. Women are serious wage-earners, and we create great things, and it seems clear to me that we can be supportive of one another regardless of what sex [we are]."

"I was working as a team and in a relationship. I wouldn’t have felt comfortable being a solo artist and I’m sure that those girls have a lot more to say about that than I do. I never went into meetings trying to get a record deal by myself, so it’s a little bit different."

"I think we all have issues of self-esteem and I’m not clear of that…I also think that because it’s my occupation – to be a performer and to attract attention and to appeal to sexuality – it’s sort of a given in showbiz."

"Not at this point in my life because I’m an adult. I think we all have a little area of clutter that’s nagging sometimes and it’s often hard to get rid of. Maybe this is my purge."

"And I always felt that since all my life, I was always called ‘Debbie’ or ‘Harry’ – so I embodied this myself and it’s just the way it was. It probably still is!...Yeah, so I don’t know – I never really had any problems with that and I’m always surprised when people have a fear or frustration about their combination of sexualities – I think we do better recognising both within ourselves."

"I’ve often found myself in a situation where, narratively speaking, I’m the bad guy,” she says. “We can acknowledge more than just black and white. If you present something that feels true to you, there will be other people who are like, ‘This is true to me too.’"

"“You always want what you can’t have, and that all-American thing, from the day I was born, I could never enter that dream. That all-American white culture is something that is inherited instead of attained. So yes, it’s a sad song, but I wanted to make sure it reflected all of the contrasting feelings. You can be heartbroken about a relationship, but also, from it, realize you are you and you’re okay with who you are, or where you came from.”"

"People think I was writing it for a group of people, when actually I was writing about one person. The truth was, I loved this person so much, and us being from different worlds kept getting in the way."

"“…this song is quite autobiographical because I didn't grow up in the U.S. I am half Japanese, and it came from wanting to just fit into this very American person's life and simply not being able to. Just fundamentally being from a different place and feeling like I would just get in the way of their progression if their life, because I could just never get to wherever they're naturally going.”"

"“It was right around Christmas… and it was kind of too expensive for me to try to fly back from Australia to the U.S. on holiday prices, so I just decided to stay in that side of the world. I went to Malaysia instead…I thought it would be a great vacation, but I went alone, and I went during the holidays when everyone else is spending time with their families, and so, long story short, I ended up feeling incredibly, devastatingly alone… I think of myself as, you know, a very solitary, kind of introverted person, so I didn’t plan for loneliness, and then it just happened and I didn’t know what to do about it. So I wrote a song.”"

"“Even when I’m in a scene I don’t think of myself as being in the scene. I’m very conscious of myself being an outsider. I think that has to do with my upbringing outside of the US – not just my heritage but that I grew up differently. I moved to a different country every year or every other year…a lot of different places due to my father’s occupation.”"

"“I’d always been fascinated by death, which sounds so morbid. Especially being a woman trying to make music, I think there’s a sense that you’re never young enough, or your career is going to end soon. So there’s that element of ‘I’m going to die soon.’ Maybe not physically, but I’m going to run out of time very soon. It’s always on my mind. I have to do things now."

"“…A lot of the ‘yous’ in my songs are abstract ideas about music...I will neglect everything else, including me as a person, just to get to keep making music…And even if it actually sometimes hurts, it doesn’t matter as long as I get to be a musician.”"

"“I was always bothered when people say, ‘I cry to your music, it sounds like a diary, it sounds so personal,’…Yes, it is personal. But that’s so gendered. There’s no feeling of, ‘Oh, maybe she’s a songwriter and she wrote this as a piece of art.’”"

"“I write personal stories about relationships, and living in this world and being a human being…but I happen to live in a world which views me as an Asian American. So my experiences are tainted by that, even if I’m not conscious of it. Someone said ‘the personal is political’, where it seems like me just being honest about my experiences as a human being and as a person translates as being political about being an Asian American person. I’m not in this to be political or a social activist, it just happens that my being honest is a very political thing.”"

"“I’ve always grown up feeling lonely or other, but through my music, I can be like: ‘Look, we’re the same, we’ve felt the same thing, so we’re not so different. I belong here.’ It’s almost like a hungry monster that’s just a constant need to feel connection.”"

"“…it was actually about when you have some kind of toxic relationship to yourself, or to another person, for so long that it becomes your identity. Even when you don't need it anymore and you've stepped away from it, you still hold on to it because it's scary to let it go — because if you actually let it go, it feels like erasing yourself. That song is about likening that sort of toxicity to a pearl.”"

"“When people looked at me they couldn’t recognize any of the history of me, like, ‘Where is she from? What’s her ethnicity? Who is she?’ I just didn’t make sense to anybody.”"

"“I like to say something in as little time as possible…I don’t think I have the fundamental confidence necessary to write a four-minute meandering song. Number one – because I'm impatient. But number two – because I’ve never been someone who is listened to. No one would stop to listen to me. I'm not a white guy noodling on a guitar for 45 minutes. No one would stay for me. I learned from a young age to be concise because there’s a very small window for me to grab someone's attention.”"

"“By the time it was done my heart was pounding like I just saw the rest of my life. I was fucking doomed.”"

"“It's not like [the album’s protagonist] is a fictional character, but I noticed a personality in me that was very obsessed with control and feeling like I have power — because I am powerless and don't have a lot of control. So I kind of investigated that person in me. What is the exaggerated form? Well, it's a woman who's incredibly controlled, severe, and austere. But maybe there's some kind of deep desire or emotion that's whirling around in her and trying to get out. Maybe she's losing control.”"

"“In tenth grade—this says a lot about how developmentally delayed I was—I had in my mind that it was the proper thing for me to have a love interest. And you’d see in movies where two characters instantly see each other and are, like, I’m in love!, and then it just cuts to them on a date or interacting...A lot of my adolescence was like that. Me thinking I was doing the right thing by re-creating a movie scene that I’d seen but then realizing that’s not how it happens in real life.”"

"I wouldn’t say it’s an alter ego, but I have anxiety around social situations, and I don’t like going to parties…As a performer, onstage I know my place. I’m sure of myself. There’s no doubt. It’s just existing, and it’s so lovely to get to be for an hour."

"“I think it's a very feminine album…There can be something incredibly violent about being a woman and having desires as a woman – not so nice, not so soft. And I think that's an interesting experience to draw on…""

"I think there is in my previous albums a very useful romanticization or glorification of a sadness...wherein Be the Cowboy, there's a realization that no one gives a shit that you're sad, and you're still sad. Your sadness is no longer profound, and you're still sad. It's that kind of growing up and realizing that it's not cool anymore to be sad, but you're still sad."

"“The phrase ‘Be the cowboy you want to see in the world’ has been an inside joke between me and myself…I would always kind of say it to myself in situations where I feel like I’m sort of trapped in my own mind. Like, ‘Oh, what would a swaggering, western movie cowboy do in this situation?’”"

""I think the theme that I unfortunately saw—unfortunately for me—was the theme of loneliness or the idea of being alone…And the idea of being alone, not because the world is forcing you to be alone but because you are the person causing your aloneness…”"

"I felt it was shaving away my soul little by little…The music industry is this supersaturated version of consumerism. You are the product being consumed, bought, and sold. Even the people on your team who are your friends, the very foundation of your dynamic is that they get a percentage of your income. Every time I turned something down, it would mean that they would make less money."

"Mimì vergisst nie, die Schönheit im Leben zu sehen."

"When an audience gives you love, you can feel it."

"She helped me feel like I could take risks with the music, which you’re often told not to do. When you watch her, you see that it makes a difference. From now on, I am not going to be afraid to individualize my performances to the max. I won’t be afraid of liberties, if the score permits them. I know I can do it."

"Ob Sie Adeles "Skyfall" von Megan Marie Hart intonieren, von Kylie Minogue piepsen oder von Tupac Shakur rappen lassen, macht einen Unterschied."

"Jüdische Geschichte ist voll von Leiden und schrecklichem Kummer. Aber sie ist auch voll von unermesslicher Freude. Wir ehren das Leiden durch Erinnern. Wir ehren die Freude durch Feiern."

"Unglaublich viel Musik, die wir kennen, ist von jüdischen Künstlern. Sie sind immer da. Es weiß nur niemand, dass sie Juden sind."

"He was searching Blindly night and day This life, there must be more Breaking beauty, Just to stay awake His heart was like a stone"

"And on the last day He walked out in the sun He only just discovered the sun On the last day And on the last day When all his work was done He only just discovered the sun On the last day All this rapture Right here all along In scraps he tore away All this color In his final breath Exhaled the dark and gray"

"Art is a self-care medium for me"

"Never let anyone's opinion or perception of you convince you that you're someone you're not. Keep your head up."

"I feel the world is the way it is because we don’t talk about ourselves ever. We don’t talk about how we feel, we don’t talk about how we experience things. And not knowing yourself is when you project your insecurities and your fears and your bullshit onto other people. And so that just kind of creates a whole collective where nobody’s aware of themselves, and if you don’t have self-awareness then how can we have collective awareness?"

"Put some more hours in the day, God"

"I feel like style is just a constant evolution because it’s an expression of self. Some days I’ll be in like a grungy mood and just don’t wanna fuck with anybody, and some days I’m just like 'hi world I love you'"

"I think the numbness is kind of created as a coping mechanism to all of the bombardment that we get in the world we live in right now. We're just constantly asked to be performative, and constantly asked to be present, and happy, and nice, and giving, especially as a woman, so it's just kind of exhausting after a certain point, especially when you're in a monotonous kind of cycle where you don't feel heard, you don't feel like you're expressing yourself, or you don't feel like you have any value to the situation you're in; it's easy to succumb to the numbness."

"This year has been an insane about of exploration, just getting deep down into my own heart; things I've been through, things I've not really talked to myself about. Because I feel like a lot of us kind of float through life, and we get to this point of numbness and we don't really know how we got there, we're not really feeling as much. And that's to say to the good things as much as the bad things. And I noticed that when I lost touch of feeling, I lost my artistry, I lost myself and what I love to do because I couldn't get in touch with that anymore. Because feelings is what fuels it, emotion is what fuels the art. I've been just reconnecting with that, and allowing myself to feel and allowing myself to explore the different ranges in my mind."

"I’d rather be myself authentically than have to keep up with a persona."