First Quote Added
April 10, 2026
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"I became a writer when I began to take it seriously."
"I find playing with form allows me to play with ideas."
"I do this in my long poems. I have to move between one thing and another and this oscillation is the way I find out what I'm trying to say"
"I can look at the world aslant by using an unusual form and thus take hold of an idea in a unique way."
"The forms often loop back on themselves... circling around on an idea in order to examine it more fully."
"Superficially, she suggested that she was a very respectable and demure maiden lady, but someone had put raven's blood in her mother's milk."
"We consider the artist a special sort of person. It is more likely that each of us is a special sort of artist."
"We are returned to mystery and the power of cooperating with life—rather than, as so often now, working against it."
"the memoirs of poet Elsa Gidlow and civil rights and peace activist Barbara Deming evidenced the struggle with which so many have engaged for a lesbian identity rooted in self-esteem and dignity. In publicly affirming who they were, each encouraged the sense of continuity and tradition central to the formation of lesbian archives."
"If there was a problem connected with my being a lesbian, even after I became aware of it, it was the loneliness, the fact that I didn't know anybody else like me."
"I can sculpt a birthday cake out of shit and insist that I obviously mean cake, that my real intent is to wish you a happy birthday, but my intentions and protestations cannot turn crap into a delicious dessert."
"It's a shame that pantyless party girls get more attention than the real heroes, the nurses and teachers and moms."
"Posthumous fame, book fame, nerd fame is not like the good kind of fame. It might last for centuries and let antique egg heads torture the young from the grave, but it just doesn't pay the bills."
"The panic over public health care is funny and sad, since America has had death panels and sinister bureaucrats for years. They're called Aetna, Humana, and Wellpoint, they make a killing, figuratively and literally."
"When we valorize ignorance and debase reason, we diminish man and the humanity that dwells within him, to bum an old fashioned phrase from Kant."
"All we really need to do is learn 'em so they don't frig up the cash register or offend the customers."
"Bankers grovelled before the governments they usually revile, like wispy poets whining for grant money. They got billions in bailouts, yet somehow the financial sector still inspires more trust and respect than the government that saved it from itself."
""You think you're so smart" is never a compliment; the only thing worse than being smart is thinking that you are."
"Nerds do not think they are better than you. Nerds are better than you, in their particular fields, unless you happen to be an even more devoted nerd."
"Anyone taking classics or history for the prestige is either at Oxford or stuck in 1909."
"Why clog your head with tedious facts about the past when you can simply demand an exam review sheet or consult Google or Wikipedia?"
"We are not the adults in the sense that Kant intended, but adolescents. This is a problem, because we are the world's most heavily armed teenagers."
"Who teh heLL R u 2 tELL me what 2 reed or how 2 spel?"
"If there is no more market for ancient Greek, there should be no more ancient Greek. If there are no jobs for historians, there should be no history. If there is no money in brains, there should be no brains - except for the brains that make money."
"The humanities are despised because they are dangerous. They arm us with the intellectual weapons we need to fight the forces of ignorance and idiocracy, and to free ourselves from freedumb."
"Laughing at the clueless mouthfarts of cute twenty somethings who spent their high-school years with vocal coaches or plastic surgeons is another variation on the theme "Are we getting dumber?""
"Rozema has established herself as an exceptional and distinctly sensual visual stylist. Her films are characterized by self-referential narration, idiosyncratic protagonists (who are often struggling artists), formal adventurousness, and the use of fairy tales, mythology, and poetry as structuring notions."
"Rozema is one of Canada's most recognizable and successful film artists, famous for works in which the wilful imagination asserts itself despite bureaucracy, convention, and social expectation. As a writer and filmmaker, she is drawn to romantic figures whose artistry persists despite various obstacles, from institutionally derived notions of artistic standards to religiously supported ideas of appropriate sexualities."
"When I look back upon the choices I made in making Mansfield Park, I feel they were pretty ballsy. I just thought there has to be a reason why I was doing a period piece. I wanted to say, "Look, we are rich because of slavery. We stole people and made them into slaves. Nothing comes for free." I didn't want to do another English dance party."
"In 2000, in honour of the 25th anniversary of the Toronto International Film Festival, 10 preeminent Canadian filmmakers were asked to create short films. Staying true to her thematic preoccupation with artists, audiences and their relationship, Rozema's contribution was This Might Be Good, a six-minute wordless, experimental piece about hope — the hope of audiences, actors and filmmakers who gather around films at festivals."
"Maybe it's the remnants of my religious upbringing, but I do try and insert a sense of social justice into the work … for instance, to me, Mansfield Park is a story about servitude and slavery. Other people may have a problem with that, but that's how I read the book and so that's how I shot the movie."
"I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome. … I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained."
"You cannot underestimate what a radical thing it is to change from one art form to another. An author slaves to start with just the right word, phrase, sentence, and paragraph. The sounds of the words are crucial. But all the demands of words and prose are lifted when you make a movie. The physical presence makes many unnecessary and some necessary ones impossible. So you serve two masters as an adapting filmmaker: the author's intention and the needs of film. Sometimes "fidelity" can mean only focusing on one day of a story told over twenty years in a book."
"Our voices, our representation of ourselves, have been in the hands of others, namely men, since the beginning of the mediums of film and television. My main character in I've Heard the Mermaids Singing videotaped a confession that is used through the film. It's her way of having control over her definition of herself."
"Isn't life the strangest thing you've ever seen?"
"I have become post facto a representative of the country. So if you ask, "Is Mermaids a Canadian film?" — it has become one. It has become a means whereby people characterize Canadian film. I think in the creation of Mermaids, I did see it in political terms. I thought of the underdog. Canada is not a superpower by any means. It's very quietly, comfortably democratic, but it's plagued by a sense of inferiority."
"I wanted [Martin] to be a really decent human being because I didn't want to depict the cliché that a woman becomes a lesbian because her husband is terrible to her."
"The titan is tired. We Americans have our own tyrants to tackle. We no longer want to defend to the death borders not our own—be they in Iraq, Afghanistan, Pakistan, Libya, wherever. And we don't need our friends looking to us to do so."
"Libya is a war of the womb. A product of the romantic minds of women — Samantha Power, Hillary Clinton, Susan Rice — who fantasize about an Arab awakening. It is estrogen-driven paternalism on steroids."
"[Ron] Paul’s vision is as close to The Good Life as we could hope to come in the current ideological climate. Only tinny ideologues encased in worthless ideological armor – worthless because it exists in the arid arena of their minds, not on earth – would turn their noses up at the prospect of Paul."
"In an effort to create reality on the ground - instead of reporting on it - the American media seem to color events by refracting them through a sickeningly sentimental prism."
"The military is government. The military works like government; is financed like government, and sports many of the same inherent malignancies of government, chief of which is its liberalism. Like the government, the military is freighted with pathological political correctness."
"Like it or not, the modern marvel that was South Africa—with its space program and skyscrapers—was not the handiwork of the black nationalist movement now dismantling it; but the creation of those persecuted, pale, patriarchal Protestants."
"Our adventurous foreign policy might be a necessary precondition for Muslim aggression but it is far from a sufficient one."
"The idea that the Founders were flawed, sinful men like you and me is current among a hefty majority of Americans, conservative too. It is wrong. Quite the reverse. The Founders are matchless today both morally and intellectually — their actions bespeak a willingness to forsake fortunes and risk lives for liberty, a concept and cause alien to contemporary Americans, who're, mostly, bereft of both the mental and moral gravitas necessary to grasp it."
"Think of mass immigration into America as a global 'right of return."
"Rights give rise to legal claims. Ultimately, the more rights animals are granted, the greater the legal lien exercised on their behalf against the liberty and property of people."
"Government jobs are not an addition to the country's payroll; they are an increase in the nation's payload."
"Progressive policies lead to a regressive society."
"Hollywood no longer offers entertainment. Instead, activism has replaced acting, and sermons have supplanted stories. Instead of a good yarn, you get a yawn."