People From North Carolina

"Letters from teachers continue to confirm the incompetence which they deny. A teacher in Montana says that my criticisms of teachers are "nieve." No, that wasn't a typographical error. He spelled it that way twice."

"One of the most ridiculous defenses of foreign aid is that it is a very small part of our national income. If the average American set fire to a five-dollar bill, it would be an even smaller percentage of his annual income. But everyone would consider him foolish for doing it."

"Maturity is not a matter of age. You have matured when you are no longer concerned with showing how clever you are, and give your full attention to getting the job done right. Many never reach that stage, no matter how old they get."

"People who talk incessantly about "change" are often dogmatically set in their ways. They want to change other people."

"Most problems do not get solved. They get superseded by other concerns."

"Many of the dangerous things that drivers do are not likely to save them even 10 seconds. When you bet your life against 10 seconds, that is giving bigger odds than you are ever likely to get in Las Vegas."

"Those who believe that "basic necessities" should belong to people as a matter of right ignore the implication -- that people are to work only for amenities, frivolities, and ego. Will that mean more work or less work? And if less, where are all those "basic necessities" coming from that the government is supposed to hand out?"

"People who pride themselves on their "complexity" and deride others for being "simplistic" should realize that the truth is often not very complicated. What gets complex is evading the truth."

"I have never understood why it is "greed" to want to keep the money you have earned but not greed to want to take somebody else's money."

"When you want to help people, you tell them the truth. When you want to help yourself, you tell them what they want to hear."

"Just as any moron can destroy a priceless Ming vase, so the shallow and ill-educated people who run our schools can undermine and destroy from within a great civilization that took centuries of dedicated effort to create and maintain. (27 December 2002)"

"History shows that degeneracy can be turned around because it has been done in the past. But the real question today is: Will we turn it around-or is what we are doing likely to make matters worse?"

"People will forgive you for being wrong, but they will never forgive you for being right – especially if events prove you right while proving them wrong."

"Envy plus rhetoric equals 'social justice'."

"Both free speech rights and property rights belong legally to individuals, but their real function is social, to benefit vast numbers of people who do not themselves exercise these rights."

"The first lesson of economics is scarcity: there is never enough of anything to fully satisfy all those who want it. The first lesson of politics is to disregard the first lesson of economics."

"Much of the social history of the Western world over the past three decades has involved replacing what worked with what sounded good. In area after area - crime, education, housing, race relations - the situation has gotten worse after the bright new theories were put into operation. The amazing thing is that this history of failure and disaster has neither discouraged the social engineers nor discredited them."

"In short, it is not merely that Johnny can't read, or even that Johnny can't think. Johnny doesn't know what thinking is, because thinking is so often confused with feeling in many public schools. [emphasis in the original]"

"The key feature of Communist propaganda has been the depiction of people who are more productive as mere exploiters of others."

"Understanding the limitations of human beings is the beginning of wisdom."

"The case for the political left looks more plausible on the surface but is harder to keep believing in as you become more experienced."

"One of the grand fallacies of our time is that something beneficial should be subsidized."

"Competition does a much more effective job than government at protecting consumers."

"Facts do not "speak for themselves." They speak for or against competing theories. Facts divorced from theory or visions are mere isolated curiosities."

"We will do almost anything for our visions, except think about them. The purpose of this book is to think about them."

"Freedom has cost too much blood and agony to be relinquished at the cheap price of rhetoric."

"The cavemen had the same natural resources at their disposal as we have today, and the difference between their standard of living and ours is a difference between the knowledge they could bring to bear on those resources and the knowledge used today."

"Before attempting to determine the effect of institutions, it is necessary to consider the inherent circumstances, constraints, and impelling forces at work in the environment within which the institutional mechanisms function."

"Key indicators require some specified time span during which they are to be tabulated for purposes of reward or penalty. The time span can vary enormously according to the process and the indicator."

"While decisions are constrained by the kinds of organizations and the kinds of knowledge involved, the Impetus for decisions comes from the internal preferences and external incentives facing those who actually make the decisions."

"It is unnecessary to attempt any general rule as to where the overall balance lies in comparing the respective costs of knowledge in larger and smaller decision-making units. What is important is to understand that (1) the respective cost advantages of the large and small units differ according to the kind of knowledge involved (general versus specific), that (2) most decisions involve mixtures of the two kinds of knowledge, so that the net advantages of the larger and smaller units vary with the kind of decision, and (3) the effectiveness of hierarchical subordination varies with the extent to which the subordinate unit has knowledge advantages over the higher unit."

"Knowledge may be enjoyed as a speculative diversion, but it is needed for decision making."

"Civilization is an enormous device for economizing on knowledge."

"Ideas, as the raw material from which knowledge is produced, exist in superabundance, but that makes the production of knowledge more difficult rather than easier."

"Ideas are everywhere, but knowledge is rare."

"If you have always believed that everyone should play by the same rules and be judged by the same standards, that would have gotten you labeled a radical 50 years ago, a liberal 25 years ago and a racist today."

"The most fundamental fact about the ideas of the political left is that they do not work. Therefore we should not be surprised to find the left concentrated in institutions where ideas do not have to work in order to survive."

"Too many Republicans treat English as a second language, with Beltway lingo being their native tongue."

"Socialism in general has a record of failure so blatant that only an intellectual could ignore or evade it."

"What the welfare system and other kinds of governmental programs are doing is paying people to fail. In so far as they fail, they receive the money; in so far as they succeed, even to a moderate extent, the money is taken away."

"I don't know where it's going. Maybe it's going to hell. You can't make anything go anywhere. It just happens."

"Even people who don’t know much about jazz are aware that jazz musicians are meant to be 'characters' – free-spirited types whose absorption in music generates bizarre behaviour. Though this hipster mythology is exaggerated, it seemed made for Thelonious Monk. His mystique was compounded by his unforgettable name (albeit the same as his father's), his taste for exotic headgear, a penchant for breaking into impromptu dances on the bandstand and a jabbing, idiosyncratic piano style punctuated by the silences which also marked his everyday demeanour. But Monk's media status as the 'high priest of bebop' obscured the real nature of his achievement. At a time when modern jazz was dominated by harmonic legerdemain and omnivorous technique, he showed that a deep-rooted personal vision was still possible. Monk's compositions were unlike anyone else's, full of curiously stretched and sharply angled chords, wrong-footing rhythms, melodies that could be gnomic, rich or grainily lyrical. He defied facility. When you played Monk, you played him on his terms, and his best interpreter was probably himself. His approach to the piano could seem splayed and halting – one fleet-fingered rival dismissed him as 'hamstrung' – but he could produce marvellous, probing colours, somehow getting in between the keys to make the piano seem the ultimate blues instrument. And he swung enormously, with spikey accents and clangorous, tumbling runs. As a soloist or accompanist, his timing was perfect, and he could galvanise a rhythm section by knowing exactly when and when not to play. Listening to Monk can easily become a lifelong habit, since what he has to offer is unavailable anywhere else."

"Unlike many piano players, I love Monk's playing very much. He was brought to my attention by Richard Abrams, a pianist in Chicago, and we used to analyse Monk's playing. We found that Monk's penchant for playing the piano is not in velocity, and not in dynamics, but in sound and s. He has a lot of other devices for producing the "sound"—I've noticed a lot of times, playing in clubs, where the audience is inattentive, you play something of a Monk nature and use that sonority, automatically their ears respond to it. No other piano player has done more to find out the notes that really produce sound than Monk. To completely toss him aside as a pianistic influence is an asinine view."

"That I like. That's Monk ... I think Monk has developed a certain thing. It's not the ordinary left hand like and a lot of piano players used to use; he's done something different"

"A few weeks ago I made a call at his 63rd St apartment and found him practising very thoughtfully on his Klein piano. I felt pretty good when I realised how satisfied he was with his instrument. He invited me to try it out. First I played one of his compositions which I learned a few weeks ago at the Spotlite which he had played with "Hawk". Later I played some of my own tunes which he seemed to like. We promptly agreed to swap three piano arrangements of our tunes. I would arrange "Stratosphere," "Striving," and "Sailing" for him and he agreed to arrange "Ruby, My Dear," "Round Midnight" and another very expressive tune which he hadn't named or whose name he had forgotten. On the day of the proposed swap my tunes were the only ones completed. However, I haven't given up all hope of eventually learning his tunes which I will play morning, noon, and night."

"His is the sort of music that spans time ... it's something that's happening, and it always feels good to me. I can always readily identify with it, and it always has a freshness about it because of the way he constructs his phrases and the kinds of twists it has. I sometimes would like to hear him in a context with some more adventuresome musicians."

"[Reported exchange on telephone in 1980] "Thelonious, are you touching the piano at all these days?" "No, I'm not." "Do you want to get back to playing?" "No, I don't." "I'm only in town for a few days; would you like me to come and visit, to talk about the old days?" "No, I wouldn't." When I repeated this to Barry Harris, the pianist who was much closer to him than almost anyone else in the last years, he said, "You're lucky. You got complete sentences. With most people he just says, 'No.'""

"That piano player sounded as honest as a little child. I think the left hand during the first part was a little hard. It could be Monk. Also it could be Mingus playing piano—sometimes he plays piano like that. I liked the record, the honesty of it and the good feeling it had. However, I think it could have been a little better; so I'll give it a three. I'd rather hear wrong notes being played by a person with good feeling than another person playing perfect, like a typewriter, and sound cold."

"All I can say is, Monk writes some beautiful tunes. When it comes to being a piano player, I'll see you later."

"Count Basie at Town Hall ... No, I'm only kidding; of course it was Thelonious Monk. There's been a lot of pro and con talk about Thelonious through the years, but from the beginning I was pro. I was fascinated, and I wondered how he arrived at these things. Eventually I found out, by studying and analyzing them. Now, he is not a virtuoso pianist, but there is real thought behind what he is composing. It's all very well laid out."