"So dürfte von einem unvergeßlichen Leben oder Augenblick gesprochen werden, auch wenn alle Menschen sie vergessen hätten. Wenn nämlich deren Wesen es forderte, nicht vergessen zu werden, so würde jenes Prädikat nichts Falsches, sondern nur eine Forderung, der Menschen nicht entsprechen, und zugleich auch wohl den Verweis auf einen Bereich enthalten, in dem ihr entsprochen wäre: auf ein Gedenken Gottes."

"Besteht das Original nicht um dessentwillen, wie ließe sich dann die Übersetzung aus dieser Beziehung verstehen?"

"Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft."

"The critic does not pass judgment on the work; rather, art itself passes judgment, either by taking up the work in the medium of criticism or by rejecting it and thereby appraising it as beneath all criticism."

"Everyone who achieves strives for totality, and the value of his achievement lies in that totality—that is, in the fact that the whole, undivided nature of a human being should be expressed in his achievement. But when determined by our society, as we see it today, achievement does not express a totality; it is completely fragmented and derivative. It is not uncommon for the community to be the site where a joint and covert struggle is waged against higher ambitions and more personal goals. ... The socially relevant achievement of the average person serves in the vast majority of cases to repress the original and nonderivative, inner aspirations of the human being."

"The true sign of decadence is not the collusion of the university and the state (something that is by no means incompatible with honest barbarity), but the theory and guarantee of academic freedom, when in reality people assume with brutal simplicity that the aim of study is to steer its disciples to a socially conceived individuality."

"Der Beruf folgt so wenig aus der Wissenschaft, dass sie ihn sogar ausschließen kann. Denn die Wissenschaft duldet ihrem Wesen nach keine Lösung von sich."

"An das Leben der Studenten tritt die Frage nach seiner bewußten Einheit heran. ... Das Auszeichnende im Studentenleben ist in der Tat der Gegenwille, sich einem Prinzip zu unterwerfen, mit der Idee sich zu durchdringen. Der Name der Wissenschaft dient vorzüglich, eine tiefeingesessene, verbürgerte Indifferenz zu verbergen."

"There is no muse of philosophy, nor is there one of translation."

"Mechanical reproduction emancipates the work of art from its parasitical dependence on ritual. To an ever greater degree the work of art reproduced becomes the work of art designed for reproducibility. From a photographic negative, for example, one can make any number of prints; to ask for the “authentic” print makes no sense. But the instant the criterion of authenticity ceases to be applicable to artistic production, the total function of art is reversed. Instead of being based on ritual, it begins to be based on another practice – politics."

"Reminiscences, even extensive ones, do not always amount to an autobiography. … For even if months and years appear here, it is in the form they have in the moment of recollection. This strange form — it may be called fleeting or eternal — is in neither case the stuff that life is made of."

"The destructive character knows only one watchword: make room. And only one activity: clearing away. His need for fresh air and open space is stronger than any hatred."

"Of all the ways of acquiring books, writing them oneself is regarded as the most praiseworthy method. … Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like."

"Ich packe meine Bibliothek aus ("Unpacking my library", 1931), p. 2"

"… für den wahren Sammler ist die Erwerbung eines alten Buches dessen Wiedergeburt. … Die alte Welt erneuern – das ist der tiefste Trieb im Wunsch des Sammlers, Neues zu erwerben, und darum steht der Sammler älterer Bücher dem Quell des Sammelns näher als der Interessent für bibliophile Neudrucke. translation: … for the true collector, acquiring an old book is its rebirth. … Renewing the old world — this is the deepest drive in the collector's desire to acquire new things, and that is why the collector of older books is closer to the source of collecting than the person interested in bibliophile reprints."

"Things are only mannequins and even the great world-historical events are only costumes beneath which they exchange glances with nothingness."

"I would like to metamorphose into a mouse-mountain."

"Zur Verknechtung der Sprache im Geschwätz tritt die Verknechtung der Dinge in der Narretei fast als deren unausbleibliche Folge."

"When, as we must often do, we fear science, we really fear ourselves. Human dignity is better served by embracing knowledge."

"Authority in science exists to be questioned, since heresy is the spring from which new ideas flow."

"Even in the world of molecules the civilising influence of modest restraints is a cause for rejoicing."

"It is not the laws of physics that make science possible but the unprovable proposition that there exists a grand design underlying the physical world. And not just any old "grand design" but one that is accessible to the limited senses and modest reasoning powers of the species to which we belong. Scientists subscribe with such conviction to this article of faith that they are willing to commit a lifetime to the pursuit of scientific discovery.It is hardly surprising that an activity so magical is also undefinable. Science is what scientists do. And what they do is look around themselves for messages written in the sky, the earth, the oceans and all living things – messages that tell of the unity of creation. These messages have been there – unseen, though at times written in letters miles high – since the dawn of history. But we have just passed through an epoch in which, quite suddenly, scientists seem to have learnt speed reading. Discoveries have been coming at an unprecedented pace. In the wake of such a period it is common to consider that we may be approaching the point where all that is readable in nature will have been read. We should be skeptical of such claims. Success in reading some messages brings with it a temporary blindness to others. We forget that between the words written in black in nature's book there are likely to be messages of equal importance written in white. It is a truism that success in science comes to the individuals who ask the right questions."