Occupations

"In 1966 I was installed as a at , to teach '.' In my opening address I warned my students that creative writing could not be taught; the most I could do was to tell them what being a professional writer meant. ... One cannot be taught how to write. One teaches oneself by writing."

"I realized that the purpose of writing is to inflate weak ideas, obscure poor reasoning, and inhibit clarity. With a little practice, writing can be an intimidating and impenetrable fog!"

"Originality is nothing but judicious imitation. The most original writers borrowed one from another. The instruction we find in books is like fire. We fetch it from our neighbor's, kindle it at home, communicate it to others, and it becomes the property of all."

"Did you ever think? Old-fashioned writing is the ultimate in context tagging. It’s passive, informative, and present exactly where you need it."

"Writers take words seriously — perhaps the last professional class that does — and they struggle to steer their own through the crosswinds of meddling editors and careless typesetters and obtuse and malevolent reviewers into the lap of the ideal reader."

"You don't really understand your thoughts until you express them in words."

"How vain it is to sit down to write when you have not stood up to live."

"If you bring forth what is within you, what you bring forth will save you. If you do not bring forth what is within you, what you do not bring forth will destroy you."

"Writing as an inconsequential process of sameness/otherness is ceaselessly re-breaking and re-weaving patterns of ready-mades. The written bears the written to infinity."

"Writing, like a game that defies its own rules, is an ongoing practice that may be said to be concerned, not with inserting a “me” into language, but with creating an opening where the “me” disappears while “I” endlessly come and go, as the nature of language requires. To confer an Author on a text is to close the writing. Eureka! It makes sense! This is it! I hold the key to the puzzle! Fear and seek. Fear and seek. The danger we fear most is forgetting to fear. Seek and lose. Lose, freely. When you are silent, it speaks; when you speak, it is silent. Writing is born when the writer is no longer."

"Writing, in a way, is listening to the others’ language and reading with the others’ eyes. The more ears I am able to hear with, the farther I see the plurality of meaning and the less I lend myself to the illusion of a single message."

"Writing, for the majority of us who call ourselves writers, still consists of “expressing” the exalted emotions related to the act of creating and either appropriating language to ourselves or ascribing it to a subject who is more or less a reflection of ourselves."

"Writing necessarily refers to writing. The image is that of a mirror capturing only the reflections of other mirrors. [...] Writing reflects. It reflects on other writings and, whenever awareness emerges, on itself as writing. Like the Japanese boxes that contain other boxes, nest one inside the other ad nihilum, writing is meshing one’s writing with the machinery of endless reflexivity. Footprints of emptiness multiplied to infinity in an attempt at disarming death."

"When asked why they write, writers usually answer that they do so to create a world of their own, make order out of chaos, heighten their awareness of life, transcend their existences, discover themselves, communicate their feelings, or speak to others. Some add that they write as they breathe, as they stay alive, or as “birds sing,” to unfold “the comings and goings of a desire” and “exhaust a task that bears in itself its own bliss.” At times Writing is considered as a substitute for something lying beyond it, at other times as a necessity and an activity in its own right, devoid of any ulterior motive or any finality."

"Writing as a system by itself has its own rules and structuring process. The abc lesson says that for letters to become words and for words to take on meanings, they must relate to other letters, to other words, to the context in which they evolve—be it verbal or nonverbal—as well as to other present and absent contexts. (Words are think-tanks loaded with second- and third-order memories that die hard despite their ever-changing meanings.) Thus, writing constantly refers to writing, and no writing can ever claim to be “free” of other writings."

"It is said that the writer’s choice is always a two-way choice. Whether one assumes it clear-sightedly or not, by writing one situates oneself vis-à-vis both society and the nature of literature, that is to say, the tools of creation. The way I encounter or incorporate the former, in other words, is the way I confront merge into the latter, for these are the two inseparable faces of a single entity. Neither entirely personal nor purely historical, a mode of writing is in itself a function. An act of historical solidarity, it denotes, in addition to the writer’s personal standpoint and intention, a relationship between creation and society. Dealing exclusively with either one of these two aspects, therefore, proves vain as an approach. So does the preaching of revolution through a writing more concerned with imposing than raising consciousness regarding the process by which language works or regarding the nature, activity, and status of writing itself. No radical change can occur as long as writing is not recognized, precisely, as “the choice of that social area within which the writer elects to situate the Nature of her/his language.”"

"To write is to become. Not to become a writer (or a poet), but to become, intransitively. Not when writing adopts established keynotes or policy, but when it traces for itself lines of evasion."

"Good writing is thus differentiated from bad writing through a building up of skill and vocabulary and a perfecting of techniques. Since genius cannot be acquired, sophisticated means, skills, and knowledge are dangled before one’s eyes as the steps to take, the ladder to climb if one wishes to come any closer to the top of this monument known as Literature. Invoke the Name. Follow the norms. Of. The Well Written. The master-servant’s creed carries on: you must learn through patience and discipline. And what counts most is what it costs in labor to engender a work, hence the parallel often abusively drawn between the act of writing and the birth process."

"S/he who writes, writes. In uncertainty, in necessity. And does not ask whether s/he is given the permission to do so or not. Yet, in the context of today’s market-dependent societies, “to be a writer” can no longer mean purely to perform the act of writing. For a laywo/man to enter the priesthood—the sacred world of writers—s/he must fulfill a number of unwritten conditions. S/he must undergo a series of rituals, be baptized and ordained. S/he must submit her writings to the law laid down by the corporation of literary/literacy victims and be prepared to accept their verdict. Every woman who writes and wishes to become established as a writer has known the taste of rejection."

"Reading and writing are two essential skills of learning — gateway skills. Our K-12 schools and universities had better get them right. Reading opens up worlds. Writing changes worlds. We only speak as well as we write and think. We only write as well as we read. …Images quickly disappear. A shot on the TV screen lasts three to eight seconds. Writing doesn’t vaporize. There is something lasting about it. It’s been said that if you want to extend your life, write and leave something worth reading. …There will always be room for and need for great writers."

"Here's a statement made recently by a man who feels that women writers are quite different from men writers: “I read a piece of writing and within a paragraph or two I know whether it is by a woman or not. I think it is unequal to me.” He talked about something called “feminine tosh”. He didn't mean it in an unkind way, he added. He said this is because of women's “sentimentality, their narrow view of the world . . . And inevitably for a woman, she is not a complete master of a house, so that comes over in her writing, too”."

"The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true."

"Fine writers should split hairs together, and sit side by side, like friendly apes, to pick the fleas from each other's fur."

"People make interesting assumptions about the profession. The writer is a mysterious figure, wandering lonely as a cloud, fired by inspiration, or perhaps a cocktail or two."

"Of all those arts in which the wise excel, Nature's chief masterpiece is writing well."

"Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull."

"Life is writing. The sole purpose of mankind is to engrave the thoughts of divinity onto the tablets of nature."

"Say all you have to say in the fewest possible words, or your reader will be sure to skip them; and in the plainest possible words or he will certainly misunderstand them."

"I found that life intruding on writing was, in fact, life. And that tempting as it may be for a writer who is also a parent, one must not think of life as an intrusion. At the end of the day, writing has very little to do with writing and much to do with life. And life, my definition, is not an intrusion."

"The bottom line is, I have to write the story I want to write. I never wrote them with a focus group of 8-year-olds in mind. I have to continue telling the story the way I want to tell it. I don't at all relish the idea of children in tears, and I absolutely don't deny it's frightening. But it's supposed to be frightening! And if you don't show how scary that is, you cannot show how incredibly brave Harry is."

"The need of success … might have made me strive to say what might please the multitude, rather than what was true and useful, and instead of a distinguished author which I might possibly become, I should have ended in becoming nothing but a mere scribbler."

"I have always felt that the position of an author is not and cannot be distinguished and respectable, except in so far as it is not a profession. It is too difficult to think nobly, when one thinks in order to live. In order to be able and to venture to utter great truths, one must not be dependent on success."

"I felt that writing for bread would soon have stifled my genius and destroyed my talents, which were more those of the heart than of the pen, and arose solely from a proud and elevated manner of thinking, which alone could support them."

"And lo, though I travel through the valley of the archetypes, I shall fear no evil, for I know that the author can't kill me off for at least another 150 pages, no matter how stupid or trite I become, or he ruins the book."

"I was never a Sunday scribbler. Writing was never a hobby for me, a pastime to while away the hours. On the contrary, it was as necessary to me as life itself; it was a refuge, a substitute for living, a confrontation with myself, a form of confession - but always it was a necessity that allowed me to feel that my life had an accompanying motif, an underlying melody. Writing often gave me moments of such ecstasy as can only be experienced by lovers; it gave me instances of such intense spiritual forgetfulness that I truly believed that I and the cosmos were one, so that through the simple act of breathing the air in my room I felt that I was inhaling the universe itself. Clasped within the bosom of this universe, my physical self simply ceased to be. Rare moments these, but blessed."

"what is writing if not a form of confession in disguise? No matter what the subject, all literary roads lead back to the self. The writer descends like a miner into the deepest shafts of her soul in order to unearth the blackest coals of her torment, or to retrieve the most glittering diamonds of her memories, and bring them back to the surface in the form of fictions that she wishes to share with the world."

"... I think writing is one of the most pleasurable things one can do. It can be a private thing ... many hours alone in a room typing away, or sometimes racking one's brain to think of things to write. But it is also something that we can share."

"The things you remember have no form. When you write about them, you have to give them a beginning, a middle, and an end. To give life shape—that is what a writer does. That is what is so difficult."

"Ethelfreda blinked in surprise. “How did you...” “Know that you're a writer?” When Ethelfreda nodded, Mrs. Gotti said, “You have that pale, physically unfit, financially desperate, and emotionally downtrodden look about you. It’s unmistakable. Only writers ever look like that.”"

"We should not write so that it is possible for [the reader] to understand us, but so that it is impossible for him to misunderstand us."

"I have collected all the writings of the Empire and burnt those which were of no use."

"Much of writing might be described as mental pregnancy with successive difficult deliveries."

"Most writers enjoy two periods of happiness – when a glorious idea comes to mind and, secondly, when a last page has been written and you haven’t had time to know how much better it ought to be."

"It took me fifteen years to discover that I had no talent for writing, but I couldn't give it up because by that time I was too famous."

"When that passage was written only God and Robert Browning understood it. Now only God understands it."

"SCRIBBLER, n. A professional writer whose views are antagonistic to one's own."

"These two rules make the best system: first, have something to say; second, say it."

"So I had this problem—work or starve. So I thought I'd combine the two and decided to become a writer."

"A writer — and, I believe, generally all persons — must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art."

"The personal essay is vulnerable. It cannot stand upon its footnotes."