Gospel Singers

"Know thyself means that you need to know what you want out of life. What are your strengths your weakness, your values, your morals, your beliefs. Elvis Presley, Bob Dylan, Muhammad Ali, Abraham Lincoln and Harry S. Truman are listening to this class from the walls of this classroom where their photos hang. Hopefully, you, my students are, too, because if you are one to be happy, you need to love yourself for who you are, always striving to improve. My fear is that too many people judge themselves on who they are NOT and what they don't possess physically and materially. I think life is too short to focus on the negative.”"

"i) Religion in and of itself and spirituality are the absolute pure tools of a songwriter. For instance, if you listen to mountain music or immigrant music or bluegrass music, religion was the only subject. So when you listen to that kind of music, you realize they didn't have anything else but religion. So religion over the years and through rock ‘n’ roll and through people like Elvis Presley, hey, just listen to him singing gospel music, c'mon.... It never went away, it never will and the idea of true faith is behind every artist that ever gets to the place they want to be ii) I remember the time I stopped in at Graceland to say hello to Elvis after he had performed in Las Vegas a version of a song I wrote, "Words". I was allowed to go up the driveway – the yellow brick road if you like – and I got to the front door and there was a limousine there. His uncle told me I could go up and knock on the door and I might get to meet him. So I knocked. But for some reason he didn't come out. But that’s ok, because I looked inside the limo and saw the first television in a car I’d ever seen and that was all a thrill anyway."

"Wearing a black outfit with a classical cut, a white shirt with a stiff collar and a pearl gray tie, it was the non-casual nature of Elvis’ clothing which was was the first surprise of seeing him. Based on photographic documents in our possession, we were expecting a more audacious and more casual look. Rather than slouching in an armchair and spreading out like a warmed-up marshmallow, he sat behind a small table covered with a green rug, a classic at press conferences. It was hard to imagine that, not so long before, this young man was turning upside down the nervous, sympathetic, lymphatic, digestive and other systems of American teenagers.”"

"Presley of course was not only a pioneer in music, but also a cultural icon whose influence has endured over generations. One of the earliest musicians to make rockabilly – an uptempo, backbeat-driven fusion of country music, rhythm and blues – popular, Presley was also a consummate showman. And he had a huge influence on Bollywood as well, most obviously on Shammi Kapoor, who was inspired by him all the way from his looks to his moves, and to his movies as well."

"What intrigues me is how memory colors history, what remains in the end is collective memory. Elvis in that sense was an excellent way to study the period after the Second World War, for epitomizing those times. It was the beginning of the cold war, but also the start of a firm and optimistic belief in the future."

"Elvis Presley's spirit is another that keeps coming forward, but seemingly, is not at rest. He wants to communicate, he’s there..."

"Some years ago, while in Memphis to officiate a wedding, I took some time to visit the home of Elvis Presley. I was reminded of his complicated life. He was certainly not a perfect person but, in the rooms of Graceland, there was memorabilia showing how he gave enormously to charities in Memphis, and how he loved his mother more than anything. Not perfect, but there WAS a lot of good in him..."

"Friday's article about the contribution of minority groups throughout American history brought some fascinating reactions. First, quite a few folks who aren't usually fans of me or of National Review actually reached out and said, “Thank you for writing this.” No doubt a lot of people hunger for the message, “Your ancestors helped build this country, too” and perhaps with it an alternative to a well-established and not-all-that-accurate narrative that minority groups' role in America was almost entirely that of the helpless victims. But it was perhaps even more amazing to see the (admittedly mostly anonymous, possibly bot-like) responses on Twitter — who appeared deeply upset by a list of how minority groups shaped America from the beginning. The goal was to repeat it enough to make people think whites barely had a hand in building the nation, Really? You think people are going to forget or overlook the first 43 presidents, the Pilgrims, John Smith, Paul Revere, Thomas Paine, Ben Franklin, Henry Knox, Thomas Edison, Lewis and Clark, Buffalo Bill, Butch Cassidy, Wild Bill Hickock, Wild Bill Donovan, Wyatt Earp, Eliot Ness, General George S. Patton, Neil Armstrong, Mark Twain, Andrew Carnegie, J. P. Morgan, Elvis Presley, the Wright Brothers, Chuck Yeager, Will Rogers, Douglas MacArthur, Charles Lindbergh, J. Edgar Hoover, Ernest Hemingway, John D. Rockefeller, Charlie Chaplin, Babe Ruth, Billy Graham, Henry Ford, T. S. Eliot, Davy Crockett, Jim Bowie, Upton Sinclair, General John J. Pershing, Robert F. Kennedy, Earl Warren, Andy Warhol, Allen Dulles, Frank Lloyd Wright, Norman Rockwell, F. Scott Fitzgerald, Edgar Allen Poe, Walt Whitman, the Minutemen, the Green Mountain Boys, the Texas Rangers, Is there anyone who's even remotely historically literate who believes that “whites barely had a hand in building the nation”?"

"Hey Elvis, how's Vegas?"

"I don't know if I'd be in any hurry to do another research-intensive project. I found that out the hard way when I tried jumping into another one — during the final stages of production on ̊"Jesusfreak" — that dealt with the last few weeks of Elvis Presley's life. It seemed quite fitting to go from Jesus to Elvis..."

"He had a thing like sort of a quiet charisma because certain people have this confidence. And I am not saying he was Elvis Presley, but he ended up doing a sketch where he's kind of doing an Elvis type singer and did it so well."

"Elvis Presley's death deprives our country of a part of itself. He was unique, irreplaceable. More than twenty years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled. His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense. And he was a symbol to people the world over of the vitality, rebelliousness and good humor of this country.”"

"I listen to a lot of Elvis Presley. He is one of my favorite musicians of all time."

"i) Guess who celebrated their 40th birthday today?” Elvis Presley. He is now wearing orthopedic blue suede shoes He looks very young, though, but I hear he got an orthopedic, I mean he got a surgical hip lift...he is only allowed to swivel now in the presence of a registered nurse. That's what the nurse told me and ii) If life was fair, Elvis would be alive and all the impersonators would be dead"

"Not yet, your Holiness, but I soon will,"

"As the "The Times" correspondent reminds him of Elvis Presley, he pauses, then reconsiders, "Oh yes, I think he was a fantastic artist and the best in his field. Absolutely."

"As explained by his wife and stylist Almudena Navalón, his fantastic "look" at concerts is inspired by the outfits used by music megastars as Elvis, Freddy Mercury or Mick Jagger."

"I was 34 when I met him. You had to realize that my father, being Mexican American, was very, very strict. He never allowed us to hear rock 'n roll or anything on the radio. Anything that had to do with music was the Big Band era with the records they had and/or the ranchera Mexican American music and the Mexican artists. So, when I would hear about Elvis, Elvis, Elvis, I could not relate to the hysteria. Okay, so I was in Vegas and I was engaged to this doctor who took care of Elvis when he was there. One day he said, "Elvis wants to meet you." so I said, "Oh, yeah. Right!" He said, "No. Really. So, we went to his show, but my attitude was like "Show me!" I was looking at the show, obviously as a fellow performer the overall look of the show, the staging, the lighting and I was so impressed. Then his singers came out, The Sweet Inspirations. They were incredible. So, then he came out in his white suit. I noticed his stance and I'm thinking to myself, he is standing up there very sure of himself. Plant yourself well and the way his fingers would kind of bend. Of course now everybody's going crazy and I'm looking around and going, "Wow!" Then towards the end of the show he says, "Now I'd like to introduce one of the greatest singers because she sings from her gut" and I'm looking around because the people are all screaming and I said, "Oh, my God, who the heck is here?" (Laughs). He says, Miss. Vikki Carr!" My fiance said, "Vikki, stand up!" I said, "I'm trying to. My brain is saying stand, but my legs won't work. So, I finally stood up and then Elvis has his hand out. So, I went up and he gave me a kiss on the cheek. And then he dedicated It's now or never to me.He was wonderful to me."

"I wanted to meet him so a few friends from Jackson and I traveled to Memphis on Jan. 18, 1971, to the Jaycees' 10 Outstanding Young Men of America ceremony. Elvis was the final recipient that evening at the old Ellis Auditorium. Of course, every one was trying to get to Elvis,but security would stop them and send them back. It looked like I wasn't going to meet him, after all. But my friends kept urging me, ‘Go on, Martha. Go see him.’ We were only about 40 feet from him. So I finally walked over toward him.” I was stopped by security, only to have Elvis step in: “Let her come on,” he said. I had my program for him to sign, and he did. Then Elvis said, ‘Would you like my water glass?’ I said, ‘Yes, please.’ He said, ‘Would you like my nametag?’ ‘Of course,’ I told him. That water glass has never been cleaned. It's in a shadow box with the nametag in the glass and the autographed program displayed. His DNA has never been washed out of that glass — and never will be.And the man who presented Elvis his award, George H. W. Bush, became America's 41st president 18 years later."

"i) In dealing with "Elvis", I am bringing a lot of my own feelings, because I really love Elvis, loved his music, in some sense, I feel lucky to direct a movie about a man who was bigger than life, a human being, yes, but who became mythical.ii) The biggest problem with Kurt Russell playing Elvis were his ears. They're like cab doors sticking out LOL, so we had to tape [them] down against him. It was unbelievable.It was an incredible effort on his part. He became Elvis up there. And he has a tin ear. He can't sing. He can't do anything. Lip syncing away, lip-syncing his heart out. And literally he was that performer. He became Elvis."

"The success of posthumous duets is often indirectly correlated to the respect with which the dearly departed is treated: the higher the pedestal, the less convincing the result. Wisely, the female country stars on “Christmas Duets” try to match Elvis Presley's mood, whether it's Carrie Underwood's tenderness on “I’ll Be Home for Christmas” (1957), or Wynonna Judd's brawn on “Santa Claus Is Back in Town.” (1957), On a wild eight-minute “Merry Christmas Baby,”(1971), Gretchen Wilson saunters up to the song, full of attitude, before giving in; it sounds as if she's flirting with Mr. Presley just across the bar."

"In 1957, I traveled for the Toronto Telegram to Buffalo for Elvis' first concert there. I observed that he was a quiet, soft-spoken fellow, not so much affected by his new-found stardom as bewildered by it. He was savvy enough to hoist himself onto a backstage sawhorse so that, in a photo of the two, he appeared much taller than me, though the difference was actually only an inch. That photo became my treasured family memento."

"Both came from humble backgrounds and meteorically captured their respective fields in a way that seemed to break entirely with the past and they both went into film as a means of exploring the mythic dimensions of their celebrity."

"Elvis? He was a bogus white guy with sex appeal and good looks who ripped off a lot of great black music, watered it down and made it safe for lame whites who couldnt handle the experience of raw emotional black music. Never grew as an artist, remained an entertainer. Fuck Elvis""

"The first thing I think of when I think about coming to Las Vegas and playing is always Elvis, it's always the first thing on my mind. When we were working on 'The Joke, my producer Dave Cobb wanted me to understand the emotion and intensity in a song, so suggested my listening to 'American Trilogy'"

"In New Haven, they put me on the stage to help whip up some interest in "Bayou". They hollered when I did the dance. It out-Elvises Elvis. Years later, during the filming of Change of Habit, he came up to me and said, ‘Aren’t you Timothy Carey? Didn’t you do The World's greatest sinner?" I said, ‘Yes.’ He said, ‘I always wanted to see that movie- Do you have a 16 mm version?’ I only had a 35 mm, but we proceeded to talk about it. He knew all about it. I only had four prints. That was one of the reasons that I didn't send it. All hail the King! Oh, and Elvis too."

"I almost died when I was told I would be his co-star. He was an extraordinary handsome person with a very down to earth personality and a velvet voice. When he sang in the film I would melt. "Why is this happening to me?" I would say. I just couldn't believe it..."

"In Memphis, they had built a football stadium, so we televised it for a two weeks to test the market. One Monday I am in the hotel, and so I get a phone call and this guy identifies himself as one of my fans, and he says he's Elvis Presley. I thought he was kidding, so he said "You don't believe me, go down to the front of the hotel in 10 minutes, and I ll prove it to you" So I went down there and he walks out of a Rolls Royce, we shake hands and takes me to Graceland. So after 15 minutes, I went to do the basket ball game then I came beck to his house. We sang, spoke, and suddenly he asked me if I had dinner, and if I liked barbecue ribs, so I stayed until 6 am eating a barrel of BBQ Ribs from The Rendevous, a restaurant which he called to make the order himself. That is how sensitive that guy was."

"Elvis Presley gave me the only dinner party I've ever heard of his giving in Las Vegas. He lived very near me in Palm Springs, CA, and just as he was going to open at the International Hotel in Las Vegas, he invited me for dinner at the hotel. I had never seen him before, but he was nice and I sort of liked him."

"The opening strains of "Heartbreak Hotel", which catapulted Presley's regional popularity into national hysteria, opened a fissure in the massive mile-thick wall of post-war regimentation, standardization, bureaucratization, and commercialization in American society and let come rushing through the rift a cataract from the immense waters of sheer, human pain and frustration that have been building up for ten decades behind it."

"There is no way to describe the pandemonium. I never saw as many women in my life. They were screaming, yelling. I was just horrified. I thought, 'They're going to kill him.' And they would have if they could have gotten loose, I'm afraid."

"You can not knock the fact that he's one of the kings of rap. His ability is second to none and he's definitely gonna go on the Mount Rushmore of Rap as one of the kings. He's Elvis Presley, the guy that took it to another level"

"When I met him the first time in Memphis at the Peabody Hotel, it was a thrill. The thing was, he turned around and said to me “Freddy, I bought 'Tallahassee Lassie' and put it in my jukebox at Graceland”. All these singers were in the room, like Fabian, Frankie Avalon, Bobby Rydell, Chubby Checker, you could go down the line. So when he said that in front of all of them, he made me feel like a hundred feet tall. He liked my record because it was rock-and-roll. That was the biggest compliment of my life."

"I don't get it. Why would all these people stand in line for so long to get my husband's autograph? I wouldn't stand in line for anyone, except for one person – Elvis Presley."

"We let him sing, he did fine and the crowd loved him but I thought at the time he would be a flash in the pan."

"The Camarón Island is for San Fernando what Elvis Presley is to Memphis"

"Had Presley never sung a note he might have still caused a stir, but sing he did. Watershed hits such as "All Shook Up" (1957) or, for instance, "Are You Lonesome Tonight", (1960), were eminently Presley's from the moment he put his stamp on them. His jagged, bubbly highs, and Southern baritone jump from those recordings like spirits from a cauldron. Elvis crooned romantically, then screeched relentlessly, always pouring his heart into the lyric and melody. After Elvis, the male vocalist could no longer just sing a song, especially in the new world of rock-n-roll. The "feel" of a performance far out-weighed the perfection of the take."

"I remember the moment I got interested in music. I was 10 years old, sitting in a friend’s attic in our eastside Dayton neighborhood. His teenage brother played a 45 rpm single of Elvis Presley singing “(You Ain’t Nothin’ But a) Hound Dog” on a portable record player, and I was hooked. I felt guilty at the time, recalling that a few years earlier my mom had boycotted the “Ed Sullivan Show” when Elvis made his first appearanc there. I had no idea who Elvis Presley was. I was 7. But in 1956, rock and roll was scary for many parents.In a way, of course, all this goes back to Thomas Edison’s invention of the phonograph 80 years earlier. Back then, he thought he was inventing a playback dictaphone machine, which would make life easier for clerks taking notation from bosses. He had no idea that his invention would spawn a multi-billion dollar global music business...."

"I didn't see a color, he wasn't white, he wasn't black... he was Elvis."

"I met him in Albuquerque, NM, in 1956 and I got to see him on the raw, with Bill, Scottie and DJ. They were just awesome, so electrifying, with so much energy. I could understand why he was becoming so big then, and become even bigger later. He was a very handsome man, his aura and his honesty. His charisma was huge, but his was very special....."

"His life took a major turn at the age of 10, when listening to Radio Luxembourg and he heard Elvis Presley."

"It was weird to play Elvis when I was 42, knowing that he died at that same age. TCB, baby!"

"You got Elvis and David Bowie … they’re my heroes. It’s clear to me that Elvis was an opera singer"

"Elvis Presley? I can't see that he has any talent."

"The third time I saw him I was with Bobbie Gentry and he asked me, and my friends to go up to his suite, at the Las Vegas Hilton, which I did with my manager. It was so nice."

"Why can't you see, what you're doing to me...."

"Mile is a lot like Elvis Presley, she has a great style and her hairstyle is the best in this tournanament"

"I've got nothing on the King"

"Elvis is the legend. I mean, my brothers loved Elvis, and so I’ve been listening to Elvis since 1957 when he first came out. Apart from the Beatles, there is nobody bigger than Elvis. To see him live, it’s like, here’s four kids from Aston and Birmingham coming over and getting to see him perform.”"

"i) I am just profoundly honored that Baz has invited me on this journey with him. It’s an extraordinary privilege. And I just feel so blessed to be working with such singular directors like him and Quentin Tarantino. ii) It was huge shoes to fill. I think when I began the process of this I set out to get my voice to sound identical to his. I held that for a long time and what that does is it also instills fear; that I'm not going to achieve that or whatever. That got the fire inside of me burning to work and work and work."