"When I came upstairs, you stayed to finish your drink. I told you to turn off the TV when you were through. Come to think of it, I also told you you could sleep in the maid's room."

"Man's in town two days, thinks he's David O. fucking Selznick."

"What she did not say was, 'I just loved the way the director moved the camera so much it made me fuckin' seasick.' All she cared about was that look. All she remembered was that look. And why do we remember things in movies? Because we can see them. So keep this fuckin' camera down here on the ground and shoot this scene, so we can see what the fuck is goin' on, before I get someone over sixteen to fuckin' shoot it for you!"

"Don't worry. I'm not going to say anything more than I have to, if that."

"Anyway, Murray has this shrink, who also happens to be Martin's personal trainer's shrink. Murray gives the shrink the script and the shrink gives it to Martin's trainer who reads it to Martin while they work out, and Martin flips. Loves it."

"Every day, same time, they come down here and have breakfast. He has the egg white omelet; she has the banana pancakes. He sits facing west so he can see his billboard. She faces east so she has an excuse to wear the shades."

"Hey, Bear, look at me. Tell your boss I don't ever want to see him again. He made a deal with Harry and a deal's a deal."

"A blockbuster. But quality. No mutants or maniacs. This one's gonna be my Driving Miss Daisy."

"That's half a movie, with holes in it. Maybe forty minutes of screen time. You don't even have a girl, a female lead, and on top of that, there's no one to sympathize with. You don't have a good guy."

"I produce feature motion pictures, no TV. You mentioned Grotesque? That happened to be Grotesque Part Two that Karen Flores was in. She starred in all three of my Slime Creatures releases you might have seen."

"Harry, look at me. You're trying to tell me you fucked up without sounding stupid, and that's hard to do."