Feminists From England

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April 10, 2026

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"A quarter of a century on, the Grunwick dispute remains one of the most significant in modern industrial history. In a sense, the strike was typical of a pattern of similar disputes before and since: a factory with a few hundred workers, a slowly building sense of injustice and a long standoff between employer and worker. But even then, Grunwick seemed a different kind of battle. This was a historic meeting between a traditional trade unionism, still relatively sure of its power, and a growing band of black and Asian workers who were beginning to find an industrial and political voice. Arthur Scargill bought down his Yorkshire miners in a bus - there was even fighting talk of shutting the pits. Grunwick workers travelled to more than 2,000 workplaces over 40 weeks to enlist support. The strike seemed to draw in every progressive movement of the day. "Black and white unite and fight" demanded the banners in Chapter road. Socialist feminists did their picket duty and wrote sternly of the military tactics of their trade union brothers. Jayaben Desai, in her sari and white cardigan, handbag crooked over her arm, was a feminist heroine of the age. Yet perhaps the most lasting consequence of Grunwick and other mass disputes during the 1970s were some of the anti-union laws of the 1980s, particularly those outlawing mass pickets. Today, it is possible to see more clearly the fraud that lay at the heart of the argument advanced by what was then called the "new right", particularly over Grunwick. A few hundred Asian men and women asking for the right to join a union and negotiate from within it was hardly the best example of an overweening and arrogant union movement it claimed was running the country. By any reckoning, Grunwick was a just cause, whose supporters included moderates such as Shirley Williams. In 1977, an independent court of inquiry chaired by Lord Scarman criticised mass picketing but upheld the workers' claim to union recognition. But it was a lost cause: George Ward, the Grunwick owner, refused to give in. This, despite a last-ditch hunger strike by Mrs Desai and four colleagues on the steps of the TUC. The strike fizzled out in early 1978. No walkout since, bar the miners' strike of 1984-5, has quite achieved Grunwick's fame or progressive significance. In the early 1980s, I went to a small factory near Birmingham to cover a similar dispute, led by a group of Asian workers protesting about pay and conditions and the right to union recognition. This time, the streets were empty. As union power declined, so did media coverage - if there's no punch-up, so what?"

- Melissa Benn

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"I did not start out in state schools. Like so many children of Labour politicians in the 60s, my brothers and I began our education in the private sector. My parents, Tony and Caroline Benn, decided to move us all to state schools around 1963 on the grounds that it was hypocritical to back comprehensives for everyone else and then educate your own children privately. In some people's eyes, this made us four children a collective sacrifice, a living social experiment. We felt only lucky. Our nearest comprehensive was Holland Park, which cynics so enjoyed deriding as a showcase comprehensive and therefore a place of privilege. (If I had a pound for the number of times people have said to me, "Holland Park? Oh that wasn't a real comprehensive!" I could have paid for a year of private schooling, easy.) Holland Park was one of the first purpose-built comprehensives in the country but it was also, by the time I got there in the late 60s, a large rumbustious institution, which drew in a small, albeit highly publicised, section of the middle class who lived around the school. Some of these, like my mother, Caroline, became passionately committed to both the school itself - she was governor of Holland Park for 35 years - and the wider comprehensive cause. My brother Hilary remembers the strangeness of arriving at Holland Park for the first time after attending Westminster preparatory school, where he and my eldest brother Stephen had been usefully designated as Benn I and Benn II. He can still remember how huge the school buildings looked to him and the strange sound of so many boys - and girls - laughing and running and talking in the vast playgrounds."

- Melissa Benn

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"There was something unsettling about the serried ranks of New Labour women elected on 1 May last year [1997]. All those structured smiles and cheerful jackets gathered round our leader made me feel like a bad-tempered Daily Mail reader or one of those glorious man-hating feminists of myth who live in Hackney and refuse to shave their legs. What I hadn’t realised was that this unmonstrous regiment of women came much closer to representing the end of something – feminism as a natural ally of radical politics – than to representing a key moment in the long march through the institutions. Nor had I imagined that so many of them would become part of that blancmange known as one-nation politics. There are many reasons why they have proved such a disappointment. Personal ambition is one. Most new MPs live in fear of marginalisation, of being banished to the Siberia of consistently applied principle, of having to face up to the fact that they will never be a bag-carrier for an Under-Secretary of State. Sisterly solidarity, too, plays a part. Top Labour women are ferociously loyal to each other, but their loyalty has so far furthered no cause greater than the right of cabinet ministers to send their children to selective schools or to have their minds changed over tobacco sponsorship of Formula One."

- Melissa Benn

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"I fear that we are being set a trap and falling into it, by playing this role in a farce that we didn’t script. As many have said, there is a spiralling craziness about this government’s approach, where the actual aim is not to achieve any of the stated objectives but to ratchet up the sense of crisis. We know, and they know, and they know that we know, that one key aim of the Rwanda policy is not to solve any potential challenges caused by arrivals on small boats but to create a distraction from the government’s real challenges. The more polarised and furious the debate gets, the more successful is the distraction. And yet many of us continue to play our role. But we cannot do otherwise. Because, while this performative cruelty may be in part a game to the politicians who put it into practice, for the people who are actually affected by the policy, it is far from a game. The narrative that the Rwanda policy is just a dead cat, thrown on to the table to distract from Partygate and the cost of living crisis, ignores the real harm that the policy is doing and the worse harm that it would do if people stopped opposing it. Let’s not forget that the deportations last week were halted only because people continued to dig in their heels. Dogged individuals at charities supported refugees threatened with deportation day and night and lawyers worked tirelessly on their legal challenges. They all knew that this is no time to give up, because what may look like a farce to some is in fact a tragedy in the making. Nobody who has heard or read any of the interviews with the refugees threatened by removal to Rwanda can be left in any doubt that the cruelty is real."

- Natasha Walter

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"[Review of Walter's book The New Feminism.] In its bid for sophisticated political adulthood, the new feminism also risks throwing out the most important legacy of women’s politics: the inquiry into personal life. Walter argues that these questions are now 'sorted', that women no longer need to justify themselves in terms of their private behaviour. And it may well be that what to wear and who to sleep with are, as Walter points out, rather passé as political issues, but that's not the end of the story. In my view, the matter of domestic democracy will become the site of renewed private/public struggles, partly because the question of who does what in the home is crucial to the question of who does what outside the home. Another factor to be considered is the growing number of women now employed by the professional classes to do their cleaning, childcare and ironing, often at wages well below any generally agreed national minimum. The old servant problem could come back to haunt the new middle class, itself caught in an ever-intensifying time crisis. Walter is optimistic about men in general – there is none of the male-baiting exhibited by the pop culture girls like Suzanne Moore or Julie Burchill – and particularly about their place in the home. Men, she believes, are ready and willing to take part in the 'unique poignancy' of domestic life. I would say that Walter was right to outlaw prescription in personal politics – there was something truly depressing about diktat feminism at its height – but description will surely remain the foundation of the most intelligent feminist writing."

- Natasha Walter

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"[In an article on Germaine Greer's The Whole Woman (1999).] Greer's fundamental conclusion is that the pursuit of equality is now doomed. Instead, women must pursue liberation. "Equality must be seen to be a poor substitute for liberation," she says. Is this a valid distinction? I believe that the pursuit of liberation - the peculiar, individual, often contradictory journey to find freedom from the lies and conventions around us - is something that each individual woman can take on for herself. And yet I believe that it is only possible to pursue that liberation if you are not ground down by an economic and political system that systematically discriminates against you. Inequality in Britain is not a side issue. Inequality locks women out of power, and condemns women to poverty. Inequality prevents women from being fairly rewarded for their work, from being able to speak out and be heard, from being able to bring up their children in dignity, from bringing those who rape and beat them to justice. The struggle for equality is not the struggle to reshape women in the pattern of men, since men's lives too must be revolutionised if equality is to be grasped. Feminism must transform society so that women feel that they can have an equal stake in it, at work and at home. Then indeed we will see the rise of the liberated woman."

- Natasha Walter

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"This fierce, impatient feminism needs to be recognised. I call it the new feminism because it looks very different from the feminism of previous generations. For a start, it can no longer be confined to any kind of ghetto. It is everywhere. In the Seventies, feminism could be identified with a clearly defined women’s liberation movement. It has since fragmented and splintered; but splinters of it are lodged in the hearts and minds of almost every woman in Britain. We should not be diverted by the fact that few women call themselves feminists into believing that feminist beliefs appeal only to a minority of women. In survey after survey the vast majority of women, especially young women, say that they would like to see more equality between the sexes at home and at work. I would also argue that feminism today is not just a middle-class movement. It is often taken for granted that modern feminism appeals only to middle-class professional women. As I researched my book and set up interviews with women from all kinds of backgrounds and in all kinds of occupations, I was struck by the fact that real anger at inequality, real desire for change, and a real sense of women’s growing potential, were being articulated by all the women I spoke to. I heard those ideas just as strongly, if not more strongly, from women who worked as cleaners in south London or as members of community groups in Glasgow as from lawyers or journalists or MPs. My sense that feminism cannot be seen as appealing only to middle-class women is backed up by survey information. For instance, one recent MORI poll showed that women in social groups D and E are more likely than AB women to say that feminism has been good for women."

- Natasha Walter

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"It would be a tragedy if the still embryonic Women's Liberation Movement in this country sank without trace into the amniotic fluid of niceness, but already I detect some signs. The women directly concerned with organising the March 6 demo, though they point with pride to the massive WL movement in the US seem not to have learned very much from the performance of their American sisters. They bend over backwards to be fair. ('We must be very careful not to assume that if a woman is refused a job it is sexual discrimination' — why? It's not our job to worry about fairness.) They talk too much about wanting to be taken seriously; they say too often how much they deprecate extremes and shudder with refined horror at bra-burnings, and at SCUM and WITCH. Not at at the image we want, they say, metaphorically crooking their little fingers and adjusting their petal hats. We don't want to go to jail, or worse, be laughed at. The tendency among these ladies is to sneer at the Germaine Greers of the movement and, indeed, it is easy enough to carp at sweeping genralisations and lack of careful factual research. But anger, neurosis, insights , obsession and extremism is where it is at and women will have lost the battle before it has begun if they reject all this and concentrate their energies only on concrete injustice. Reforms like equal pay, equal job opportunities, free contraception, better nursery schools, have needed implementation as long as I can remember, and armies of hard-working, dedicated women have been pushing them forward as long as I can remember, too, and a great deal longer. The only new ingredient Women's Lib had to offer was the intellectual recognition of an imprisoned psyche, and the realisation that when that inner battle is fought and won, concrete injustices crumble at the roots. And that is not done by being nice. American liberationists did not surge into life thinking of the other chap's point of view or making constant efforts to be fair, moderate, cool and ladylike. They succeeded by being prejudiced, unfair, immoderate, uncool and devastatingly unladylike and they came up with the only symbolic image of the movement so far (em) bra-burning. A small and risible thing, perhaps, but their own."

- Jill Tweedie

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"In my early teens, skinny ribs daily rent asunder by the explosive emotions within - oh golly gosh how I hate that spotty, mingy Mildred and will Rock Hudson ever ever clasp me in his steely arms - I burst upon a diary with a great gold lock. But the Moroccan leather binding, the milky expanse within, instantly transformed me into Baroness Munchausen. My very handwriting spiked into the serious trembly copperplate I deemed more suitable for the consumptive heroine I wished to be than the thick round letters of the large schoolgirl I was (if experts today are right and handwriting shapes the fortunes of the writer, I should have died elegantly at the end of the diary). Even the contents were bastard - I found it beneath my dignity to write of anything but the most searing Brontë-esque passions and now, far from being a record of day-to-day events, each entry requires a simultaneous translation: "Today I think I shall go mad, I shiver, I groan, I sob" (Myron Fickelburger didn’t sit next to me in Chemistry); "Wild gales sweep across the moors, I run and howl, my eyes stream tears" (it’s windy in the playground and I’ve got this bit of asphalt in my eye). Discovered long hence, that diary would provide historians with a vivid and haunting picture of youthful stress in the fifties - vivid and haunting and deeply untrue."

- Jill Tweedie

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"[On preparing the play My Name Is Rachel Corrie with Alan Rickman] But the quantity of the material left us with a series of questions. How much of Rachel’s life before she went to Gaza should we include? And should we quote other people? The trend in political theatre, from David Hare’s The Permanent Way to Victoria Brittain and Gillian Slovo’s Guantánamo, is journalistic: the use of testimony, of interviews and on-the-record material rather than invention. But for us there could be no re-interviewing to fill in the gaps. We had a finite amount of words to work with, as Rachel was dead. I was very keen to use some of the emails that Rachel’s parents, Cindy and Craig, sent to their daughter while she was in Gaza. They are full of the kind of worries any parent might have if their child was in a dangerous situation, but because Rachel never came home, they have a devastating poignancy. ... And what about the voices of Rachel’s friends? I interviewed many fellow ISM activists, most of whom have been deported from Israel since her death. We watched tapes of two of the moving memorial services: one in Gaza, which was shot at by the Israeli army, another in Olympia. We viewed documentaries on the subject, most notably Sandra Jordan’s powerful The Killing Zone, and considered using video grabs. But in the end the power of Rachel’s writing meant that, apart from a few short passages quoting her parents and an eye witness report of her death, her words were strong enough to stand alone."

- Katharine Viner

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