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April 10, 2026
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"Rather than cope with the unbearable loneliness of their condition men will continue to seek their shattered God, and for His sake they will love the very serpents that dwell among His ruins."
"I teach you the Overman. Man is something which shall be surpassed."
"Merchant and pirate were for a long period one and the same person. Even today mercantile morality is really nothing but a refinement of piratical morality."
"The value of many men and books rests solely on their faculty for compelling all to speak out the most hidden and intimate things."
"On the heights it is warmer than people in the valleys suppose, especially in winter. The thinker recognizes the full import of this simile."
"He that prefers the beautiful to the useful in life will, undoubtedly, like children who prefer sweetmeats to bread, destroy his digestion and acquire a very fretful outlook on the world."
"Everyone who enjoys thinks that the principal thing to the tree is the fruit, but in point of fact the principal thing to it is the seed.—Herein lies the difference between them that create and them that enjoy."
"The good generally displeases us when it is beyond our ken."
""Grant me, ye gods, but one certainty," runs Parmenides' prayer, "and if it be but a log's breadth on which to lie. on which to ride upon the sea of uncertainty. Take away everything that comes-to-be, everything lush, colorful, blossoming, illusory, everything that charms and is alive. Take all these for yourselves and grant me but the one and only, poor empty certainty.”"
"The concept of greatness is changeable, in the realm of morality as well as in that of esthetics. And so philosophy starts by legislating greatness."
"Science rushes headlong, without selectivity, without “taste,” at whatever is knowable, in the blind desire to know all at any cost. Philosophical thinking, on the other hand, is ever on the scent of those things which are most worth knowing, the great and the important insights."
"Philosophy leaps ahead on tiny toeholds; hope and intuition lend wings to its feet. Calculating reason lumbers heavily behind, looking for better footholds, for reason too wants to reach that alluring goal which its divine comrade has long since reached."
"... the republic of creative minds: each giant calling to his brother through the desolate intervals of time. And undisturbed by the wanton noises of the dwarfs that creep past beneath them, their high spirit-converse continues."
"The quest for philosophical beginnings is idle, for everywhere in all beginnings we find only the crude, the unformed, the empty and the ugly. What matters in all things is the higher levels."
"The very reason [the Greeks] got so far is that they knew how to pick up the spear and throw it onward from the point where others had left it. Their skill in the art of fruitful learning was admirable. We ought to be learning from our neighbors precisely as the Greeks learned from theirs, not for the sake of learned pedantry but rather using everything we learn as a foothold which will take us up as high, and higher, than our neighbor."
"Where could we find an instance of cultural pathology which philosophy restored to health? If philosophy ever manifested itself as helpful, redeeming, or prophylactic, it was in a healthy culture. The sick, it made even sicker."
"Whoever wishes to justify [Philosophy] must show ... to what ends a healthy culture uses and has used philosophy."
"The only thing of interest in a refuted system is the personal element. It alone is what is forever irrefutable."
"My task is to throw a light on that which we must always love and revere, of which no subsequent knowledge can rob us: man in his greatness."
"I tell the story of these philosophers in simplified form: I merely wish to bring out in each system that point which represents a piece of the personality, and which history must preserve as a part of what is irrefutable and indisputable."
"The possibility has been established for the production of...a master race, the future "masters of the earth"...made to endure for millennia — a higher kind of men who...employ democratic Europe as their most pliant and supple instrument for getting hold of the destinies of the earth."
"There is only nobility of birth, only nobility of blood. When one speaks of "aristocrats of the spirit," reasons are usually not lacking for concealing something. As is well known, it is a favorite term among ambitious Jews. For spirit alone does not make noble. Rather, there must be something to ennoble the spirit. What then is required? Blood."
"To those human beings who are of any concern to me I wish suffering, desolation, sickness, ill-treatment, indignities — I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, the wretchedness of the vanquished: I have no pity for them, because I wish them the only thing that can prove today whether one is worth anything or not — that one endures."
"The homogenizing of European man ... requires a justification: it lies in serving a higher sovereign species that stands upon the former which can raise itself to its task only by doing this. Not merely a master race whose sole task is to rule, but a race with its own sphere of life, with an excess of strength ... strong enough to have no need of the tyranny of the virtue-imperative."
"Nietzsche was not a poseur, nor was he represented as a hero during his lifetime. Since his death, many who claim to be his disciples have pictured him as an archetypal hero. Defiant carriage of the head; a lofty brow furrowed with sombre thoughts; thick, wavy hair, clustering down to the strong column of the neck; two falcon eyes beneath bushy eyebrows; every feature of this masterful countenance taut with willpower, health and strength—such is the portrait usually given of him. Like a second Vercingetorix, he is shown with a heavy moustache falling manfully over the hard-set lips which surmount a prominent chin, and involuntarily the image called up is that of the barbarian warrior, a Viking of the Teutonic north striding forward sword in hand to victory, his hunting horn slung over his shoulder and a spear within easy reach. It is thus that our sculptors and painters delight in portraying him, a Germanic superman, a Prometheus bound, hoping thereby to render this great recluse more accessible to men of little faith who, corrupted by school books and stage presentations, are incapable of detecting tragedy unless it is draped in theatrical trappings. But genuine tragedy is never theatrical, and the true portrait of Nietzsche is far less picturesque than busts and paintings of him would have us believe."
"The tragedy of Friedrich Nietzsche's life was that it happened to be a one-man show, a monodrama wherein no other actor entered upon the stage. As the acts of the play precipitate themselves like an avalanche before our eyes, the solitary fighter stands alone beneath the louring skies of destiny—not a soul is at his side to succour him; no woman is there to soften by her ever-present sympathy the stresses of the atmosphere. Every action takes its birth in him, and its repercussions are felt by him alone. The few figures which, at the outset, creep by in the shadow of his person, accompany his heroic enterprise with gestures of dumb astonishment and fear; soon they glide away and vanish as if faced by some danger. Not one person ventures to enter wholeheartedly into the innermost sanctum of Nietzsche's destiny; the poet-philosopher is doomed to speak, to struggle, to suffer alone. He converses with no one, and no one has anything to say to him. What is even more terrible is that none hearken to his voice."
"In his book Modern Times, the historian Paul Johnson referred to Hitler, Stalin, and Mussolini as the three devils of the twentieth century. Interestingly, Nietzshean dogma influenced each of them."
"Both Nietzsche and Marx did their greatest work seeking to explain the mystery. The term both used was "decadence." But if there was decadence, what was decaying? Religious faith and moral codes that had been in place since time was, said Nietzsche, who in 1882 made the most famous statement in modern philosophy — "God is dead" — and three startlingly accurate predictions for the twentieth century. He even estimated when they would begin to come true: about 1915. (1) The faith men formerly invested in God they would now invest in barbaric "brotherhoods with the aim of the robbery and exploitation of the non-brothers." Their names turned out, in due course, to be the German Nazis and the Russian Communists. (2) There would be "wars such as have never been waged on earth." Their names turned out to be World War I and World War II. (3) There no longer would be Truth but, rather, "truth" in quotation marks, depending upon which concoction of eternal verities the modem barbarian found most useful at any given moment. The result would be universal skepticism, cynicism, irony, and contempt. The First World War began in 1914 and ended in 1918. On cue, as if Nietzsche were still alive to direct the drama, an entirely new figure, with an entirely new name, arose in Europe: that embodiment of skepticism, cynicism, irony, and contempt, the Intellectual."
"Nietzsche was not an atheist, any more than the Buddha was."
"The rather more dubious side of Nietzsche's 'evolutionism' is his glorification of the warrior -- particularly when, as an exemplification of the warrior-hero, he chooses an archetypal 'spoilt brat' like cesare Borgia. Nietzsche's own physical weakness and consequent inability to escape the atmosphere of the study leads him to take a rather unrealistic view of the man of action."
"Nietzsche was used to being alone. He regarded it as being part of destiny of the man of genius. His hero, Schopenhauer, convinced him of it when he was barely twenty, and although he came later to reject Schopenhauer, he never rebelled against his destiny of aloneness."
"Nietzsche's great concept of Yea-saying gave him a notion of purpose that is seen as positive. Nietzsche, in short, was a religious mystic."
"Anyone who can understand that the Buddhist idea of Nirvana is not merely negative, and that the Buddha himself who (like the Superman) 'looks down on suffering humanity like a hillsman on the planes' is not an atheistic monster, will instantly see how this misses the point. Nietzsche was not an atheist, any more than the Buddha was. Anyone who reads the Night Song and the Dance Song in Zarathustra will recognize that they spring out of the same emotion as the Vedic or Gathic hymns or the Psalms of David. The idea of the Superman is a response to the need for salvation in precisely the same way that Buddhism was a response to the 'three signs'."
"Although Nietzsche was keenly alive to what concerns the deniers, he was an opponent of them. The indifference to truthfulness which they encourage would be for him merely an aspect of nihilism. When he discovered that the values of truth and truthfulness, such as the resistance to self-deception and to comforting mythologies, were not self-justifying and not given simply with the concept of truth—unless the concept of truth is itself inflated into providing some metaphysical teleology of human existence, of the kind that he rejected in Platonism—he did not settle for a demure civic conversation in the style of Richard Rorty's ironist, or saunter off with the smug nod that registers a deconstructive job neatly done. He was aware that his own criticisms and exposures owed both their motivation and their effect to the spirit of truthfulness. His aim was to see how far the values of truth could be revalued, how they might be understood in a perspective quite different from the Platonic and Christian metaphysics which had provided their principal source in the West up to now."
"I don't see Nietzsche as the sort of philosopher whose views you just adopt: there are all sorts of problems with his positive views about the future, about politics, and so on. I see him in the same way that Foucault saw him, as a sort of resource. Foucault said that there isn't any one Nietzsche: everybody gets out of him what they find most helpful. I'm also convinced, from my own experience, that you get most out of him when you've got part of the way there on some path of your own. I think it's arriving at some thoughts of my own which turned out to be not dissimilar to things that Nietzsche had developed in greater depth that has greatly increased my interest in him. I do think that his genealogies are very remarkable constructions, and deserve our attention and respect. But of course they go beyond the metaphysical psychology of Kantian moralism. They also extend much more generally to the sources of our moral conceptions and their associated metaphysical models."
"In 1870 Nietzsche knew that nihilism stood at the door; now it is with us. Despair for mankind is nearly universal. What hope is there? The current protest of youth is basically a rebellion against a nihilistic society, but what comes next?"
"Nietzsche, like other young men of great intellectual gifts, was debilitated by the effects of masturbation."
"The two leitmotifs of the present writer's Metapolitics: From the Romantics to Hitler, 1941, were the rival outlooks of Nietzsche, Wagner: Nietzsche as the voice warning Germany against nationalism, anti-Semitism, herd-collectivism; Wagner as the voice teaching Hitler his Aryan racism, anti-parliamentary leadership-cult, anti-aristocratic cult of the collective "folk." . . . Nietzsche's was the only voice in the 1880's to say that Richard Wagner's folk-romanticism and anti-Semitism would make his German nationalist disciples "the destroyers of both German and European culture.""
"In Nietzsche and [Jakob] Burckhardt the German language had its last great voices of the old Goethean individualism amid the triumphant Bismarck era of statism and mechanized material power. . . . Nietzsche remains unequaled in anticipating out ever-increasing need today for the full, unmechanized personality."
"Nietzsche does not favor reckless, anarchic action. The model of the artist, and more specifically the musician, is important. Rhythm is of the essence; timing of notes, of actions, allows for a style that is cohesive, even if not uniform. The music that emerges comes out over time, it becomes and develops slowly into a whole that is effective if timed well. Again Nietzsche sees that artists, especially musicians and poets, have such a talent. And to the extent that a writer writes poetically, he also shares in this talent."
"Probably no one as skillfully as Nietzsche has managed to appeal to the wild instincts that are dormant in man, and on the other hand to outrage at himself all the lofty feelings that we owe to the higher element in us. This way of writing ensured Nietzsche a huge number of readers."
"It would certainly not be difficult to unearth in Nietzsche’s voluminous works a few pages which, outside their context, might serve to illustrate any preconceived thesis, particularly within the framework of a global exegesis which, parenthetically, would be quite useful to the works of Nietzsche, which are more obscure than profound. This is what the anarchists of Western Europe did, who hastened to consider Nietzsche one of them and who received a cruel rebuff: the philosopher of the master’s morality rejected them with all the rudeness he was capable of. It is clear to the reader, we hope, that we find sterile such a literary and textual attitude towards the writings rich in paradoxes of the recently deceased German thinker, whose aphorisms are often contradictory and in general allow for dozens of interpretations. The natural road towards a correct clarification of Nietzschean philosophy is the analysis of the social base that gave birth to this complex product. The present article strove to carry out an analysis of this kind. The base revealed itself to be rotten, pernicious, and poisoned. From which this conclusion: let them invite us as much as they want to dive in all confidence into Nietzscheism, to breathe deeply in his works the fresh air of proud individualism. We will not answer these appeals and, without fearing facile reproaches of narrowness and exclusivism, will reply with skepticism the way Nathaniel did in the gospel: “Can anything good come out of Nazareth?”"
"The whole world knows that virtue consists in the subjugation of one's passions, or in self-renunciation. It is not just the Christian world, against whom Nietzsche howls, that knows this, but it is an eternal supreme law towards which all humanity has developed, including Brahmanism, Buddhism, Confucianism, and the ancient Persian religion. And suddenly a man appears who declares that he is convinced that self-renunciation, meekness, submissiveness and love are all vices that destroy humanity (he has in mind Christianity, ignoring all the other religions). One can understand why such a declaration baffled people at first. But after giving it a little thought and failing to find any proof of the strange propositions, any rational person ought to throw the books aside and wonder if there is any kind of rubbish that would not find a publisher today. But this has not happened with Nietzsche´s books. The majority of pseudo-enlightened people seriously look into the theory of the übermensch, and acknowledge its author to be a great philosopher, a descendant of Descartes, Leibniz and Kant. And all this has come about because the majority of pseudo-enlightened men of today object to any reminder of virtue, or to its chief premise: self-renunciation and love—virtues that restrain and condemn the animal side of their life. They gladly welcome a doctrine, however incoherently and disjointedly expressed, of egotism and cruelty, sanctioning the idea of personal happiness and superiority over the lives of others, by which they live."
"This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau. But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards. The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others. If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgeting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche's works is enough to provide irrefutable proof of this. Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages."
"Nietzsche knew of the ambiguity in all life. He knew of the creative and destructive elements which are always present in every life process. If you want to find out about his idea of God, do not look first to his statement that "God is dead." Read instead the last fragments of The Will to Power, which is a collection of fragments. It is not a book in itself. The last fragment describes the divine demonic character of life in formulations which show the ambiguity, the greatness, and the destructiveness of life. He asks us to affirm this life in its great ambiguity. Out of this he then has another kind of God, a God in which the demonic underground, the Dionysian underground, is clearly visible. The victory of the element of rationality or of meaning is not as clear as in other philosophers like Kant or Hegel, Hume or Locke, but there is an opening up of vitality, and its half-creative, half-destructive power."
"Friedrich Nietzsche, the famous atheist and ardent enemy of religion and Christianity, knew more about the power the idea of God than many faithful Christians."
"It is certainly not an overstatement to say that no one has ever spoken so greatly and so nobly of what a philosopher is as Nietzsche."
"Nietzsche's criticism can be reduced to one proposition: modern man has been trying to preserve biblical morality while abandoning biblical faith. That is impossible."
"Owing to its radical anti-egalitarianism Nietzsche's vision of a possible future is in a sense more profoundly political than Marx' vision. Like the typical Continental European conservative Nietzsche saw in communism only the completion of democratic egalitarianism and of the liberalistic demand for freedom which is not a "freedom for" but only a "freedom from." But in contradistinction to those conservatives he held that conservatism as such is doomed, since all merely defensive positions, all merely backward looking endeavors are doomed. The future seemed to be with democracy and nationalism. Both were regarded by Nietzsche as incompatible with what he held to be the task of the twentieth century."
"I think he sets a certain standard, let's say a standard of seriousness. (Q: Doesn't he seem intolerant to you, even merciless?) Sontag: He's very vehement, yes. Kafka too was very vehement, and he excluded a great deal, in his life and in his work. These are people whose lives I find exemplary in some respect-their thoughts, their ideas, their work, their seriousness."