Existentialists

"The most immediate result of this unbalanced specialisation has been that to-day, when there are more "scientists" than ever, there are much less "cultured" men than, for example, about 1750. And the worst is that with these turnspits of science not even the real progress of science itself is assured. For science needs from time to time, as a necessary regulator of its own advance, a labour of reconstitution, and, as I have said, this demands an effort towards unification, which grows more and more difficult, involving, as it does, ever-vaster regions of the world of knowledge. Newton was able to found his system of physics without knowing much philosophy, but Einstein needed to saturate himself with Kant and Mach before he could reach his own keen synthesis. Kant and Mach — the names are mere symbols of the enormous mass of philosophic and psychological thought which has influenced Einstein."

"[T]he mass-man sees in the State an anonymous power, and feeling himself, like it, anonymous, he believes that the State is something of his own. Suppose that in the public life of a country some difficulty, conflict, or problem presents itself, the mass-man will tend to demand that the State intervene immediately and undertake a solution directly with its immense and unassailable resources. This is the gravest danger that to-day threatens civilisation: State intervention; the absorption of all spontaneous social effort by the State."

"Greeks and Latins appear in history lodged, like bees in their hives, within cities, poleis. … The polis is not primarily a collection of habitable dwellings, but a meeting-place for citizens, a space set apart for public functions. The city is not built, as is the cottage or the domus, to shelter from the weather and to propagate the species — these are personal, family concerns — but in order to discuss public affairs. … The man of the fields is still a sort of vegetable. His existence, all that he feels, thinks, wishes for, preserves the listless drowsiness in which the plant lives. The great civilisations of Asia and Africa were, from this point of view, huge anthropomorphic vegetations. …Socrates, the great townsman, quintessence of the spirit of the polis, can say: "I have nothing to do with the trees of the field, I have to do only with the man of the city." What has ever been known of this by the Hindu, the Persian, the Chinese, or the Egyptian?"

"Diogenes, in his mud-covered sandals, tramps over the carpets of Aristippus. The cynic pullulated at every corner, and in the highest places. This cynic did nothing but saboter the civilisation of the time. He was the nihilist of Hellenism. He created nothing, he made nothing. His role was to undo — or rather to attempt to undo, for he did not succeed in his purpose. The cynic, a parasite of civilisation, lives by denying it, for the very reason that he is convinced that it will not fail. What would become of the cynic among a savage people where everyone, naturally and quite seriously, fulfils what the cynic farcically considers to be his personal role?"

"The surrealist thinks he has outstripped the whole of literary history when he has written (here a word that there is no need to write) where others have written "jasmines, swans and fauns." But what he has really done has been simply to bring to light another form of rhetoric which hitherto lay hidden in the latrines."

"He [the "specialist"] is one who, out of all that has to be known in order to be a man of judgment, is only acquainted with one science, and even of that one only knows the small corner in which he is an active investigator. He even proclaims it as a virtue that he takes no cognisance of what lies outside the narrow territory specially cultivated by himself, and gives the name of "dilettantism" to any curiosity for the general scheme of knowledge."

"The specialist serves as a striking concrete example of the species, making clear to us the radical nature of the novelty. For, previously, men could be divided simply into the learned and the ignorant, those more or less the one, and those more or less the other. But your specialist cannot be brought in under either of these two categories. He is not learned , for he is formally ignorant of all that does not enter into his speciality; but neither is he ignorant, because he is "a scientist," and "knows" very well his own tiny portion of the universe. We shall have to say that he is a learned ignoramus, which is a very serious matter, as it implies that he is a person who is ignorant, not in the fashion of the ignorant man, but with an the petulance of one who is learned in his own special line."

"The man with the clear head is the man who frees himself from those fantastic "ideas" and looks life in the face, realises that everything in it is problematic, and feels himself lost. As this is the simple truth — that to live is to feel oneself lost — he who accepts it has already begun to find himself, to be on firm ground. Instinctively, as do the shipwrecked, he will look round for something to which to cling, and that tragic, ruthless glance, absolutely sincere, because it is a question of his salvation, will cause him to bring order into the chaos of his life."

"Man’s being is made of such strange stuff as to be partly akin to nature and partly not, at once natural and extranatural, a kind of ontological centaur, half immersed in nature, half transcending it."

"Every intellectual effort sets us apart from the commonplace, and leads us by hidden and difficult paths to secluded spots where we find ourselves amid unaccustomed thoughts."

"Every living creature is happy when he fulfills his destiny, that is, when he realizes himself, when he is being that which in truth he is. For this reason, Schlegel, inverting the relationship between pleasure and destiny, said, “We have a genius for what we like.” Genius, man’s superlative gift for doing something, always carries a look of supreme pleasure."

"Joss intentionally refused multiple calls from my agents making it impossible to connect with him to tell him the news that I was pregnant. Finally, once Joss was apprised of the situation, he requested a meeting with me. In that closed-door meeting, he asked me if I was "going to keep it" and manipulatively weaponized my womanhood and faith against me. He proceeded to attack my character, mock my religious beliefs, accuse me of sabotaging the show, and then unceremoniously fired me the following season once I gave birth."

"Joss Whedon abused his power on numerous occasions while working together on the sets of Buffy the Vampire Slayer and Angel. While he found his misconduct amusing, it only served to intensify my performance anxiety, disempower me, and alienate me from my peers. The disturbing incidents triggered a chronic physical condition from which I still suffer. It is with a beating, heavy heart that I say I coped in isolation and, at times, destructively. Last summer, when Ray Fisher publicly accused Joss of abusive and unprofessional behaviour toward the cast and crew during reshoots on the Justice League set in 2017, it gutted me. Joss has a history of being casually cruel. He has created hostile and toxic work environments since his early career. I know because I experienced it first-hand. Repeatedly."

"It is abundantly evident that Joss has persisted in his harmful actions, continuing to create wreckage in his wake. My hope now, by finally coming forward about these experiences, is to create space for the healing of others who I know have experienced similar serialized abuses of power."

"Whedon as man appears to have inspired no loyalty at all from the people that worked for him."

"If nothing we do matters, then all that matters is what we do."

"You only have to look at the chubby little goblin and you see Gamma face. Puffy and pinched with sunken piggy eyes. The Germans have a word, Backpfeifengesicht, a face in need of a fist. Just looking at a picture of Whedon and any normal man feels his fingers instinctively start to clench."

"All worthy work is open to interpretations the author did not intend. Art isn't your pet — it's your kid. It grows up and talks back to you."

"I have had a dream my whole life... and it was not this good."

"If I ever did a rom-com, it'd be about an orgy. I cannot do anything except ensemble-pieces. It's awful!"

"We’re talking about a malevolent force, We’re talking about a bad actor in both senses."

"Q: So, why do you write these strong female characters? A: Because you’re still asking me that question."

"Get out of my BRAIN!"

"The greatest expression of rebellion is joy."

"SENTINEL: Is dead Buffy actually a robot?"

"Joss: Um, no. Dead Buffy's a Buffy. But a dead one."

"There is nothing more painful in the world than Aly when she makes her big eyes. She makes her big hurt eyes, there's nothing you can do. She just kills you."

"The actors can make up their dialogue. I'm bushed, and they're all funny, and the hell with it. Maybe I'll give them a premise to work off of, like "You're all in trouble" or "Wash has a thing". They could maybe light it too."

"I know there's been some debate about the DVD art. Just remember it's what's INside that counts, as I used to remind girls in high school constantly. CONSTANTLY — until I realized that I was empty inside. Empty and homely. Man, that's a rough combo."

"People love a happy ending. So every episode, I will explain once again that I don't like people. And then Mal will shoot someone. Someone we like. And their puppy."

"People with real power never fear of losing it. People with control think of little else."

"Stay crunchy, even in milk."

"I think that people need two kinds of fulfillment — one in which you give and one in which you hold back. Part of fulfillment is need, is longing, is being unfulfilled, that’s the nature of tragedy and a lot of drama. Very often, what the fans want, they get. But very often, what they want, they can’t quite have, because we want them to feel the way our characters felt..."

"Veronica solves little puzzles because she, like all of us, cannot unravel the bigger ones."

"Let freedom ring, unless it's on vibrate."

"I don't actually have anything against anybody, unless their belief precludes everybody else's. … I am an atheist and an absurdist and I have been for many years. I've actually taken a huge amount of flack for that."

"My visions of the future are always pretty much standard issue. The rich get richer, the poor get poorer... and there are flying cars."

"The English language is my bitch. Or I don't speak it very well. Whatever."

"I believe the only reality is how we treat each other. The morality comes from the absence of any grander scheme, not from the presence of any grander scheme."

"You can either watch TV or you can make TV."

"Two roads diverged in a wood, and I took the road less traveled by and they CANCELLED MY FRIKKIN' SHOW. I totally shoulda took the road that had all those people on it. Damn."

"If I made a series of lectures on PBS on why there should be feminism, no one would be coming to the party, and it would be boring. The idea of changing culture is important to me, and it can only be done in a popular medium."

"The network called up and said 'We piggybacked you on the deal for another show,' I'm like 'Okay, so what you're saying to my writers is that they weren't picked up when they thought they were and now that they are it was because of something that has nothing to do with them. Okay. Great. Stop calling'."

"Hello, I'm the writer and director. Now take your clothes off and get on top of Morena."

"The first thing I ever thought of when I thought of Buffy, the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise … genre-busting is very much at the heart of both the movie and the series."

"I think there's a lot of people out there who say we must not have horror in any form, we must not say scary things to children because it will make them evil and disturbed... That offends me deeply, because the world is a scary and horrifying place, and everyone's going to get old and die, if they're that lucky. To set children up to think that everything is sunshine and roses is doing them a great disservice. Children need horror because there are things they don't understand. It helps them to codify it if it is mythologized, if it's put into the context of a story, whether the story has a happy ending or not. If it scares them and shows them a little bit of the dark side of the world that is there and always will be, it's helping them out when they have to face it as adults."

"I believe we are the only sentient beings in the universe, and I believe that 500 years from now, we will still be the only sentient beings around. … Aliens are something everyone else is doing."

"Very occasionally, if you really pay attention, life doesn’t suck."

"Dostoevsky once wrote, "If God did not exist, everything would be permitted"; and that, for existentialism, is the starting point. Everything is indeed permitted, if God does not exist, and man is in consequence forlorn, for he cannot find anything to depend upon either within or outside himself. He discovers forthwith that he is without excuse. For if indeed existence precedes essence, one will never be able to explain one's action by reference to a given and specific human nature; in other words, there is no determinism-man is free, man is freedom."

"Dostoyevsky, patron saint of substance over style."