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April 10, 2026
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"Hogarth adopted a new line of art, purely English; his merits are known to the public, more from his prints than from his paintings: both deserve our attention. His pictures often display beautiful colouring, as well as accurate drawing: his subjects generally convey useful lessons of morality, and are calculated to improve the man, as well as the artist: and he teaches with effect, because he delights while he instructs. It has been said of him, that in his pictures he composed comedies; his humour never fails to excite mirth, and it is directed against the fit objects of ridicule or contempt. The powers of his pencil were not perverted to the purposes of personal attack; the application of his satire was general, and the end at which he aimed was the reformation of folly or of vice."
"[T]he matchless Election Entertainment... [i]n that inimitable print (which in my judgment as far exceeds the more known and celebrated March to Finchley as the best comedy exceeds the best farce that ever was written) let a person look till he be saturated... when he shall have sufficiently admired this wealth of genius, let him fairly say what is the result left on his mind. Is it an impression of the vileness and worthlessness of his species? or is it not the general feeling which remains, after the individual faces have ceased to act sensibly upon his mind, a kindly one in favour of his species? was not the general air of the scene wholesome? did it do the heart hurt to be among it? Something of a riotous spirit, to be sure, is there, some worldly-mindedness in some of the faces, a Dodingtonian smoothness which does not promise any superfluous degree of sincerity in the fine gentleman who has been the occasion of calling so much good company together: but is not the general cast of expression in the faces, of the good sort? do they not seem cut out of the good old rock, substantial English honesty?"
"His engravings, though coarse, are forcible, in a degree scarcely to be paralleled. Every figure is drawn from the quarry of nature; and, though seldom polished, is always animated."
"The Temple of Nature was his academy,—and his topography the map of the human mind."
"They said he could not paint flesh. There's flesh and blood for you."
"These derisive prints give only a distorted idea of a world which to Hogarth was always strange and uncongenial: that of the patron supporting an obedient circle and in addition favouring the foreigner to the detriment of a home-grown art."
"The ingenious Mr Hogarth [is one of the most] useful Satyrists that any Age hath produced."
"[H]is character as an artist is to be gathered from numerous works, at once original and unrivalled. His fame has flown far and wide; his skill as an engraver spread his reputation as a painter; and all who love the dramatic representation of actual life—all who have hearts to be gladdened by humour—all who are pleased with judicious and well-directed satire—all who are charmed with the ludicrous looks of popular folly—and all who can be moved with the pathos of human suffering—are admirers of Hogarth. That his works are unlike those of other men, is his merit, not his fault. He belonged to no school of art; he was the produce of no academy; no man living or dead had any share in forming his mind, or in rendering his hand skilful. He was the spontaneous offspring of the graphic spirit of his country, as native to the heart of England as independence is, and he may be fairly called, in his own walk, the first-born of her spirit."
"William Hogarth was rather below the middle size; his eye was peculiarly bright and piercing; his look shrewd, sarcastic, and intelligent; the forehead high and round. He was active in person, bustling in manner, and fond of affecting a little state and importance: of a temper cheerful, joyous, and companionable; fond of mirth and good fellowship; desirous of saying strong and pointed things;—ardent in friendship—and in resentment. His lively conversation—his knowledge of character—his readiness of speech—and quickness of retort, made many covet his company, who were sometimes the objects of his satire; but he employed his wit on those who were present, and spared or defended the absent. His personal spirit was equal to his satiric talents; he provoked, with his pencil, the temper of those whom it was not prudent to offend; with him no vice nor folly found shelter behind wealth, or rank, or power."
"He pleaded the cause of virtue—it was vice that he painted in disgusting colours; and though the judicious spectator may occasionally discover grossness in the production of this great Artist, yet they were such as scenes from nature produced, and such as the great Moralist always contrasted, by displaying virtue at the same time in the loveliest attire, and giving her the most attractive expression."
"In pictures of comic character, rich humour, and moral satire, and particularly in displaying the human figure and countenance in its common and popular forms, he certainly excelled all other painters... Hogarth was certainly an artist of peculiar and distinguished talents. He stood alone in art, and formed a school of his own. He was at once the Pictorial Satirist, Moralist, and Historian of the age in which he lived. I use the latter term, from the conviction that his pictures will always be referred to with pleasure and advantage, as recording the features, costume, and corporeal characteristics of many eminent and illustrious persons, and of many public and private events of his time."
"On why our features sag, It is by the natural and unaffected movements of the muscles, caused by the passions of the mind, that every man's character would in some measure be written in his face, by the time he arrives at forty years of age."
"A great many people seem to delight most in what they least understand."
"Experience teaches us that the eye may be subdued and forced into forming and disposing of objects even quite contrary to what it would naturally see them, by pre judgement of the mind or some other persuasive motive."
"[A]n attractive lie is always going to be more popular than a hard truth. (No. 11, p. 27)"
"Anything done for the first time unleashes a demon. (Cover and title of Cerebus #65, August 1984, collected in Church & State I, p. 7 and 273)"
"Cerebus: The valuable lesson is that you can get what you want and still not be very happy... (p. 296)"
"Oscar: In a society where dissenting viewpoints are suppressed, those viewpoints are potent and dangerous... Where dissent is tolerated, it rapidly becomes quaint and is viewed as un-sophisticated; people merely amuse themselves with the expression of contrary opinion. (p. 41)"
"No companies are ever going to pay you enough money to sue them successfully. (pp. 50-51)"
"The greatest mistake you can make is to say that your work is better than a lot of the shit that's out there. No doubt. But being better than shit is not exactly a shining credential. (p. 30)"
"Get out of your own way. (p.28)"
"Stop trying to impress some art-school teacher with a stick up his butt whose opinions you never respected from the time you entered his class until you left it 10 years ago. Draw like you. (p. 27)"
"...there is very little about self-publishing a comic book that can be taught, but everything about it can be learned. (p. 21)"
"In any creative field--any creative field--you must first understand that you have no value whatsoever. Your work has no value whatsoever. You are completely worthless. Whatever potential you have is just that--potential--and when you are discussing self-publishing a comic book, you have about the same chance of success as 10 thousand others. (p. 21)"
"The first five years that I did Cerebus I could have made more money baby-sitting (that isn't a joke). Five years. Think about it. (p. 20)"
"In my experience women are like cats. When you don't want them you can't get rid of them and when you do want them it's like trying to pick up lint with a magnet. (p. 267)"
"Because I say what is empirically true: nothing exists except God, I am deemed to be insane. (ibid, p. 28)"
"I take it as a given that God's knowledge of the Cerebus storyline dwarfs my own as God's knowledge of everything dwarfs my own. (#2, p. 9)"
"Pointing out that there's a turd lying on the carpet is not the same as shitting on the carpet.(p. 75)"
"Reality is reality. It is the way things are, not the way you want them to be in your head."
"I'd rather take a major financial hit being honest than get rich by lying."
"If you really want to do it nothing and no one is going to stop you, if you don't really want to do it, nothing and no one is going to help you."
"I'd rather live in the gutter embracing reality than live like a king embracing unreality."
"What the feminists and their ventriloquist puppet husbands are talking about doing with Government-Funded Daycare is raising children as if they were a herd of interchangeable swine. No surprise coming from a gender which has no ethics, no scruples, no sense of right and wrong."
"It seems to me a core element of belief in God that a choice is a choice and it eliminates all other choices."
"If something knocks you five degrees out of whack, the journey of a thousand miles that begins with a single step ends up thousands of miles away from its intended destination."
"I collect power supplies like other men collect meaningful relationships! THAT IS TO SAY, AT THE RATE OF ABOUT ONE A YEAR"
"Failure is just success rounded down."
"Strange things in the neighbourhood (partial list):"
"We're all already aware of boobies; it is the general state of most people in North America! THANKS, MEDIA AND THE MALE GAZE"
"You're supposed to whore yourself out! Nobody will judge you! ACTUALLY EVERYONE WILL JUDGE YOU THAT'S HOW THE SYSTEM WORKS"
"I'm suddenly worried people will think that I believe their religion can be summed up on four sex-obsessed sentences."
"I'm totally applying assumed Creative Commons rights."
"I saw The Mountain Ghost last night and they were really good but also scary! Actually they are called the Mountain GOATS and do not feature scary g-g-g-ghosts. Luckily."
"Of course it's easy to get on public transit! It's public transit."
"Don't worry, it's very clear that the painting was done by a human, most likely a human with one eye removed and a feverent if incorrect understanding of design and anatomy."
"Good luck distinguishing which sign is the REAL sign when my entire front lawn is covered with thousands of little green signs - each with a different number! Ahahahah! I'll be EVERY address in the whole freakin' township! And what are you gonna do about it? Hopefully, NOTHING!"
"They are "sexcellent". That is a pun for you, you will find lots of puns on the internet! Also: blonde jokes."
"I speculate that the genesis of the chicken-joke lies in some situation such as the one illustrated above, but over time the original context of the joke was lost, which left the chicken sadly decontextualized."
"Man, staying at home is for chumps! You could shake the man's hand! YOU COULD TOTALLY SMOOCH HIM MAYBE. maybe not but still!"