Boxers From The United States

"I was on my face. I heard the count from one to 10. I kept telling myself that I had to get up, but I couldn't move. I couldn't make myself move. It was the strangest feeling."

"Rocky is a poor Italian boy from a poor Italian family, and he appreciates the buck more than almost anybody. He's only got two halfway decent purses so far, and it was like a tiger tasting blood"

"Roland La Starza was tough, but Ezzard Charles was the toughest man I ever fought. I learned what pain was all about when I fought him."

"I don't want to be remembered as a beaten champion."

"Rocky didn't know enough boxing to know what a feint was. He never tried to outguess you. He just kept trying to knock your brains out. If he missed you with one punch, he just threw another. I had the braggadocio and the skill and the guts, but that wasn't enough. Marciano beat me down."

"I got a guy who's short, stoop shouldered and balding with two left feet. They all look better than he does as far as the moves are concerned, but they don't look so good on the canvas. God, how he can punch."

"The greatness of Marciano in the ring was defined by the way he prepared for a fight, his ability to punch and take a punch."

"Rocky Marciano stood out in boxing like a rose in a garbage dump."

"What could be better than walking down any street in any city and knowing you're the heavyweight champion of the world?"

"Why waltz with a guy for 10 rounds if you can knock him out in one?"

"Rocky is not in there to outpoint anybody with an exhibition of boxing skill. He is a primitive fighter who stalks his prey until he can belt him with that frightening right-hand crusher. He is one of the easiest fighters in the ring to hit. You can, as with an enraged grizzly bear, slow him down and make him shake his head if you hit him hard enough to wound him, but you can't make him back up. Slowly, relentlessly, ruthlessly, he moves in on you. Sooner or later, he clubs you down."

"Duran quit in frustration. People were laughing and he couldn't deal with that."

"Inactivity is the biggest sin in boxing."

"The Ricky Hatton that beat Kostya Tszyu in 2005 can beat Floyd Mayweather, he was so focused and in such amazing physical shape that he would have given anybody at that level a tough time."

"I tried the gloves on, and it just felt so natural. From that moment I became so embedded in boxing. I found a friend in boxing."

"I had a drug problem. I'd go to parties, take a leak, and there was cocaine right there. I was 25 when it started, rich, famous, and retired."

"That name, 'Manos de Piedra', is true, Hands of Stone. Every punch, and I'm not exaggerating, every punch that he hit me with, from the body to the head, felt like bricks, stone, rocks. He knocked my teeth back. My front, my first 3 or 4 teeth, he knocked them back because he was just so possessed. He was a demon."

"Of all the fighters today, I have to say that Mayweather reminds me most of me," Leonard told Irish boxing writer Brian Doogan in describing the incident. "The kid has every gift and physical attribute, but if he continues to be the kind of person he is, he'll never be one of us. He'll never make it."

"I know exactly what it takes to beat this man, but people say, 'Well, Ray, two years of inactivity, you'll be rusty.' No, no. He will eliminate the rust because he is what I want and I am what he wants. And boxing needs that kind of fight."

"Tommy Hearns seemed like an indestructible machine, so to beat him, I think that was my defining moment, the pinnacle."

"In his grave, we praise him for his decency - but when he walked amongst us, we responded with no decency of our own. When he suggested that all men should have a place in the sun - we put a special sanctity on the right of ownership and the privilege of prejudice by maintaining that to deny homes to Negroes was a democratic right. Now we acknowledge his compassion - but we exercised no compassion of our own. When he asked us to understand that men take to the streets out of anguish and hopelessness and a vision of that dream dying, we bought guns and speculated about roving agitators and subversive conspiracies and demanded law and order. We felt anger at the effects, but did little to acknowledge the causes. We extol all the virtues of the man - but we chose not to call them virtues before his death. And now, belatedly, we talk of this man's worth - but the judgement comes late in the day as part of a eulogy when it should have been made a matter of record while he existed as a living force. If we are to lend credence to our mourning, there are acknowledgements that must be made now, albeit belatedly. We must act on the altogether proper assumption that Martin Luther King asked for nothing but that which was his due... He asked only for equality, and it is that which we denied him."

"I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of war and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words...less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the war that came before."

"Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull."

"The first sale, that's the one that comes with magic."

"As I get older the urge to write gets less and less; I've pretty much spewed out everything I have to say, none of which has been particularly monumental; nothing that will stand the test of time. Good writing like wine has to age well, and my stuff has been momentarily adequate."

"For the first time in television a writer will have the opportunity to let his imagination take him where ever he wants to. The sky is no longer the limit."

"It's simply a national acknowledgement that in any kind of priority, the needs of human beings must come first. Poverty is here and now. Hunger is here and now. Racial tension is here and now. Pollution is here and now. These are the things that scream for a response. And if we don't listen to that scream - and if we don't respond to it - we may well wind up sitting amidst our own rubble, looking for the truck that hit us - or the bomb that pulverized us. Get the license number of whatever it was that destroyed the dream. And I think we will find that the vehicle was registered in our own name."

"I was dealing with a political story where much of the action took place on the floor of the U.S. Senate, and one of the edicts that came down from the Mt. Sinai of advertisers row was that at no time in a political drama must a speech or a character be equated with an existing political party or current political problems. So several million viewers were treated to an incredible display of senators shouting, gesticulating and talking in hieroglyphics, saying not a single thing germaine to the current political scene."

"Someplace between apathy and anarchy is the stance of the thinking human being; he does embrace a cause, he does take a position, and can’t allow it to become business as usual. Humanity is our business."

"I got the idea for the pilot while walking through an empty lot of a movie studio. There were all the evidences of a community but with no people. I felt at the time a kind of encroaching loneliness, and desolation; a feeling of how nightmarish it would be to wind up in a city with no inhabitants."

"I really can’t claim to being a science-fiction man either. Fantasy was really more my bag. And I’m very much a Johnny-Come-Lately into that. The guys – the really key men – like Asimov, Clarke, Bradbury – they all preceded me by years and years and have a body of literature to show for it. I have nothing but a television show. My only claim is that I put science-fiction and fantasy into a mass media more than any other person."

"If you need drugs to be a good writer, you're not a good writer."

"I was a Christmas present that was delivered unwrapped."

"Hollywood's a great place to live... if you're a grapefruit."

"Once again there appears to be a considerable difference of opinion. I wanted a series with distinction, I have no interest in a series which is purely and uniquely suspenseful but makes no comment about anything. But all they seem to want is maniacs in a cemetery. When I complain they pat me on the head, condescend, and hope I go away. When I was on the Twilight Zone I took the bows, but I also took the brickbats, because when it was bad it was usually my fault, but when it's bad on the Night Gallery, I had nothing to do with it, yet my face is on it all the time."

"[A] medium best suited to illumine and dramatize the issues of the times has its product pressed into a mold, painted lily-white, and has its dramatic teeth yanked out one by one."

"From a writing point of view, radio ate up ideas that might have put food on the table for weeks at a future freelancing date. The minute you tie yourself down to a radio or TV station, you write around the clock. You rip out ideas, many of them irreplaceable. They go on and consequently can never go on again. And you've sold them for $50 a week. You can't afford to give away ideas—they're too damn hard to come by. If I had it to do over, I wouldn't staff-write at all. I'd find some other way to support myself while getting a start as a writer."

"I wish to Christ that I had written a Stagecoach drama starring John Wayne instead."

"I think the destiny of all men is not to sit in the rubble of their own making but to reach out for an ultimate perfection which is to be had. At the moment, it is a dream. But as of the moment we clasp hands with our neighbor, we build the first span to bridge the gap between the young and the old. At this hour, it’s a wish. But we have it within our power to make it a reality. If you want to prove that God is not dead, first prove that man is alive."

"I was bitter about everything and at loose ends when I got out of the service. I think I turned to writing to get it off my chest."

"I ask for your indulgence when I march out quotations. This is the double syndrome of men who write for a living and men who are over forty. The young smoke pot — we inhale from our Bartlett's."

"Radio, in terms of ... drama, dug its own grave. It had aimed downward, had become cheap and unbelievable, and had willingly settled for second best."

"I happen to think that the singular evil of our time is prejudice. It is from this evil that all other evils grow and multiply. In almost everything I've written there is a thread of this: man's seemingly palpable need to dislike someone other than himself."

"[T]he ultimate obscenity is not caring, not doing something about what you feel, not feeling! Just drawing back and drawing in, becoming narcissistic."

"It is said that science fiction and fantasy are two different things. Science fiction is the improbable made possible, and fantasy is the impossible made probable."

"How can you put out a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper? No dramatic art form should be dictated and controlled by men whose training and instincts are cut of an entirely different cloth. The fact remains that these gentlemen sell consumer goods, not an art form."

"The tools of conquest do not necessarily come with bombs, and explosions, and fallout. There are weapons that are simply thoughts, attitudes, prejudices, to be found only in the minds of men. For the record, prejudices can kill and suspicion can destroy; and a thoughtless, frightened search for a scapegoat has a fallout all of its own for the children, and the children yet unborn. And the pity of it is, that these things cannot be confined to the Twilight Zone."

"Known primarily for his role as the host of television’s The Twilight Zone, Rod Serling had one of the most exceptional and varied careers in television. As a writer, a producer, and for many years a teacher, Serling challenged the medium of television to reach for loftier artistic goals. The winner of more Emmy Awards for dramatic writing than anyone in history, Serling expressed a deep social conscience in nearly everything he did. … Fed up with the difficulties of writing about serious issues on the conservative networks, Serling turned to science fiction and fantasy. Through an ingenious mixture of morality fable and fantasy writing, he was able to circumvent the timidity and conservatism of the television networks and sponsors. Self-producing a series of vignettes that placed average people in extraordinary situations, Serling could investigate the moral and political questions of his time. He found that he could address controversial subjects if they were cloaked in a veil of fantasy, saying “I found that it was all right to have Martians saying things Democrats and Republicans could never say.”"

"There is an answer to the doctor's question. All the Dachaus must remain standing. The Dachaus, the Belsens, the Buchenwald, the Auschwitzes – all of them. They must remain standing because they are a monument to a moment in time when some men decided to turn the Earth into a graveyard. Into it they shoveled all of their reason, their logic, their knowledge, but worst of all, their conscience. And the moment we forget this, the moment we cease to be haunted by its remembrance, then we become the gravediggers. Something to dwell on and to remember, not only in the Twilight Zone but wherever men walk God's Earth."

"There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone."