"Well, good morning, everybody, and welcome to Day 255,642 aboard the Axiom. As always, the weather is a balmy 72 degrees and sunny, and, uh... Oh, I see the ship's log is showing that today is the 700th anniversary of our five year cruise. Well, I'm sure our forefathers would be proud to know that 700 years later we'd be... doing the exact same thing they were doing. So, be sure next mealtime to ask for your free "septuacentennial cupcake in a cup." Wow, look at that!"

"This is mutiny! EVE, arrest him!"

"Sigourney Weaver — COM"

"An Adventure Beyond the Ordinar-E"

"Ben Burtt — Servicebot ADAM WALL-E, Brushbot M-O"

"Elissa Knight — Probebot EVE"

"Here's my argument. There's dialogue from frame one. Each of those beeps and those squawks and those whirs mean something and they're trying to convey a specific thing, so I wrote the script with dialogue – wrote it just like a regular script. I would just put the dialogue in brackets. So if he says 'Hey, come over here,' I wrote 'Hey, come over here' and I put it in brackets. Now it was a map for me and anybody else, for Ben Burtt, whoever. When you put in a sound, it's got to convey that. And so it was very conventional how I wrote it."

"Well, actually, its an animated Disney movie that takes 700 years after humans globally turned Earth into a living dumpster, inhabitable for them to live in. 700 years back humans fled in a spaceship in hopes of coming back to Earth after robots were left to "clean Earth". Unfortunately, all the robots left were never able to sustain the great damage already caused. Long forgotten about the purpose of the ship were left the humans on board with high robot technology made for them to live a luxurious life for the next 700 years. Back on Earth, Wall-E, a clean-up robot lives there. Wall-E stands for "Waste Allocation Load Lifter Earth-Class." He is a lonely, caring, and soulful robot. Wall-E although different, he is fascinated with Earth's objects that were left behind. One day a spaceship drops off a unique new high-tech robot. Its purpose...to find life on Earth. Wall-E is fascinated with this robot and follows her quietly and quite frightened, due to the robots immense power, it contains. What happens when Wall-E meets EVE ("Extraterrestrial Vegetation Evaluator") and fascinates her too with the objects of Earth, and one of them being a plant. What happens when the robots purpose is done, while stealing away the plant and getting picked up by a spaceship? What if Wall-E doesn't want her to leave?"

"I'm sorry, there's no short answer to this, but in '94 we were having a lunch about what to do next because we were finishing up Toy Story and we realized we were already behind schedule-wise if we were going to make another movie soon. So we came up with A Bug's Life from that lunch, but before we got to that, we threw out a bunch of other sort of half-baked thoughts. Some of them just were settings, like an ocean, some of them were your fears, and that's – it's fascinating to see later that they became Finding Nemo and Monsters Inc. But then we just had a character we came up with. We came up with the last robot on Earth, this robot that just keeps doing the same thing, that got left on for whatever reason, and it's just doing the same job. And I just thought that was the saddest character I had ever heard of and I just loved that and I remember Pete Docter and I couldn't drop it for a couple of weeks. We said, wouldn't it be cool if it was sort of like R2-D2, you sort of had to infer based on how it was engineered how it—it would almost be a movie about Luxo Jr. through the whole thing."

"[last lines] This is called farming! You kids are gonna grow all kinds of plants! Vegetable plants, PIZZA PLANTS! [laughs] Oh, it's good to be home!"

"Jeff Garlin — Captain B. McCrea"

"You're not getting away from me, one-eye!"

"Too heavy for you?! Huh?!"

"Is that all you got?!"

"Hey, this is the Captain. I am locked in my room. EVE, WALL-E, bring the plant to the Lido Deck. I'll have activated the Holo-Detector. Now, hurry! AUTO's probably gonna cut me off!"

"That's right. The plant. You want it? Come and get it, Blinky."

"Ladies and gentlemen, this is your captain speaking! We're having a slight malfunction with the Autopilot! Please remain calm!"

"AUTO! AUTO! Mutiny. Mutiny. Stupid wheel!"

"NO! Mutiny! MUTINY!"

"We'll see who's powerless now."

"Testing. Testing. Is this thing on?"

"EVE, you are to put this plant straight in the Holo-Detector. NO!"

"AUTO, you are relieved of duty! [switches to "MANUEL"]"

"Fred Willard — Shelby Forthright"

"What do you mean, "classified"? You don't keep a secret from the Captain."

"MacInTalk — AUTO"

"John Ratzenberger — John"

"We can go back home! For the first time!"

"AUTO, get out of my way."

"They're taking adventure to new lengths."

"A holiday motion picture event that takes adventure to new lengths."

"Get tangled up."

"Well, Byron and I love a good challenge. The idea of creating this hair, 70 feet of hair in a CGI film. When you go back and look at any other CGI film, hair is usually in a bob or it’s short, because technically it’s a pain to do. Up until this point it’s been pretty impossible at times to have people interact with it at times."

"When Glen [Keane] was doing drawing after drawing, we actually had a baseball cap with 70-foot long strands of string on it so that the animators could run around and see what that feels like. And we photographs…we had women who had never had their hair cut in 20–30 years come in and we looked at how it behaves once it gets past a certain length. What does that feel like? What’s the texture like? And, of course, we were just talking about this with one of the other guys, we had this brilliant team of technicians who were working on the hair for about six or seven years before the release of the film, and right up until the last minute we weren’t sure if we were going to be able to pull it off, because it was behaving so bizarrely. At one point it was looking like fabric, at one point it was looking like string, or synthetic nylon… it didn’t look like hair yet. All these layers that we had to add, like clumping and static electricity and now it just looks like natural, beautiful hair, but the effort behind it is mammoth."

"The braid was great because there is a point where you don’t want to think about the hair as a hindrance anymore and you just want to pay attention to her emotional journey and it was a great way to change her look mid-way through the movie. Even weaving that braid in CGI was so hard. We had to ask the woman of the studio who actually knew how to do it, we had to watch it so carefully, model it – it was nuts."

"[Grizzly bear roars at Flynn's Wilhelm scream] Flynn, look out!"

"The lanterns will lead her to her true destiny."

"Mandy Moore — Rapunzel"

"[to Engene] ?"

"Alan Tudyk — Angel man"

"Brad Garrett — Thug #2 (Hook Hand)"

"Paul F. Tompkins — Thug #3 (Short)"

"Jeffrey Tambor — Thug #1 (Big Nose)"

"Ron Perlman — Stabbington Brother #1"

"M.C. Gainey — The Captain of the Guards"