"My grandmother was a fearless Greek warrioress, and very protective of her land. She literally ordered some Nazi soldiers to get off one of her fields pointing a gun at them."

"Part of my Greek heritage: The call of resistance to the Nazis, when all mainland Europe had succumbed, it was only Greece my Antigone, who resisted and was starved for it."

"Many of the Greek journalists and TV presenters also seem to share this "progressive intellectualism" which leads Greeks to having to apologize for being Orthodox- What a load of rubbish! Prof Yiannaras with whom I have corresponded then continues with the frightening story about 'the predicted and inevitable and desirable Latinization of our Greek alphabet" quoted by an anonymous source in a periodical Samizdat . Let's get this straight both Greece as well as the Balkan countries that have Kyrilic alphabets should fiercely resist Latinization ."

"Theatro Technis in North London, where the issues of prejudice against immigrants, the poor, the illiterate were dramatised , and more urgently the exploration of the war crime that constituted the illegal invasion by the Turkish military of CYPRUS, and for which the USA ( especially the diabolical Kissinger ) and the UK had little concern, as the president of Cyprus was the Orthodox Archbishop Makarios, who had the reputation of being a bit of a red. This was a theatre company that practiced political theatre in its purest form! I found myself performing a Greek Cypriot peasant woman driven from her land in the North of Cyprus and expressing her grief at the loss of her home in front of an audience that included refugees who had suffered the same fate but had managed to escape to London. The tears just flowed naturally. It was also at this theatre that I tackled the Mount Everest of acting parts – Medea(play) by Euripides, and which I performed to great reviews and was the performance that put me on the London map as an actress. The whole play was interpreted politically."

"the great comedic film director Thodoros Maragos , of the well known film 'Mathe Paedi mou Grammata!' wrote a part specially for me , Ms Ortiki in his 12 part ERT1 television series "Emmones Idees"."

"I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens ,when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!"

"As a little girl my mother used to take me with her to her fittings with her very expensive seamstress. I was dazzled by the beauty of the fabrics and the whole procedure. I still remember the feel of expensive taffeta."

"My first tentative efforts in creating my theatre company were mounting John Ford’s `Tis Pity She`s a Whore ”. I asked people for money for my production, even as I found myself canvassing for another cause. This production was not the totally multi-racial cast that I had hoped for but did consist of actors from other cultures and differing accents, and also achieved a very high level of production value and rave reviews. It also provided the springboard for the extremely talented director/ designer couple Declan Donnellan and Nicolas Ormerod, who went onto creating the now world famous Cheek by Jowl company."

"As an actress I decided that I was not going to accept being cast in token ethnic roles in film or on TV, nor act any parts that I considered demeaned the portrayal of a non-British character. To illustrate this point; after seeing me perform Tatiana in Gorky’s Enemies(play) the well-known TV director, and very nice man, Chris Menaul offered me the role of the main Russian air hostess in a Malcolm Bradbury BBC TV series. He was taken aback when I turned the part down as I didn’t have any TV credits. I gave some excuse ‘that I thought the part vulgar” but the real reason was that Bradbury had portrayed the Russian air-hostesses in what I considered in a cliched demeaning way and involved a little Russia bashing. I have recently sent him a real explanation via his agent."

"I know I`m headstrong ."

"Morally, good theatre and film for that matter disturbs and unnerves us, tries to rid us of our cliched reactions to the world around us by expanding our sympathies, stretching our imaginations, and enriches us."

"The breaking of casting cliches also broke boundaries. A short, Latin-looking actress like me playing classical roles such as Miss Julie , and playing them well, made casting directors uncomfortable. It was unheard of that a short, dark-haired actress of Greek temperament could play the aristocratic Miss Julie. Not beautiful or tall enough etc. It proved one of the best productions of Miss Julie ever seen in London."

"I'm known as the Greek warrioress...I come from a family of noble Greek women. My grandmother faced the Nazis during occupied Greece with a gun in her hand, and my mother is a veritable Hecuba, all strength and dignity.""

"Our mode of perception goes beyond that - we see all actors as people"

"The thing I like about having a company is the academic side. Then you forget about the academic side once you`ve done the administration and you start creating."

"British theatre was xenophobic and tunnel visioned . There was a resistance to using actors from other ethnicities, cultures, and races in production of classics. And a resistance to the non realistic plays like those of Brecht, Genet and Tennessee Williams""

"The first performance the company staged was Ford`s '`Tis Pity Shes a Whore'. It was well received. I like to choose the play, the directors, the designers.. it`s a total creative act."

"I called my company "The Internationalist" because there are a lot of actors who are not English and are being prejudiced against, because they come from other countries. I don`t believe in accents or skin colour. My company has a very strong ethic of social justice to it . I try to incorporate actors from as many nationalities as possible.""

"follow motto by Cicero: “The life that nature has given us is brief, but the memory of a well spent life eternal.”"

"What is the role of the contemporary woman artist/actress, novelist, scriptwriter etc. etc.? Women in the past have been the creators of the race, in the sense of procreation, a very noble and holy purpose I itself, but men have been the creators of culture, in the sense that we understand actress is over. Once you know what your objectives and values are, there can be no compromise. As founder and artistic director of Internationalist Theatre I was fulfilling both these functions. But, let me add, God help you if you are strong minded and an intellectual in England, where they are generally anti-intellectual and petrified of passionately held beliefs. They have given me such a rough ride you wouldn`t believe it. Tant Pis!!!!I`m not ashamed of spending six years at university, and I revel in intellectual discourse. I`m unashamedly high brow. And, as for fighting in a man`s domain, I`m known as the Greek warrioress, ha, ha ha...I come from a family of noble Greek women. My grandmother faced the Nazis during occupied Greece with a gun in her hand, and my mother is a veritable Hecuba, all strength and dignity."

"The great British 1950`s theatre critic Ken Tynnan, described the theatre as “an independent force at the country`s life , a sleeping tiger that can and should be roused whenever the national (or international) conscience needs nudging”. And Griselda Gambaro`s EL CAMPO does just that. It is a savage protest against the indignities imposed on modern man and woman by the impersonal bureaucracies and dictatorships in a language of poetic and startling originality. In the figure of Emma, the tortured artist, the part I played, we find expressed an outcry against the imprisonment of artists and the suppression of artistic freedom."

"The ground breaking production of the company, and the point at which the cross-cultural casting began to bite, was Brecht’s anti-war play Mother Courage. Just one comment in a review by critic Malcolm Hay jolted us into the realisation that we were making history: Why is an Indian actor playing the Pastor?"

"Our first play in 1981 was Jean Genet’s The Balcony , a prophetic choice, set in Paris in turmoil, just as London was being torched during the Brixton riots, an explosion of racial tensions that had been simmering for some time. I insisted on casting a Caribbean actress to play the lead, Irma the Madam of the Brothel."

"At the end of my course I realized there was no place for me in South Africa because I found it difficult to function in a society that considered 75% of population inferior, that my community frowned on me as an actress, and my beliefs for a non-racial society now incorporated a fight for the equality for women an anathema to my conservative Greek community. I did not want to spend my life apologizing for who I was."

"I arrived at as an undergraduate with two driving passions: a consuming interest for a politics of justice grounded in a Christian theology and acting, as a ‘revelation of the treasures of the human soul’ not as a form of exhibitionism. My search for justice grew out of the pain I experienced when I saw the ridicule my malformed brother elicited. I became aware of the evil that is prejudice, a form of injustice. My urge to redress this prejudice took a more social dimension during my years as a boarder at St Dominic’s Convent, where the great Barbara Hogan matriculated a year later than me though I only got acquainted with her at Wits."

"The metallic age suits her - silver hair, gold teeth and lead heart."

"I'm a ROLLS-ROYCE! A MAN-EATING ROLLS-ROYCE!"

"My type is dying out of the theatre. I'm a conductor who has to ORCHESTRATE the whole thing."

"I've been called a termagent, but people BELIEVE in me. I'm a BIG personality."

"Theatre is simply in my BLOOD..If they had to de-sanguinize me the BAD theatrical blood - or maybe that's MAGICAL blood - would simply flow back!"

"Intense. Vibrant. Undeniably talented, with a unique intelligence and razor-sharp wit. A woman, self-created for all seasons."

"I grew up on a farm in South Africa, so I’ve always been surrounded by animals. I was raised by a mother who always had great compassion and respect toward animals. It was instilled in me. I grew up that way. So when I see dogs or other animals suffer, it’s just been something close to my heart."

"Athletes, spectators from every corner of the world, this is a message of peace by my beloved countryman Nelson Mandela: "Peace is not just the absence of conflict; peace is the creation of an environment where all can flourish, regardless of race, color, creed, religion, gender, class, caste or any other social markers of difference." Today this message seems more relevant than ever, so let these games be more than just sport, let them be a reminder of our common humanity, our respect for one another and a resounding call for peace everywhere."

"I was raised with the idea that you can feel sorry for yourself, but then, get over it, because it doesn't get you anywhere. … There was always this awareness that you have to be responsible for yourself in order to have what you want. And that meant "Be responsible with this little motorcycle that we're going to give you, because you're only five. If you're not, you're going to hurt yourself" -- which I did. My mom wasn't like, "Poor baby." She was like, "You do wheelies. That's what's going to happen." My mom's philosophy was, "If you get yourself in trouble, you've got to get yourself out of trouble.""