The Outline of History

"There is a considerable imaginative appeal in the obscure story of the early American civilizations. It was largely a separate development. Somewhen at last the southward drift of the Amerindians must have met and mingled with the eastward, canoe-borne drift of the heliolithic culture. But it was the heliolithic culture still at a very lowly stage and probably before the use of metals."

"Men may have navigated boats upon the Levantine lake before the refilling of the Mediterranean by the Atlantic waters."

"Very soon the seafaring men must have realized the peculiar freedom and opportunities the ship gave them. They could get away to islands; no chief nor king could pursue a boat or ship with any certainty; every captain was a king. The seamen would find it easy to make nests upon islands and in strong positions on the mainland. There they could harbour, there they could carry on a certain agriculture and fishery; but their specialty and their main business was, of course, the expedition across the sea. That was not usually a trading expedition; it was much more frequently a piratical raid. From what we know of mankind, we are bound to conclude that the first sailors plundered when they could, and traded when they had to."

"The art of rowing can first be discerned upon the Nile. Boats with oars are represented in the earliest pictorial monuments of Egypt, dating from about 2,500 B.C.; and although some crews are paddling with their faces towards the bow, others are rowing with their faces towards the stern. The paddling is certainly the older practice, for the hieroglyph chen depicts two arms grasping an oar in the attitude of paddling, and the hieroglyphs were invented in the earliest ages. And that practice may really have ceased before 2,500 B.C., despite the testimony of monuments of that date; for in monuments dating from about 1,250 B.C., crews are represented unmistakably rowing with their faces towards the stern and yet grasping their oars in the attitude of paddling, so that even then Egyptian artists mechanically followed the turn of the hieroglyph to which their hands were accustomed."

"Secure from invasion, living in a delightful climate, trading with every civilized community in the world, the Cretans were free to develop all the arts and amenities of life. This Cnossos was not so much a town as the vast palace of the king and his people. It was not even fortified. The kings, it would seem, were called Minos always, as the kings of Egypt were all called Pharaoh; the king of Cnossos figures in the early legends of the Greeks as King Minos, who lived in the Labyrinth and kept there a horrible monster, half man, half bull, the Minotaur, to feed which he levied a tribute of youths and maidens from the Athenians. Those stories are a part of Greek literature, and have always been known, but it is only in the last few decades that the excavations at Cnossos have revealed bow close these legends were to the reality. The Cretan labyrinth was a building as stately, complex, and luxurious as any in the ancient world. Among other details we find water-pipes, bathrooms, and the like conveniences, such as have hitherto been regarded as the latest refinements of modern life."

"It is the custom nowadays to make a sort of wonder of these achievements of the Cretans, as though they were a people of incredible artistic ability living in the dawn of civilization. But their great time was long past that dawn; as late as 2,000 B.C. It took them many centuries to reach their best in art and skill, and their art and luxury are by no means so great a wonder if we reflect that for 3,000 years they were immune from invasion, that for a thousand years they were at peace. Century after century their artizans could perfect their skill, and their men and women refine upon refinement. Wherever men of almost any race have been comparatively safe in this fashion for such a length of time, they have developed much artistic, beauty. Given the opportunity, all races are artistic."

"The Iliad makes it clear that destruction came upon Troy because the Trojans stole Greek women. Modern writers, with modern ideas in their heads, have tried to make out that the Greeks assailed Troy in order to secure a trade route or some such fine-spun commercial advantage. If so, the authors of the Iliad hid the motives of their characters very skilfully. It would be about as reasonable to say that the Homeric Greeks went to war with the Trojans in order to be well ahead with a station on the Berlin to Bagdad railway. The Homeric Greeks were a healthy barbaric Aryan people, with very poor ideas about trade and "trade routes"; they went to war with the Trojans because they were thoroughly annoyed about this stealing of women."

"It is fairly clear from the Minos legend and from the evidence of the Cnossos remains, that the Cretans kidnapped or stole youths and maidens to be slaves, bull-fighters, athletes, and perhaps sacrifices. They traded fairly with the Egyptians, but it may be they did not realize the gathering strength of the Greek barbarians; they "traded"' violently with them, and so brought sword and flame upon themselves."