Art

"Art happens all the time, everywhere. All we have to do is to keep our minds open."

"The very object of an art, the principle of its artifice, is precisely to impart the impression of an ideal state in which the man who reaches it will be capable of spontaneously producing, with no effort of hesitation, a magnificent and wonderfully ordered expression of his nature and our destinies."

"The taste of the more recent accessions to the leisure class proper and of the middle and lower classes still requires a pecuniary beauty to supplement the aesthetic beauty, even in those objects which are primarily admired for the beauty that belongs to them as natural growths."

"Hence has arisen that exaltation of the defective, of which John Ruskin and William Morris were such eager spokesmen in their time; and on this ground their propaganda of crudity and wasted effort has been taken up... And hence also the propaganda for a return to handicraft and household industry. So much of the work and speculations of this group of men... would have been impossible at a time when the visibly more perfect goods were not the cheaper."

"Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction."

"The National Association for the Advancement of Colored People recognizes in "Song of the South" remarkable artistic merit in the music and in the combination of living actors and the cartoon technique. It regrets, however, that in an effort neither to offend audiences in the north or south, the production helps to perpetuate a dangerously glorified picture of slavery. Making use of the beautiful Uncle Remus folklore, "Song of the South" unfortunately gives the impression of an idyllic master-slave relationship which is a distortion of the facts."

"Art is individualism, and individualism is a disturbing and disintegrating force. There lies its immense value. For what it seeks is to disturb monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine."

"Autrefois, j'étais poète et tyran. Maintenant je suis artiste et anarchiste."

"It is easy to see that the mimetic image is inscribed in art. Every painting, every sculpture, every photograph wants to be a second body And it is easy to see that the apparitional, instantaneous image is also inscribed in the work of art. Modern works of art, according to Theodor Adorno, are "ashamed" of their apparitional quality but are unable to shed it. "If the deities of antiquity," Adorno wrote, "were said to appear fleetingly at their cult sites .. . this act of appearing became the law of the permanence of artworks, but at the price of the living incarnation of what appears." It is harder to see that the work of art is already inscribed in every image, even in the supposedly pre-aesthetic artifact like the effigy and the mask. Emile Durkheim recognized this fact when he observed that "art is not merely an external ornament with which the [religious] cult has adorned itself in order to dissimulate certain of its features which may be too austere and too rude; but rather, in itself, the cult is something aesthetic."' The image is thus best understood not as the origin but as the destination of art."

"In short, if newspapers were written by people whose sole object in writing was to tell the truth about politics and the truth about art we should not believe in war, and we should believe in art."

"The artist and monk are distinct... because they apply themselves self-consciously to transformation. They educate themselves for an end they have chosen. By contrast, most of us are educated by others and for ends we have not chosen. Traditionally, artists, philosophers, and religious figures have formed that small segment of society that engages in the important if often painful business of introspection and prophetic critique. They sense the dangers of an unthinking, habitual mode of seeing and know the need for tireless renewal."

"A hierarchy of senses, with the visual steadily more separate from the others and seeking its completion in artificial images such as cave paintings, moves to replace the full simultaneity of sensual gratification."

"I respect all definitions of art, but I cherish most the definition which states that art is an expression of the desire to communicate on the most meaningful level."

"Art means to dare — and to have been right."

"The work of art … is an instrument for tilling the human psyche, that it may continue to yield a harvest of vital beauty."

"What I am searching for... is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form. Form, which we discover in nature by analysis, is obstinately mathematical in its manifestations—which is to say that creation in art requires thought and deliberation. But this is not to say that form can be reduced to a formula. In every work of art it must be re-created, but that too is true of every work of nature. Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed."

"For a long time I limited myself to one color — as a form of discipline."

"Buy a piece of art. Find one that speaks to you and make the purchase. If it is a genuine artistic production, it will invade your life and change it. A real piece of art is a window into the transcendent, and you need that in your life, because you are finite and limited and bounded by your ignorance. […] It is for such reasons that we need to understand the role of art, and stop thinking about it as an option, or a luxury, or worse, an affectation. Art is the bedrock of culture itself. It is the foundation of the process by which we unite ourselves psychologically, and come to establish productive peace with others."

"art comes from constant mental harassment."

"The Neo-Platonic background, which furnished the metaphysical justification for much of this mathematical development (at least as regards its bearing on astronomy) awoke Kepler's full conviction and sympathy. Especially did the aesthetic satisfactions gained by this conception of the universe as a simple, mathematical harmony, appeal vigorously to his artistic nature."

"Do we not say that the judicious discovering of a most lovely Statua in a piece of Marble, hath sublimated the wit of Buonarruotti far above the vulgar wits of other men? And yet this work is onely the imitation of a meer aptitude and disposition of exteriour and superficial mem­bers of an immoveable man; but what is it in comparison of a man made by nature, composed of as many exteriour and inte­riour members, of so many muscles, tendons, nerves, bones, which serve to so many and sundry motions? but what shall we say of the senses, and of the powers of the soul, and lastly, of the understanding? May we not say, and that with reason, that the structure of a Statue falls far short of the formation of a living man, yea more of a contemptible worm?"

"I don't consider myself an artist. I go out there and I try to play what's right for the music. It seems to be a much more open approach and it would seem to allow me to be able to expand as the music of the time expands. I think people who get hung up in their own artistry often get into a certain style they think is them and if they do anything different the public won't be able to identify their artistry, which is kind of limiting. I don't think that way. I have a good time playing. I try to play the best I can. I know I can play the drums and I want to play the best that I can possibly play. I want to play better a year from now than I'm playing now, not because my artistry is at stake, but just because I like it."

"It is the glory and good of Art, That Art remains the one way possible Of speaking truth, to mouths like mine at least."

"When you have a cause, the best way to express yourself is artistically."

"If I behold a statue of some excellent master, I say with my self: "When wilt thou know how to chizzle away the refuse of a piece of Marble, and discover so lovely a figure as lyeth hid therein? When wilt thou mix and spread so many colors upon a Cloth, or Wall, and represent therewith all visible objects, like a Michael Angelo, a Raphaello, or a Tizvano? If I behold what invention men have had in comparting Musical intervals, in establishing Precepts and Rules for the management thereof with admirable delight to the ear, when shall I cease my astonishment? What shall I say of such and so various instruments of that Art? The reading of excellent Poets, with what admiration doth it swell anyone who attentively considereth the invention of concepts and their explanation? What shall we say of Architecture? What of Navigation? But, above all other stupendous inventions, what sublimity of mind was that in him, that imagined to himself to find out a way to communicate his most secret thoughts to any other person, though very far distant from him either in time or place, speaking with those that are in the Indies, speaking to those who are not yet born, nor shall be this thousand, or ten thousand years? And with how much facility? but by the various collection of twenty-four little letters upon a paper?"

"Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is that which excites the greatest impersonal emotion in an hypothecated perfect human being."

"But there is a solution, there is an answer, there is redemption available for all of us and any one of us, and to the Catholic Church, funny enough I think it is a novel by Morris West, The Pope could decide that all this power, all this wealth, this hierarchy of princess, bishops, archbishops, priests, monks, and nuns could be sent out in the world with money and art treasures, to put them back in the countries that they once raped and violated, whose original systems of animism and belief in simplicity they told them would (tell them) take them straight to hell. They could give that money away, and they could concentrate on the apparent essence of their belief. Then, I would stand here and say the Catholic Church may well be a force for good in the world. But until that day, it is NOT."

"On the whole, our modern ritual is impoverished and does not fulfill man's need for collective art and ritual."

"What is art But life upon the larger scale, the higher, When, graduating up in a spiral line Of still expanding and ascending gyres, It pushed toward the intense significance Of all things, hungry for the Infinite? Art's life—and where we live, we suffer and toil."

"The transformation of an atomistic into a communitarian society depends on creating again the opportunity for people to sing together, walk together, dance together, admire together—together, and not, to use Riesman's succinct expression, as a member of a "lonely crowd.""

"The need for the creation of collective art and ritual on a nonclerical basis is at least as important as literacy and higher education."

"Now nature is not at variance with art, nor art with nature; they being both the servants of his providence. Art is the perfection of nature. Were the world now as it was the sixth day, there were yet a chaos. Nature hath made one world, and art another. In brief, all things are artificial; for nature is the art of God."

"It is not the mission of art to wallow in filth for filth's sake, to paint the human being only in a state of putrefaction, to draw cretins as symbols of motherhood, or to present deformed idiots as representatives of manly strength. Art must be the handmaiden of sublimity and beauty and thus promote whatever is natural and healthy. If art does not do this, then any money spent on it is squandered."

"For art to be art it has to cure."

"A relatively primitive village in which there are still real feasts, common artistic shared expressions, and no literacy at all—is more advanced culturally and more healthy mentally than our educated, newspaper-reading radio-listening culture."

"There is undoubtedly a difference between people who manipulate other people and people who create things."

"How in its naked self Reason wer powerless showeth when philosophers wil treat of Art, the which they are full ready to do, having good intuition that their master-key may lie therein: but since they must lack vision of Art (for elsewise they had been artists, not philosophers) they miss the way; and ev'n the Greeks themselves, supreme in making as in thinking, never of their own art found the true hermeneutick."

"In order to grow out of the receptive into the productive orientation, he [man] must relate himself to the world artistically and not only philosophically or scientifically."

""Collective art,"… is not an individual "leisure time" occupation, added to life, it is an integral part of life. It corresponds to a basic human need, and if this is not fulfilled, man remains as insecure and anxious as if the need for a meaningful thought picture of the world were unrealized."

"Art today can only be revolutionary, that is, it must aspire at the complete and radical reconstruction of society, even if for no other reason than to emancipate intellectual creation from the chains which obstruct it and to allow all mankind to rise to the heights that only geniuses could reach in the past."

"In proportion as we add to mere variety a higher appreciation of those adaptations of matter which are due to human skill, and which we call Art, we pass outside the limits of matter and are no longer the slaves of roods and acres and a law of diminishing returns."

"Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike."

"You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it. (14 June 1853)."

"So heißt unparteiisch sein für die Kunst nur: zur herrschenden Partei gehören."

"One becomes a critic when one cannot be an artist, just as a man becomes a stool pigeon when he cannot be a soldier. (22 October 1846)"

"One must not always think that feeling is everything. Art is nothing without form. (12 August 1846)"

"It's true that things are beautiful when they work. Art is function."

"If the subject of art will be a broken jug a small broken soul with a great self-pity what will remain of us will be like tears of lovers in a small dirty hotel when wallpapers dawn"

"Piety in art—poetry in art—Puseyism in art—let us be careful how we confound them."

"I remember some artists who said this world isn't worth anything, that it is a pigsty, that we are going nowhere, that God is dead, and all those things. Bad literature is this. To expose your navel, to tell how you drank your morning coffee amid general disgust, with everything around you rotting. While the world is dying, I drink my coffee. Or I perform my little sex acts. This is old-fashioned. One must cross this neurotic curtain."