Women Singers

"I can put my dukes up now if I have to in life, but out of appreciation for honesty. I won’t settle for anything less in the studio. So much of music is politics. It’s going for the big vote. It amounts to a lot of baby kissing."

"as an artist I say to myself, “If you’re that good, how come you can’t be yourself?”"

"Hejira was an obscure word, but it said exactly what I wanted. Running away, honorably. It dealt with the leaving of a relationship, but without the sense of failure that accompanied the breakup of my previous relationships. I felt that it was not necessarily anybody’s fault. It was a new attitude."

"I feel frustrated sometimes. I feel bitterness, but I’m not embittered. Feelings pass. A lot of the humor in the music is missed. They insist on painting me as this tragic . . . well not even a tragic, because in this town people don’t understand tragedy. All they understand is drama. You have to be moral to understand tragedy [laughs]."

"Many, many times as a writer, I’ve come to a day where I say, “None of this has any meaning.” If you maintain that point of view, if you hold onto it and possess it, that’s it for you. There’s a possibility that you can come firmly to that conclusion, as Rimbaud did, and give it up."

"I remember being at the Philadelphia Folk Festival and having this sensation. It was like falling to earth. It was about the time of my second album. It felt almost as if I’d had my head in the clouds long enough. And then there was a plummeting into the earth, tinged with a little bit of apprehension and fear. Shortly after that, everything began to change. There were fewer adjectives to my poetry. Fewer curlicues to my drawing. Everything began to get more bold. And solid in a way."

"I thought, “You don’t even know who I am. You want to worship me?” That’s why I became a confessional poet. I thought, “You better know who you’re applauding up here.” It was a compulsion to be honest with my audience."

"Art. They think it’s a pretentious word from the giddyap. To me, words are only symbols, and the word art has never lost its vitality. It still has meaning to me. Love lost its meaning to me. God lost its meaning to me. But art never lost its meaning. I always knew what I meant by art."

"The way I saw the educational system from an early age was that it taught you what to think, not how to think. There was no liberty, really, for free thinking. You were being trained to fit into a society where free thinking was a nuisance."

"All I knew was, whatever it was that I felt was the weak link in the previous project gave me my inspiration for the next one. I wrote poetry and I painted all my life. I always wanted to play music and dabbled with it, but I never thought of putting them all together. It never occurred to me. It wasn’t until Dylan began to write poetic songs that it occurred to me you could actually sing those poems."

"(Would you like to shatter any preconceptions?) I do have this reputation for being a serious person. I’m a very analytical person, a somewhat introspective person; that’s the nature of the work I do. But this is only one side of the coin, you know. I love to dance. I’m a rowdy. I’m a good-timer...But as far as shattering preconceptions, forget it. I feel that the art is there for people to bring to it whatever they choose."

"Truth and beauty. That’s what I hope to deliver."

"(Do you ever make yourself cry when you write?) No, never. I’m not a weeper. I’m a snarler. I just put all the weeping in the words. The words are the weeping."

"…The later work is much richer and deeper and smarter, and the arrangements are interesting too. Musically I grow, and I grow as a lyricist, so there’s a lot of growth taking place. The early stuff – I shouldn’t be such a snob against it. A lot of these songs, I just lost them. They fell away. They only exist in these recordings. For so long I rebelled against the term: “I was never a folk singer.” I would get pissed off if they put that label on me. I didn’t think it was a good description of what I was. And then I listened, and – it was beautiful. It made me forgive my beginnings…"

"…I liked playing the coffeehouses, where I could step off the stage and go sit in the audience and be comfortable, or where there wasn’t a barrier between me and my audience in the clubs. The big stage had no appeal for me; it was too great a distance between me and the audience, and I never really liked it. I didn’t have a lot of fame in the beginning, and that’s probably good because it made it more enjoyable."

"…It’s, you know, the words to the song are your script. You have to bring the correct emotion to every word. You know, if you sing it pretty – a lot of people that cover my songs will sing it pretty – it’s going to fall flat. You have to bring more to it than that."

"…This is a period of relaxation for me, but there are still some weeds that need pulling. I kind of go with Thumper, you know, from Bambi. “If you can’t say anything nice, don’t say anything at all.” That was my philosophy for a long time as a young person. However, I lost Thumper’s guidance as I grew older…He returns from time to time."

"I don't like being too looked up at or too looked down on. I prefer meeting in the middle to being worshipped or spat out."

"I need to explore and discover and so that has given me, really, to some what seems like courage, but really it's just in my stars, there's nothing I can do about it . . . . I guess I'll just take my award and run now."

"“That's one thing that's always, like, uh, the major difference between the performing arts to me, and being a painter, you know. Like, a painter does a painting, and he does a painting — and that's it, you know. He’s had the joy of creating it, and he hangs on a wall, and somebody buys it, somebody buys it again, or maybe nobody buys it, and it sits up in a loft somewhere until he dies. But he’s never, you know, nobody ever says to him, you know, nobody ever said to Van Gogh, 'Paint a Starry Night again, man!' You know? He painted it, and that was it.”"

"You're twiddling and you find the tuning. Now the left hand has to learn where the chords are, because it's a whole new ballpark, right? So you're groping around, looking for where the chords are, using very simple shapes. Put it in a tuning and you've got four chords immediately— open, barre five, barre seven, and your higher octave, like half fingering on the 12th. Then you've got to find where your minors are and where the interesting colors are — that's the exciting part."

"Once I got the open tunings for some reason, I began to get the harmonic sophistication that I heard that my musical fountain inside was excited by. [...] Once I got some interesting chords to play with, my writing began to come.”"

"Of course, it's her own sexuality that she's denying", he continued. Did I know that she'd been raped as a teenager in Berlin? I didn't. Nico was working as a temp for the U.S. Air Force. A black American Sergeant had raped not only her, but other girls under his employ. She'd kept quiet about it, but he was found out and court-marshalled. She had to testify for the prosecution at his trial. He was sentenced to death and shot. Nico was 15. "Not only does she have to carry the horror of the rape but the secret guilt of somehow being complicit, by her testimony, in his execution. Sex for Nico....is irrevocably associated with punishment."

"John Cale did a really interesting version of Heartbreak Hotel, in a minor key. It's incredibly suicidal. I mean you could never believe that that song could turn out to be such a downer as that... Nico did Deutschland Über Alles, which was very good... and she did The End by The Doors, which is the one they put on the album... Nico doing The End was so chilling, it really was. It was incredible. She invests it with so many levels of meaning I didn't hear in the Doors' one. She underplays it... there's just the harmonium, me playing synthesizer— almost doubling the harmonium part— and her singing... which is just like a rich, kind of non-specific miasma of sound..."

"You will never see these lightsGlowing in your nights If you don't know And there are roses growing in the snow."

"With every moon it is as though you're getting closer to your soul And then you go alone and with no fear Then you will know That it was like this before we had to go And you will find that you were blind Until you saw these lights glowing in your nights."

"He came your way And when he had to go There were roses growing in the snow Silently you'll go to the shadow of your soul And you know that it was like this before we had to go You will never see these lights Glowing in your nights Until you feel this way."

"Banish the faceless reward your graceBanish the faceless reward your grace."

"Often the adolescent plagueReward your graceConfuse your hunger capture the fake..."

"You are beautiful and you are alone."

"Cease to know or to tellOr to see or to be your ownHave someone else's will as your ownHave someone else's will as your own."

"I don't have a sense of time. Time is timeless to me, and I'm not in a hurry to get older. I mean, if I were worried about time, all the time, it would be terrible."

"Jim Morrison tells me that people are looking at the streets while I am looking at the moon. I do not feel connected enough [with the issues] to throw stones at a policeman. I want to throw stones at the whole world."

"I think he was the first man I met who was not afraid of me in some way. We were very similar, like brother and sister. Our spirits are similar. We were the same height and the same age, almost … He was well read and he introduced me to William Blake and also the English Romantic poets who came after him. Jim liked Shelley. I preferred Coleridge. In fact, he is my favoured poet of all time. Did you know they were all drug addicts? Coleridge was addicted to opium. It is better to be addicted to opium than to be addicted to money."

"You could say it like was like a fairy tale at the time; Andy would be the good fairy, and Jim would play the giant, Brian would be the witch, Paul McCartney would be the frog who turns into a prince, no, it would have to be the other way round. Well, it didn't seem like a fairy tale at the time. It was a lot of hassle. But I learned a lot of things, and I began to compose my own songs."

"I have a habit of leaving places at the wrong time, just when something big may have happened for me."

"I would say the time has not yet come. I rebel against the present, whenever it is, because I have not seen any change, other than oppositions grow stronger. I would be a communist if it was more anarchist. Otherwise, I see only everything as an absurdity, so I can laugh and cry. I have lived in a continuation, from birth and growing towards death in a chain that cannot end. I don't see this decade then that decade. The same things happen in different guises. I am bohemian but at one time you would call me a hippie or a punk. I remain a bohemian whatever you call me. So maybe I am locked in the fifties. But I have never desired to grow up from my world as a child, which is when things are most clear and utopian. They are clear because you are at the center and you see all around you. When you get older you lose your sight … I lost something of my childishness when people around me start dying. Four of my family died within a year."

"It’s virtually impossible to make a list of influential women from the 2000s without mentioning Avril Lavigne. Undoubtedly, she defined pop punk for young women who wanted to break into the industry. Not only did she come with a bounty of talent, but Lavigne had statements to make and critiques to deliver in the form of musical expression. Throughout her entire discography, she’s openly commentated on the mistreatment of women in the music industry versus that of men. Lavigne was one of the first women to make a name for herself in alternative rock in the 2000s and blew the door off its hinges for the future generation of women in rock."

"If you're trying to turn me into something else? It's easy to see, I'm not down with that."

"Why is everything so confusing? Maybe I'm just out of my mind. Won't you, take me by the hand? Take me somewhere new. I don't know who you are, but I? I'm with you, I'm with you."

"I'm standing on the bridge; I'm waiting in the dark. I thought that you'd be here by now. There's nothing but the rain, no footsteps on the ground. I'm listening, but there's no sound. Isn't anyone trying to find me? Won't somebody come take me home?"

"Sorry, girl. But, you missed out. Well tough luck; that boy's mine now. We are more than just good friends; this is how the story ends. Too bad that you couldn't see; see the man that boy could be. There is more than meets the eye; I see the soul that is inside. He was a boy, she was girl. Can I make it any more obvious? We are in love, haven't you heard? How, we rock each other's world!"

"He was a skater boy. She said: 'see you later, boy'. He wasn't good enough for her. Now, he's a superstar. Slamming on his guitar, to show pretty face what he's worth."

"He was a boy, she was girl. Can I make it any more obvious? He was a punk; she did ballet. What more can I say? He wanted her, she'd never tell secretly she wanted him as well. All of her friends stuck up their nose, they had a problem with his baggy clothes. He was a skater boy. She said: 'see you later, boy'. He wasn't good enough for her. She had a pretty face, but her head was up in space. She needed to come back down to Earth!"

"Tell me, why do you have to go and make things so complicated? I see the way you're acting like you're somebody else; get's me frustrated. Life's like this: You fall and you crawl and you break and you take what you get and you turn it into. Honestly, you promised me I'm never going to find you faking. No, no! No!"

"Chill out, what're you yelling for? Lay back. It's all been done before, and if? You could only let it be? You will see, I like you the way you are. When we're driving in your car and you're talking to me one and one. But you've become somebody else, like everyone else! You're watching your back, like you can't relax. You're trying to be cool; you look like a fool to me."

"I get all these loser preps coming up to me asking for autographs and all this crap, and I really want to tell them, 'My music is not for people like you!"

"I was hanging out with a guy and he said; "You're a dumb blonde" and I was like; "Ah, Thanks!" I think it's a good slap in the face to someone who can't handle a strong independent woman."

"I’ve gone through so much, (referring to Lyme disease and divorce from Chad Kroeger) it put things in perspective and showed me how much the small things in life—friends, love, family, just your health—matter the most. (Referring to the debuting of album Head Above Water) It gave me a purpose, and made me find myself all over again. I'd give anything just to relax with a glass of wine 'cause it just means so much to me. There's still a part of me that loves punk rock."

"[On Lyme disease] I could barely eat, and when we went to the pool, I had to leave and go lie in bed, My friends asked, "What’s wrong?" I didn’t know. I had no idea a bug bite could do this, I was bedridden for five months. I felt like I couldn’t breathe, I couldn’t talk and I couldn’t move, I thought I was dying. There were definitely times I couldn’t shower for a full week because I could barely stand. It felt like having all your life sucked out of you. They were asking about me since I was MIA, so I mentioned to one fan directly that I wasn’t feeling good, The get-well messages and videos they sent touched me so deeply. This was a wake-up call, I really just want to enjoy life from here on out."