Women Singers

"It took me a long time to adjust and narrow down my life. I made my shift to the mind-set … there's time for my daughter outside work and that's all. This is my new life. This is not drudgery. This is fun."

"I never thought I'd be an action star, but now they're going to make little Xena action figures for kids. I still want to be a fine actress one day; it's just a matter of putting in the time and passion."

"Up until I came here this week, and I met so many women and young girls who feel, to use their word - and I'm a bit embarrassed, but it's a good word - empowered, by watching. I realized this isn't a burden, this is an honor."

"Growing up, I looked up to real women. I didn't go in for hero worship and I still don't. Everybody has feet of clay."

"They're also surprised I'm only 6 feet tall. They expect someone much bigger. They say I'm younger and prettier in person, which I like."

"At first, being a female role model really terrified me. But it hasn't turned out to be an awful burden. I get a lot of letters from women who tell me that, after watching Xena, they have bought the Harley-Davidson they always wanted or left an abusive relationship."

"When you decide to become an opera singer, it's a commitment that allows nothing else to interfere. Even your family - and I have a young daughter - has to take second place."

"What's Buffy got? A wooden stake, some garlic. Xena has a full arsenal of weapons."

"I'm gonna walk off wearing the outfit and I'm going to drive home in it."

"The role was very physically challenging and I am not athletic and have never wanted to be. I hate it in fact. I don't go to gyms and for me to have to stay in shape for the role became mind over matter."

"They either overcompensate for the way they feel and are incredibly sycophantic or incredibly brusque in order to prove they don't think you're superior."

"So yes, the roles are getting more and more like me. But that's because Xena was so entirely unlike me. Most people aren't really aware of that."

"My voice likes rock music. My problem is, I can do a lot of things, but I have to find my own voice."

"My advice is precisely the advice my mother gave me. If you believe you have talent, the next thing you must have is determination. If you keep working, keep striving, and try always to move forward a little bit with every job you do, you’ll eventually make it. And I believe that!"

"Roz is in Hollywood, but she's not of it."

"Roz Russell got so frightened at Cary's glibness that she told me she'd hired a gag writer on the side to interpolate bits for her."

"Success is a public affair. Failure is a private funeral."

"At MGM there was a first wave of top stars, and a second wave to replace them in case they got difficult. I was in the second line of defence, behind Myrna Loy."

"Acting is standing up naked and turning around very slowly."

"She was the unsung hero who was quite willing to stand back and pull the strings — and though everyone thinks someone else had done it. It was like the Wizard of Oz you know... she's back there behind the curtains: "Ignore that woman behind the curtain"..."

"Sweet dreams till sunbeams find you Sweet dreams that leave all worries behind you But in your dreams whatever they be Dream a little dream of me."

"I've always been so apathetic. I figured okay, maybe the world is going to fall down around me. Now I feel… maybe that's motherhood, too. I want to make a better world, I want to make sure she has some place to walk around."

"Let's take the people who have latent thoughts about maybe the United States isn't always right. They hear a song like "Give a Damn" and maybe it'll awaken them. If it makes you cross that bridge between apathy and effective participation, that's great. There's so much talk about the Drug Generation and songs about drugs. That's stupid. They aren't songs about drugs; they're about life. Music can play a huge part, because it's the international communicative force."

"I know very few who are willing to die for their convictions. I wouldn't be hit on the head with a billy club or have mace squirted in my face. When I was younger and a radical at American University maybe… as a matter of fact, I was at the march on the Pentagon just last year, right in the front taking pictures, just being there to find out what was happening, and I was knocked down and stepped on. I don't want to do that again. It didn't accomplish anything. They lied about everything that happened. Everything in the newspapers were just lies."

"I think the most successful way to overthrow any government is through infiltration. It's been proven for years. The dream, of course, is that there is going to be a fantastic cataclysm, and that tomorrow we have Adlai Stevenson in the White House. That's not going to happen, and not because Adlai Stevenson is dead. The reason it's not going to happen is that kind of overthrow is not possible. So I will work in the only way I know how, and that is within the establishment — because that is the only existing program. Let someone come up with another one and if it's good I'd do it in a second."

"My philosophy is I'm gonna fight as hard as I can to keep all the bad things from happening. But if they are gonna happen and I happen to be in the city where they are happening — like in the song, "California Earthquake" — then there's not much I can do about it. I can't uproot my whole life, just because I have a feeling that things may not work out all right. There's also always the chance that everything is going to be just swell, guys. Just hang in there. But I don't think it can happen on its own."

"I think everybody who has a brain should get involved in politics. Working within. Not criticizing it from the outside. Become an active participant, no matter how feeble you think the effort is."

"I hope these babies have a world to live in. I hope they have a place to go, a land to walk on. I remember when I was ten years old, in Washington, D.C., and I lived with fear of the atom bomb that would keep me awake nights and make me wake up screaming. I used to babysit for my younger brother and sister and I'd be terrified if I heard a siren, a police car, or an ambulance. I'd say, "My God, what if this is it! How do I protect them?" We used to have duck-and-cover exercises in school, where they'd ring a bell at any time of the day, sometimes five or six times a day, and we'd crawl under our desks and put our hands like this to protect the back of our necks from the bomb. We all carried that with us."

"I've heard that story about kids are high naturally, but I've seen kids that aren't high, kids who've had the high taken out of them."

"I've always wanted to go to England; I've always felt a tremendous drawing to England — especially the Elizabethan period. I felt I was familiar with a lot of it — more than what I was familiar with from what I read and studied in school. I went to England. I started driving. I drove to Stonehenge and found that I had been there. It was familiar to me. I went to the tower of London and knew that I had been there. It was more than just feeling vibrations, which a lot of people can do — feel, you know, vibrations of a place that has antiquity screaming through it. It was an irrefutable fact. It was like coming home for me."

"I would say that there are certain glittering generalities that can be made about every sign that will hold true about everybody who's a member of that sign. For instance, if you had been a Virgo, you would have understood how I hate to be late. I broke up a group I was in once called The Big Three because one of the guys was chronically late and I couldn't take it. I feel when you're supposed to be some place on time, you're there on time. You don't hang people up. It doesn't matter if you're the President of the United States. That's not what you are here for, to hang people up. When I know somebody's sign, and I usually know everybody's sign whether they tell me or not — after getting into this for several years — it helps me to deal with them. Usually I'd rather let people deal with me. That's a total ego hang up, but that's where it's at."

"I say, "Look, I'm here now. There must be a reason I'm here." If that's fatalistic, be that as it may. Where my work is, is where my life is, and if we're falling in the ocean, we're falling into the ocean."

"Everything I've learned in life I've learned either by doing it or watching the changes other people go through. And when you're famous, you don't get to meet people — because they want you to like them when they present themselves to you, present the best sides of themselves, and you don't see the real people. Which is why I don't really go anywhere. And when I do, I put on my silly face and do what they expect me to do. Actually, I never do what they expect me to do. It's the only way I could go on doing what I have to do. I do whatever I… you know, I didn't even comb my hair today. I didn't know we were taking pictures but when I found out, it didn't change my mind any."

"I would love, in all honesty, to do another album with the Mamas and Papas sometime. I miss them. We're still friends and we want to be friends. Because you break up a successful group, which is really what I did, you know, there's some kind of karma here. I don't feel guilty about it; I left the group because I had to. That was being honest."

"I hated it. Everybody'd say, "Hey, mama, what's happening?" Then came the Mamas and Papas and I was stuck with it. And now people call me Mama Cass because of the baby. So I don't know whether I'm gonna be able to really get away from it."

"I think the unique thing about music and graphic art is as oposed to, say, acting and directing, that if you are good you can always create a place for yourself. In acting, for instance, there's only a certain amount of good parts; you have to find the right vehicle. But if you're making good music, man, there's so much room. I think that any group that's really good can make it, anytime. That was my feeling behind the Mamas and Papas. When I heard us sing together the first time… we knew, we knew… this is it. This was when we first came to California, after we'd left the islands."

"Having the baby changed my life a lot. I don't want to go on the road, you see. It's actually a matter of economics, much like the Vietnamese war, I guess. I didn't want to go on the road and I wanted to stay home with my baby. I guess I could go to Kansas and be a waitress and support my child that way. But I'd rather live comfortable and I wanted to do more creative work. I didn't just want to be part of a group. I wanted to be able to do television, and a movie if it came up, to sort of diversify myself, to extend myself. Within the framework of a group, that freedom is not possible."

"I don't think it's so important who you vote for — you vote for who you believe in. The important thing is to vote, because it's our way and it's the best way."

"Our job as entertainers is to ease some pain. So to begin with, you have to know what and where the pain is. I've never campaigned before and I wanted to be damn sure before putting my name behind anyone. I wrote to all the campaign officers to find out what they were. My issue is that it's all very well to sit back and complain but when it's your country you have a responsibility."

"I think I would like to be a Senator or something in twenty years. I don't think I really know enough yet. I'm just 30 now and I wouldn't even be eligible to run for office for another five years. But I have a lot of feelings about things. I know the way I would like to see things for this country and in my travels, when I talk to people, everybody wants pretty much the same thing: peace, enough jobs, no poverty and good education. And I've learned a lot. It's funny. So many people in show business go into politics, and I used to say "What the heck do they know about it?" But when you travel around, you really do get to feel — not to be cliche — the pulse of the country and what people want. I'm concerned and it's not good to be unconcerned and just sit there."

"Your hair shines like gold, says my child. You are pretty old, says my child. And I think to myself how I used to be. There's another wrinkle that I see. Then he takes my hand and smiles at me."

"Ooh, little boy, in between changing fathers. Little girl has to live without Mother. They don't understand why they seem not to need them, Although all they need is a loving hand."

"It's the way that you kiss, the way that you give back, The way you love me like this -- look at the beauty of that. These are the tangled words of our love, that we both do untie -- Same old ways, same old spice, same old paradise."

"You entered my aura and fell into my arms. I just wrapped around you like a snake that's been charmed."

"I feel the need to be naked with you. Take off my pants, my shirt, my socks and my shoes. I need to be naked with you."

"And then I asked him with my eyes to ask again (yes), And then he asked me would I (yes, yes). I put my arms around him (yes), And drew him down to me so he could feel my breasts, And his heart was going like mad. Yes, I said yes, I will, yes."

"To be a catalyst is one of my life’s objectives. I’ve been inspired by many people who in turn have been catalysts. It’s very interesting to see the waves of interest come and go in Celtic territory. If I can be a catalyst for other people, that’s wonderful."

"One of the most wonderful and engaging things I've learned is that we are the culmination and extension of each other's histories and there is more that binds us together than separates us, and in discovering this, perhaps our needs are timeless and universal. I have a very deep interest in religion and spirituality. I like the Sufi perspective, which suggests that it is better to participate in the world than to become detached from the world."

"Until the early nineties, I was under the impression that the Celts were this mad collection of anarchists from Ireland, Scotland and Wales. When I saw an exhibition in Venice, I discovered they were a vast collection of tribes originating from Middle and Eastern Europe as far back as 500 BC, and that over the centuries they migrated and integrated with people all over the world. So I've used this cultural history as a creative muse. With The Book Of Secrets in particular, I was interested in beginning with their earlier and more Eastern history"

"There is a wonderful old Chinese proverb that I love, "A good traveler has no fixed plans and is not intent on arriving". I think about my personal approach to musical projects much like a travel writer might approach the preparation for a book. You latch on to a certain theme or historical event and follow that into the unknown, while, at the same time, expanding on those themes."