Women From England

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April 10, 2026

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April 10, 2026

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"The framework of Conway's system is a tripartite ontological hierarchy of ‘species’, the highest of which is God, the source of all being. Christ, or ‘middle nature’, links God and the third species, called ‘Creature’. God as the most perfect being is infinitely good, wise and just. A principle of likeness links God and creation. Since God is good and just, his creation too is good and just. Created substance, like God, consists of spirit, but, unlike God, is constituted of particles called monads. All created substance is living, capable of motion and perception Anne Conway denies the existence of material body as such, arguing that inert corporeal substance would contradict the nature of God, who is life itself. Incorporeal created substance is, however, differentiated from the divine, principally on account of its mutability and multiplicity even so, the infinite number and constant mutability of created monads constitute an obverse reflection of the unity, infinity, eternity and unchangeableness of God. The continuum between God and creatures is made possible through ‘middle nature’, an intermediary being, through which God communicates life, action, goodness and justice. ‘Middle nature’, partakes of the nature of both God and creation, and is therefore both a bridge and a buffer between God and created things. Thus, although she conceives of created substance as a continuum, and understands mutability as capacity for increased perfection, she sought to avoid the charge of pantheism."

- Anne Conway

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"I say, life and figure are distinct attributes of one substance, and as one and the same body may be transmuted into all kinds of figures; and as the perfecter figure comprehends that which is more imperfect; so one and the same body may be transmuted from one degree of life to another more perfect, which always comprehends in it the inferior. We have an example of figure in a triangular prism, which is the first figure of all right lined solid triangular prism, which is the first figure of all right lined solid bodies, where into a body is convertible; and from this into a cube, which is a perfecter figure, and comprehends in it a prism; from a cube it may be turned into a more perfect figure, which comes nearer to a globe, and from this into another, which is yet nearer; and so it ascends from one figure, more imperfect to another more perfect, ad infinitum; for here are no bounds; nor can it be said, this body cannot be changed into a perfecter figure: But the meaning is that that body consists of plane right lines; and this is always chageablee into a perfecter figure, and yet can never reach to the perfection of a globe, although it always approaches nearer unto it; the case is the same in diverse degrees of life, which have indeed a beginning, but no end; so that the creature is always capable of a farther and perfecter degree of life, ad infinitum, and yet can never attain to be equal with God; for he is still infinitely more perfect than a creature, in its highest elevation or perfection, even as a globe is the most perfect of all other figures, unto which none can approach."

- Anne Conway

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"I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way."

- Rachel Whiteread

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"And yet, like her father and grandfather, Mary possessed many traits which should have fit her for a successful reign. Like all Tudors, she was intelligent, courageous, dignified, ad resilient. These qualities had ensured her survival during her father's and brother's reigns. She was well educated: in addition to her native tongue, she spoke Spanish, French, and Latin and could read Greek and Latin. Nor was she entirely serious: she danced and played the lute. Finally, Mary was not without mercy. Apart from Northumberland, few died for the plot to usurp the throne. Even Lady Jane Gray and Guildford Dudley were allowed to live, for the time being, albeit as close prisoners in the Tower. Unfortunately, she was at her accession naive in politics and inexperienced in government, having been repudiated by her father and, thus, never groomed to succeed. Without training or experience, she was forced to rely on her conscience and her faith. In the end, she had too much of the one and was too inflexible in the other for her own or the country's good. More specifically, she was half-Spanish and all Catholic and so saw it as her God-given duty to ally her country with the Spanish Empire and undo the "heresies" of the previous 20 years by restoring the Roman Catholic Church in England at any cost. Both policies would bring misery to her people."

- Mary I of England

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"Commonwealth schoolchildren are often taught one of the key events in British history with the help of a mnemonic: "King Henry the Eighth, to six wives he was wedded: One died, one survived, two divorced, two beheaded." Beheaded! In 1536 Henry had his wife Anne Boleyn decapitated on trumped-up charges of adultery and treason because she gave him a son that did not survive, and he had become attracted to one of her ladies-in-waiting. Two wives later he suspected Catherine Howard of adultery and sent her to the ax as well. (Tourists visiting the Tower of London can see the chopping block for themselves.) Henry was clearly the jealous type: he also had an old boyfriend of Catherine’s drawn and quartered, which is to say hanged by the neck, taken down while still alive, disemboweled, castrated, decapitated, and cut into four. The throne passed to Henry’s son Edward, then to Henry’s daughter Mary, and then to another daughter, Elizabeth. “Bloody Mary” did not get her nickname by putting tomato juice in her vodka but by having three hundred religious dissenters burned at the stake. And both sisters kept up the family tradition for how to resolve domestic squabbles: Mary imprisoned Elizabeth and presided over the execution of their cousin, Lady Jane Grey, and Elizabeth executed another cousin, Mary Queen of Scots. Elizabeth also had 123 priests drawn and quartered, and had other enemies tortured with bone-crushing manacles, another attraction on display in the Tower. Today the British royal family is excoriated for shortcomings ranging from rudeness to infidelity. You’d think people would give them credit for not having had a single relative decapitated, nor a single rival drawn and quartered."

- Mary I of England

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